July 16 - 22, 2017: Issue 321
A Historic Catalogue And Record Of Pittwater Art I – Of Places, Peoples And The Development Of Australian Art And Artists
From Conrad Martens to William Lister Lister to Sydney Long
To Herman, Jolly and Murch
Lance Solomon - Narrabeen Artist - (1913-1989)
DUNLOP ART CONTEST - NO FIRST PRIZE AWARDED
MELBOURNE. May 14-The judges of the £1000 Dunlop art contest unanimously agreed that no picture entered In the competition deserved the first prize of £300.The second prize of £200 was won by Mr. L. Solomon, of Narrabeen, Sydney, for his painting of "TheYabbies Pool." DUNLOP ART CONTEST. (1951, May 15). Cairns Post (Qld. : 1909 - 1954), p. 3. Retrieved from http://nla.gov.au/nla.news-article40371251
ORIGINAL PAINTING BY LANCE VAIBEN SOLOMON..AUST..LANDSCAPE ARTIST.(1913-1989) $999.00 At here
From State Library of NSW Album: Portraits of Norman and Lionel Lindsay, family and friends, ca. 1900-1912 / photographed chiefly by Lionel Lindsay. Image No.: a2005209h and below: a2005210h
Justine Leontine and Auguste Briquet - 1907. One of Leon's murals i son the wall behind them.
Rock Lily 1893 picture: A Christmas Holiday Trip. (1893, November 25). Illustrated Sydney News (NSW : 1881 - 1894), p. 14. Retrieved from http://nla.gov.au/nla.news-article63104125 -
Rock Lily Hotel [Narrabeen] from State Library of NSW Album: Portraits of Norman and Lionel Lindsay, family and friends, ca. 1900-1912 / photographed chiefly by Lionel Lindsay. Image No.: a2005211h - Auguste and Justine Leontine Briquet are on front entrance way
" Here you are," said our guide, " here's where the bushrangers used to come and hide in the old days."
The bushrangers showed good taste, truly, in their selection of a retreat, though it is hardly likely that artistic considerations influenced them in their choice. The knowing old hands - the men who had run the old gamut of villainy and were now being hounded down again by the law - only chose the resort because of the commanding view of the country all about. Lying perdu here they could keep their eye on the whole coast from Port Jackson to Broken Bay ; the track to Newport ran almost under their nose, and, given a proper watch, a surprise was impossible. So the bush- rangers' hill became famous in the convict days, and from all parts of the country the men who had taken to the bush drew toward the lonely eyrie. Then, when the place began to get unwholesomely crowded, the troopers would make a rush; but long ere they could reach the hill its occupants would be gone, and nothing but a smouldering camp fire left to mark the spot. Some old hand, doubtless, standing where the trigonometrical cairn now makes a black mark against the sky, had seen the heliograph-like flash of the troopers' swords hours before; had watched the little band as it forded the Narrabeen Lagoon, and long before it could even reach the track which leads up to the foot of the hill, had given the alarm signal which had once more scattered his mates all over the bush.
The process must have been repeated many times, and so, years after, when a scanty fringe of settlement began to creep up and around Pittwater, and to dot its indented shores with little flower-covered homesteads, the place kept its name. And then in later days a man, armed with a theodolite and a compass, and various other mathematical instruments, struggled up the top of the mass of rock. He also found the commanding position of the hill of value, though he acted from motives far different from those which guided the old bushrangers. Ho simply wanted a prominent point to form the apex of one of his primary triangles, a point which could be looked up to and its angle measured for miles around. So, to make sure of the point, and to prevent any blundering surveyor measuring the angle subtended by the wrong piece of rock, he planted a stout pole, having a pyramidical cairn of stones by way of foundation. Then he put a couple of discs, like railway following signals, on top of the pole, and went away quite contented with his work.
No one goes to the place much now ; a few city visitors sometimes find their way up the hill, and after saying "how pretty, " remark that it must be time for lunch, and so find their way down again. Even the little black-and-tan hotel dog has got tired of the hill. He wagged his tail joyfully when he saw that we were going for a walk, and even condescended, in his patronising way, to accompany us along tho dusty road. But when we commenced tho ascent of the hill he protested. "Can't see what you stupid people want to climb the hill for on a hot day like this. There's nothing at the top except some ugly rocks, not even a 'possum or a wallaby to chase. Besides I've been there before." So he wagged his little tail and set out on his own account. When we came back to the hotel a few hours later he was quietly resting in the shade of the doorway. "I told you so," he said as he gave us greeting. " Hope you'll take my advice next time."
The absence of the dog, however, did not prevent us toiling steadily up through the tangled masses of fern and flannel flower, till we reached the cairn at the top. It is a pleasant place to sit and think whilst the dull boom of the breakers makes muffled music right under your feet, and the kingfishers flash brightly to and fro in the branches all round. There is a grandeur about the shore line as seen from this bird's-eye point of view. From Barranjoey to the Heads the coast stretches, not straight, but in a series of noble curves fringed with a shining line of yellow sand, and a glistening white circle of breakers. Here and there the reefs jut (with long finger-like points) provokingly out into the blue waters, and the sea lashes at them impotently, sending up clouds of white mist over and around those immovable rocks. It is an old story, as old as the world. For ages the sea, lazily sending in its breakers one after the other, has been striving against those rocks, and for ages the rocks, secure in their position, have declined to move out of the way. The sea is in a quiet mood today. The long blue Pacific rollers are gentle, almost languid in their movements, and they break on the rocks with a deprecating could'nt-help-it kind of an air. They are no longer angry with the rocks, a truce has been patched up, a truce which may last for a day or two at the most, until Mr. Russell sends along another storm, and all is again commotion. The water inside the narrow sand line which forms the lagoon has undoubtedly the best time of it. Nothing makes much difference in this sheltered quarter. Whether it be storm or calm outside, the lagoon remains smooth and peaceful. At intervals, indeed, the sea forces a passage through the sandy barrier, but beyond agitating the water inside a little, no great harm is done. It is curious, indeed, the habit which this Narrabeen Lagoon has of opening and closing its own entrance, sometimes shutting itself off entirely from the sea, as if it aspired to become an inland lake, and at other times admit- ting the great waters freely until it becomes little else but an arm of the sea. Further on still, one can just see the great white college at Manly clearly outlined against the black background of the North Head, and beyond this again the houses of Vaucluse shine out on the southern side of Sydney Harbour. All is clear and bright and distinct as it ought to be on such a day, when the southerly gale of the last week has consented to leave off blowing for a while, and all nature is taking a well-earned rest.
But to leave the ocean and turn round. There is water on this side as well. Not the rough blue heave of the ocean, but the quiet calm of an inland lake. It is Pittwater, that highly-favoured arm of the sea, sheltered in such a way as to be a lake in all but the name. The narrow peninsula slopes sharply down to the water's edge, and the little blue lake extends before us for miles, until at last it seems to turn the corner and disappear, going far away north to meet the ocean again in the stormy Broken Bay. There are tiny ships on this lake -small coasting schooners, which come round here at intervals and load firewood for Sydney. You can see piles of this wood stacked along the bank, waiting until it can be taken off in a primitive fashion to the vessels which are anchored a short way from the shore. The houses are few and far between, and for the most part have a comfortable old settled look, hidden away as they are beneath the masses of almost tropical vegetation. And behind, the orchards slope chequer-board fashion up the green hillsides. At the far end of the bay, where one sees two or three cottages grouped rather closely together, an attempt is being made at settlement on a new plan. The owner, by subdividing his property and selling it in allotments, is trying to gather round him a little artistic colony. Here he hopes the men who wield the brush and the pen will make for themselves homes and create a new art centre. The idea is a happy one, and nature, as if in accord with it, has done her best to make the place of settlement beautiful. She has provided picturesque gullies, full of ferns and palms, and has even laid on a waterfall a couple of hundred feet high. All that is wanted now are a few red-roofed chalets, peeping out from among the foliage, and these, I suppose, will come in time. One artist, indeed, has already built himself an ingeniously designed dwelling - something between a Norwegian hut and a Swiss chalet. Others will doubtless follow, when the public learns the value of local art and extends it a full measure of patronage. For this sort of elegant rusticity, though very pretty and pleasant to look upon, requires a good deal of money, the very thing which artists, as a rule, are lacking in. So the settlement - for the present at any rate - progresses but slowly, and artists, when they want a spell in the country, have to be content with the old- fashioned log hut, leaving tiled roofs and gable ends to the capitalist who can afford to indulge in such luxuries.
There are plenty of other things to be seen from the top of the hill, and though the view at present lacks animation, one can easily pardon this fault for the sake of the peace and quietude all around. Some day, perhaps - one can only look forward with dread to the time - Pittwater, now such a happy smiling inlet, will be the centre of a rushing, bustling, commercial activity. The banks will be covered with wharfs, and the smoke of factories will pollute the pure air of the bush. At present one little steamer weekly suffices to take away all the produce grown in the neighbourhood, and to bring up all the supplies needed by the few fruit-growers who have settled around the shore. But as time goes on this must alter. There is abundance of rich land available, there are miles of deep- water frontage, and there is a harbour practically unlimited in size, and unrivalled for safety. So that, as far as one can see, there is nothing to prevent Pittwater from going ahead, and the hill which the bushrangers loved to frequent may one day overlook a busy city. ON BUSHRANGERS' HILL. (1891, November 28). The Sydney Morning Herald (NSW : 1842 - 1954), p. 5. Retrieved from http://nla.gov.au/nla.news-article13868244
MR. PERCY LINDSAY'S PICTURES.
Mr. Percy Lindsay reveals his breadth of style with telling effect in his exhibition of oil paintings at the Australian Fine Art Gallery of Mr. W. R. Bennett. There is remark-able variety in these pictures, all of con-spicuous attainment in colour and atmosphere. Mr. Lindsay has studied nature in varying moods, and has caught her spirit with manifest fidelity. His treatment of sunshine in "St. Augustine's, Balmain," "Morning Light, Berry's Bay," and "Winter Afternoon, Bay-view," is singularly graphic. In the first of these he skilfully shows the morning sun sweeping over the green slope of the fore-ground, and catching the points of the scene in the middle distance as it struggles with the early mists, which still obscure the back-ground and throws into deep shadows the lofty tower of the building. The second subject exhibits similarly deft handling of light and shadow beneath the advancing sun, and in "Winter Afternoon, Bayview," the foliage of the slopes, with the light streaming through, is admirable.
Mr Lindsay has imparted full life and movement to "The Bridge Builders," one of the features of the exhibition. This subject, painted from a height immediately above the works now proceeding at Dawes Point, gives a vivid impression of the magnitude of the harbour bridge enterprise in the big spaces he has managed to include in his canvas, for the spectator gazes from above at lofty structures of masonry and steel, with the earth at a vast distance below, and in the distance the opposite shore of the harbour. All is spacious, massive, and full of movement. The suggestion of busy life and industry is unmistakable. This is, indeed, one of the best pictures yet shown of the bridge works. The artist who has painted this could hardly have shown his versatility more effectively than in painting also the peaceful and charming "Morning from Ball's Head," a beautiful parorama of harbour and shore seen in the luminous grey tones, against the sun, with the jutting point in the middle dis-tance thrown into shadow. This is another feature of the exhibition. But there are several examples of this variety of moods. In contrast, for example, to "Morning at Ball's Head" there is the severe brilliancy of "Ship Yards, Berry's Bay," formal, and almost cold in its realism; and then, to furnish another phase of Mr. Lindsay's artistic study of earth and sky, there are the three rural scenes, companion pictures, "Watering Tomatoes," "The Market Garden," and "Planting Cabbages," all genuine composi-tions, happy in design and colour. Such studies as "Riddle's Boatshed," "The Grey Cottage," and "The Hayshed" fitly exemplify in further degree the artist's diverse style, and sound technique. "The Mountain Road," a bit of landscape cast into deep tones be-neath a storm-laden sky, through which the sun is fitfully breaking, is another excellent piece of work. ART EXHIBITION. (1927, July 5). The Sydney Morning Herald (NSW : 1842 - 1954), p. 14. Retrieved from http://nla.gov.au/nla.news-article16370289
Not the only work Percy Lindsay did of Andrew Riddle's boatshed it seems:
"Morning, Riddle's Jetty" is distinguished for its bright, sunny treatment, and for the skill with which the artist has man-aged the water reflecting the brilliancy of the sun. The effect would have been better, however, without the clothing hanging out to dry on the boat at the pier, as this falls directly into the line of sunlight. There is moreover, some smudginess in the vessel's rigging. ART EXHIBITION. (1929, March 20). The Sydney Morning Herald (NSW : 1842 - 1954), p. 13. Retrieved from http://nla.gov.au/nla.news-article16539540
...with a subsidy of only £1000 and a small income from a few cottages on the Chase at Pittwater the trustees have to do all maintenance work on the roads and paths, run and keep in order an oil launch at Cowan and another at Pittwater, the houseboat, and a few pulling boats. Out of that, too, come the wages for a launch engineer at Cowan and at Pittwater, with a substitute man at each place who fills in time on the roads and paths, and a man engaged in similar work at Colah. It is urged that such an allowance is already insufficient, and that if the Government carries out a proposal to reduce it nothing will re-main but the closing up of at least one of the central establishments. With a grant of £1000 for Cowan and £500 for Pittwater each place could be well maintained, and with careful management there might be a slight balance with which to keep moving the system of facilitating approach. Various little schemes, such as the construction of dams and the conservation of fresh water, which it carried in pipes to Bobbin Head and other points, have been effected without the aid of skilled labour, and there are many indications that economy is closely observed.
Another work which is being pushed forward is that of forming walking paths which skirt the edge of the different watercourses. Their cost of making is comparatively slight, and they enable the excursionist to wander over miles of otherwise inaccessible virgin tracts, and to enjoy delightful gems of scenery. Already several of these paths have been completed, but many more are needed. It is pointed out that a small expenditure in this direction would connect Coal and Candle Creek on the Cowan side with McCarr's Creek at Pittwater, or Refuge Bay with the Basin, and thus make these points within easy walking distance.
The work of protecting the flora is one of difficulty, and could be much assisted by the judicious construction of a little fencing so as to mark the points of egress from the Chase. In their endeavours to establish a native animal reserve the trustees meet with equal trouble, and point out that by the erection of a line of fencing from Duffy's wharf to the head of Smith's Creek some five or six thousand acres could be made absolutely secure for that purpose. Generally speaking it appears that a small expenditure would place Kuring-gai Chase in a fairway to accomplish all the aims for which it was intended. IN KURING-GAI CHASE. (1902, September 22). The Sydney Morning Herald (NSW : 1842 - 1954), p. 5. Retrieved fromhttp://nla.gov.au/nla.news-article14506310
THE AUDACITY OF THE SWALLOW.
Dr. Richard Arthur, M.L.A., writes to "The Daily Telegraph" (Sydney).—"When visiting Pittwater the other day with the Premier and some other gentlemen, we had the opportunity of seeing a swallow's nest placed in an almost Incredible position. "The trustees of the Kurin-gai Chase have a launch driven by an oil engine, which is enclosed In a small glassed-in cabin. On the top of the lamp in this cabin two swallows have built their nest, which now contains two swallowettes, three days old.
"Mr. Willmott, who is in charge of the launch, informed us that he destroyed the nest twice. The launch was then laid up for a week, but a small port-hole was left open. When he again entered the cabin he found a fully-formed nest, which contained three eggs. The female bird stuck to the nest, and either ignored his presence, though his head, while he was cleaning the engine was within a few inches of her, or would make a pretence of flying at him.
"Now, when the launch goes on a trip, the parent birds perch themselves on the bow. If they leave the boat they will turn up some hours later, even though it has travelled five or six miles in the meantime, and fly straight into the cabin. Mr. Willmott believes that the swallows have chosen this extraordinary position for their nest to escape the iguanas. He is speculating how the parents will teach the young ones to fly." THE AUDACITY OF THE SWALLOW. (1906, December 15).The World's News (Sydney, NSW : 1901 - 1955), p. 4. Retrieved from http://nla.gov.au/nla.news-article128277180
Wood's Point: Arturo Steffani / Arthur Steven
NEW SOUTH WALES ACADEMY OF ART. EXHIBITION OF WORKS OF COLONIAL ART.
The Third Annual Exhibition of Works of Colonial Art will be open THIS DAY, at Clark's Assembly Rooms, Elisabeth-street North, from 9.30 a.m. to 5 p.m. Admission to non-members-One Shilling. Members admitted Free on producing their tickets, which will also entitle them to introduce two friends. E. DU FAUR, Hon. Sec. Rialto-terrace, 8th April, 1874.
NEW SOUTH WALES ACADEMY OF ART LAST DAY OF EXHIBITION. The Third Annual EXHIBITION of WORKS OF COLONIAL ART will CLOSE THIS DAY, Wednesday, at 5 p.m. E. DU FAUR, Hon. Sec. Rialto-terrace.
NEW SOUTH WALES ACADEMY OF ART. EXHIBITION. Persons desirous of purchasing any Paintings, at the prices named in the catalogue, are requested to leave a memorandum to that effect, addressed to the Honorary Secretary, with the doorkeeper. E. DU FAUR, Hon. Sec .Rialto-terrace.
NEW SOUTH WALES ACADEMY OF ART THIRD ANNUAL EXHIBITION OF WORKS OF COLONIAL ART. AWARD OF JUDGES.
OIL PAINTINGS.SOCIETY'S SILVER MEDAL (TO ARTIST). No. 5. " Dandenong Ranges," a morning's glimpse from the Upper Yarra track. J. W. Curtis, artist, Victoria.
SOCIETY'S SILVER MEDAL (TO AMATEUR). No. 8. .''Bream Creek, Adventure Bay, Brune Island, Tasmania." W. C. Piguenit, amateur, Tasmania,
SOCIETY'S EXTRA SILVER MEDAL. No. 44. " The Dessert." Mrs. Alfred Williams, artist, Tasmania
SOCIETY'S CERTIFICATE OF MERIT. No. 2. " Stranded." W. Andrews, amateur, N. S. W. N.B.-A silver medal would have been awarded to this exhibit, except for the sameness of the subject with those exhibited in the last two years by this artist. No. 3. " Showers and Steam." Thomas Wright, artist,. Victoria. No. 4. " Myrtle Tree Gully." Isaac Whitehead, artist, Victoria. No. 7. " Track on the Mitta Mitta River." Eugene Von. Guerard, artist, Victoria. No. 11. "Checkmate." Miss Livingstone, artist, Victoria.
WATER-COLOURS. SOCIETY'S SILVER MEDAL (TO ARTIST). No. 58. " Castle Hill, Cragieburn, Canterbury, N. Z. J. C. Hoyte, artist, New Zealand.
SOCIETY'S SILVER MEDAL (TO AMATEUR). No. 59. " On tho Dart," near Blackmore, South Plain, Woods. Charles E. Hern, amateur, N. S. W.
SOCIETY'S CERTIFICATE OF MERIT. No. 61. " View in Middle Harbour." Miss R. Martens, amateur, N. S. W. No. 64. "The Basin'" Refuge Bay, Pittwater G. P. Slade amateur N.S.W. and No. 65. "On the Mulgoa Creek," Fernhill With general commendation of other works by same artist-Nos. 62.72, 82. Nos. 63. " Gully at Narrabeen Lagoon." 83. " Creek on Lane Cove River." 88. "The Oak Tree Avenue," Parramatta. With general commendation of other works by same artists-Nos. 60, 69,73, 92, 93. Nos. 77. "Flowers and Fruit…
"We do not see any exhibits sufficiently meritorious in High Art to justify the award of Gold Medals." (Signed) JAMES BARNET, J. S. MITCHELL, J. L. MONTEFIORE, } Judges Clark's Assembly Rooms, 7th April, 1874. Advertising. (1874, April 8). The Sydney Morning Herald (NSW : 1842 - 1954), p. 1. Retrieved from http://nla.gov.au/nla.news-article13334459
George Penkivil Slade- G.P. Slade was a student of Conrad Martens and exhibited with him at the New South Wales Academy of Art during the 1870s.
PITTWATER BASIN, HAWKESBURY RIVER. No title (1885, August 22). The Sydney Mail and New South Wales Advertiser (NSW : 1871 - 1912), , p. 400. Retrieved from http://nla.gov.au/nla.news-article162822900
A VETERAN ARTIST. DEATH OF MR. J. C. HOYTE.
By the death of Mr. John Clark Hoyte, which occurred at his residence, 141 Avenue-Road, Mosman, on Friday morning, the art world of Sydney loses one of its oldest identities. Mr. Hoyte was born in England in 1835, and received his early artistic training there, but some years of his early manhood were spent in the West Indies. Returning to England about 1860, Mr. Hoyte married, and shortly afterwards decided to go out t0 New Zealand, where some time after his arrival he joined the teaching staff of the Auckland Grammar School.
It was about this time that Mr. Hoyte's artistic work began to bring him into prominence. It was not long before he occupied a leading position in New Zealand art circles, and it is as a portrayer of the scenic beauties of the Dominion that he will be long remembered. Right up to the time of his death his work found keen appreciation there. About 1877 Mr. Hoyte left New Zealand, and settled in Sydney.
He was one of the founders and the first president of the Royal Art Society, among those associated with him at the time being Mr. A. J. Daplyn, the present secretary of the society. Of late years Mr. Hoyte had been but little before the Sydney art public. He was one of the old school, and found it difficult to adopt his ideas to the conventions of the newer artistic cult. The deceased has left a widow and two married daughters (one daughter having died some years ago), and several grandchildren and great-grandchildren. A VETERAN ARTIST. (1913, February 25). The Sydney Morning Herald (NSW : 1842 - 1954), p. 8. Retrieved from http://nla.gov.au/nla.news-article15400595
THE VICE-PRESIDENT, JOHN C. HOYTE, ESQ.
Mr. Hoyte is an Englishman, born in London,1837. He was sent out in 1856 by the firm of Denoon and Co., to Demorara, as bookkeeper and head overseer on their estate, but after three years' residence, on account of ill health, he returned to England, and came out to Auckland in 1860. He remained there 16 years, being for some, time engaged as second master in the Church of England Grammar School, and as a private tutor. He was also an officer in H.M. Customs.
In 1869 he determined to devote himself to art solely, and was appointed secretary to the Auckland Society of Artists, which post he retained till his departure for Dunedin in 1875. He was also about the same time elected as a member of the Academy of Arts, Melbourne. In Dunedin he was a member of the council of the Dunedin School of Arts; after three years residence there he left Kew Zealand and came to Sydney. In July, 1880, a society was established here, the promoters being Messrs. A. and G. Collingridge, and at the general meeting for election of officers, etc, Mr. Hoyte was unanimously elected president. This office he held for one year, and used his utmost endeavours to promote the welfare of the society, but feeling that his being a comparative stranger in the colony might prove detrimental to the society, he resigned in favour of the Hon. E. Combes, being appointed vice-president for the current year, which office he now fills most satisfactorily.
The art society with which these gentlemen are associated, is gaining public confidence and esteem, and we gladly welcome it as one of the permanent institutions of New South Wales. THE VICE-PRESIDENT, JOHN C. HOYTE, ESQ. (1882, January 7). Australian Town and Country Journal (Sydney, NSW : 1870 - 1907), p. 17. Retrieved from http://nla.gov.au/nla.news-article70964090
Caught in the Undertow. COLONEL OSWALD WATT DROWNED.SYDNEY, Sunday. Colonel Oswald Watt, late of the Australian Flying Corps, and of the firm of Gilchrist, Watt, and Sanderson, lost his life in the surf at Bilgola Beach (a little beach a mile north of Newport) on Saturday morning, through being caught in the undertow. Caught in the Undertow. (1921, May 23). Examiner(Launceston, Tas. : 1900 - 1954), p. 6 Edition: DAILY. Retrieved fromhttp://nla.gov.au/nla.news-article51126044
The sale of Bilgola, at Pittwater, formerly the residence of the late Colonel Oswald Watt, which will take place on December 8, ought to attract much attention. The land, which comprises some very attractive week-end sites, issituated beyond Newport, and before reaching Palm Beach. 'HAPPENINGS OF IMPORTANCE IN REAL ESTATE WORLD. H. (1921, November 27). Sunday Times (Sydney, NSW : 1895 - 1930), p. 10. Retrieved from http://nla.gov.au/nla.news-article123244094
GOVERNOR AT ART EXHIBITION.
from left: Sir Philip Game, Mr. S. Ure Smith, president of the Society of Artists, and Sir John Longstaff. GOVERNOR AT ART EXHIBITION. (1931, September 7). The Sydney Morning Herald (NSW : 1842 - 1954), p. 12. Retrieved from http://nla.gov.au/nla.news-article28037765
Pittwater - Painted in 1927, Robert Johnson
Whale Beach - circa 1927, Robert Johnson
Pittwater, 1949 Oil on board, 50 x 60 cm - Visit previous page on Elaine Haxton HERE 1950 Wynne Finalist for Elaine Haxton - King Tide
MISS Thea Proctor, the artist, is spending a week with Mrs. Gordon Craig, at Palm Beach. She left her paints and crayons behind, but at the last minute could not resist slipping in her pencils to do some drawing. IN THE NEWS (1930, January 13). The Sun (Sydney, NSW : 1910 - 1954), p. 17 (FINAL EXTRA). Retrieved from http://nla.gov.au/nla.news-article226023899
Sydney's newest art alliance, 'A Group of Modern Painters,' which 'is registering its first kick at the Grosvenor Galleries, is showing work by George Lambert, A.R.A., Thea Proctor, John D. Moore, Margaret Preston, Roland Wakelin, Roi de Mostre, Elioth Gruner, Kenneth MacQueen, and Vida Lahey. Mr. Hugh McCrae tells me: 'Prejudices of- taste and education are bound to come in the way of any just- decision as to the .merit of this adventure; .particularly when an adherent trips and strikes an attitude, which is serious, without being dignified. Only a few of the exhibitors have evolved pictures of original conception; while the majority, responding to the influence of the European modernist cult, offer glimpses of nature, cut into slices . . . like sandwiches .. . . dropped in paraffin paper. 'When Roland Wakelin paints a yellow jug, No. 10, quite bent under the weight of his sincerity (?),' says Mr. McCrae, 'I feel certain that he makes it both crooked and yellow, out of politeness towards the critic, so as to give him grounds for something sensible to say. This whim for courtesy is noticeable even by his behaviour towards still-life models, where ho has given- up his chair to a beer bottle. Roi de Mestre's 'Palm Beach' has dramatic qualities but his 'Indian Rug' made my last hairs stiffen at the approach. Elioth Gruner's view of Bathurst is meagre in perspective, and I only understand the foreground. Thea Proctor draws grandly, with assurance, and signs of plentiful reserve. From the Notebook of a "Sunday Times" Man (1926, December 5). Sunday Times (Sydney, NSW : 1895 - 1930), p. 4. Retrieved from http://nla.gov.au/nla.news-article128135288
Roy de Maistre, Landscape at Palm Beach, 1926
Roy de Maistre, Palm Beach house, (Illustration) 1927 Roy de Maistre, Dangar Island (Colour Sketch)
by BETTY WILKINSON, staff reporter. Pictures by staff photographer Ron Berg.
A spirit of adventure and plenty of enterprise have enabled a 26-year-old Sydney sculpture student to solve housing and studio problems by leasing a lighthouse-keepers' abandoned cottage for 5/- a week. The student is Bruen Finey, son of well-known artist George Finey. The house is a six-roomed cottage at Barrenjoey, Palm Beach, N.S.W. For years it has been ravaged by rats during the week and vandals at week-ends.
ALL that is left of the once snug dwelling is a stone shell with an iron roof.
Bruen, who is at East Sydney Technical College under the Commonwealth Reconstruction Training Scheme, is in his last term and wants somewhere to live and work. He has found in some fellow students equally ardent spirits, who will share the back-breaking job of making the house comfortable and form the nucleus of a small community with the arts as their great common interest.
The idea of taking the house first came to him when he was spending a day at Palm Beach in 1947. Enchanted by the position, more than 300 feet above the Pacific, with a magnificent view in all directions, Bruen was ready to tackle anything to make it his home. His first step was to find out which Government department controlled the house. It proved to be the Department of the Interior.
Barrenjoey headland, once the 400-acre farm of Larkfield, granted to an early settler in 1816, is now Commonwealth land reserved for use by the Army when it is required for defence, but at present administered by the Department.
Young Finey immediately applied for a lease, but it was not until January, 1949, that the transaction was complete, and Bruen received his passport to paradise-an official letter notifying him that he had a five years' lease of No. 1 House, Barrenjoey. Since then he has sweated and toiled week-end by week-end to make the house habitable. To make it so you would need what Bruen has-youth, enthusiasm, an undaunted spirit, and plenty of muscular strength-or a bottomless purse.
From the water's edge he and his friends carry on their shoulders every piece of material used. The only road is a narrow, steep track, strewn with big boulders and cut by deep gutters. It would be impassable for any vehicle except a jeep with a four wheel drive, or a horse and dray, such as the former Lighthouse keepers' furniture was brought in. One glorious day, with the pleasure-seeking Palm Beach week-end crowd forming a background to the hard slogging of the Barrenjoey boys. I joined the working party. David Hain and John Giles, two other members of the group, were with Bruen.
WADING waist-deep into the water, boys bring ashore two launches laden with materials for repairs. Old jetty was once busy scene when Broken Bay was port.
First scene of operations was alongside the golf links. Each lad in turn trundled a barrow, laden with materials, from the roadway to a nearby beach, where two launches were loaded to the Plimsoll line.
Cargo varied from huge doors to chair legs, and included an iron bedstead. It was a job lot the new tenants had picked up from a city hospital, and it had been stripped from an outpatients' section.
Working hard in the sun, the boys aroused the interest and sympathy of Mrs. E. Silverton, who brought from her home beer and biscuits to give them fresh heart.
It was a gesture you would expect from Mrs. Silverton, who remarked: "Well, dear, what I say is a little kindness never hurts you and I can't tell you all the happiness that has come to me because
I've been kind to people."
When I asked Mrs. Silverton how I would address something she asked me to send her she replied: "Just sent it to 'Auntie, Palm Beach.' Everyone here knows me.
"Auntie"' Silverton has a special interest in Barrenjoey, for the house next to Bruen's was once her home. She came from New Zealand, and brought with her some beautiful furniture made of a prized New Zealand wood. Mrs. Silverton and a friend used0 run a tea-room in the house, but they were driven out by snakes, although the business brought in £5 a week.
Snakes have not daunted them, David has already stood on two.
When they were fully loaded the launches chugged off down the bay; io the beach at the foot of Barrenjoey Headland. Bruen stores all his materials in a roomy, ramshackle boatshed near, the old jetty on the Pittwater side.
"Every time we climb to the top we carry something," he said.
First job Bruen did was to fill in the great windows from which even the frames had been taken, and to make a strong door for at least one room so that tools and materials would not "go off."
As everything is on the spacious scale of last century, the shutters for each window measure seven feet by three. That means a lot of carrying and a lot of carpentering. The shutters will be painted yellowand the wooden posts around the long stone-paved verandahs white.
Picture left: HOMEMADE FURNITURE in the kitchen is the work of Bruen. Although primitive, it is solid. Defaced walls are typical of the vandalism in the old house, but the boys are confident that they will restore it in time. Each will have a room to himself.
On the first floor, which is the level on which the house is entered, are six beautiful big rooms, each with its own fireplace, and a fines hallway, 33 feet long and six feet wide. Old sandstone steps, worn into hollows in the centre, lead down to the kitchen and bathroom, on the floor below. So far the bathroom is still a shambles, and the bath is still on the beach.
Opening from the kitchen is the courtyard, surrounded by a 12ft. wall of solid stone, where the boys “hope to have a vegetable garden," sheltered from the winds that sweep around the solid old house. In this courtyard is a huge well, more than 15ft. deep, which was filled with junk when the boys took over. They had to siphon out the water, then climb in, and remove; all the oddments that had been- thrown in, including galvanised iron pipes and bedsteads.
An eager volunteer loader and unloader on the day of my visit was John Arblaster, grandson of one of the lighthouse-keepers. She recalls settling into the fine six-roomed house. All her furniture, brought from Newcastle, where her husband had been stationed, was landed on the jetty, and taken by horse-drawn lorry up the steep slope.
Picture right: WATER SUPPLY for No. 1 House, Barrenjoey, is a huge underground well in the courtyard. David Hain lowers one bucket, fills it, and then pours it into a second one.
There was a light on the headland as early as 1855, but it was only lit in rough weather. The first permanent light was established in1868, at a cost of £300 for the tower and £85 for the light. In 1880 the foundation stone was laid of the present splendid tower, which is 38 feet high, and whose beam can be seen 25 miles at sea. It gives four flashes every 20 seconds.
The last of the keepers left the house in 1932, when the present unattended light first operated. In the lighthouse visitors' book there is this rather wistful record: "On the night of 13th August, 1932, no person was on the station for the first time since the light was established in 1868."
Bruen showed us, near his house, the gravestone of George Mulhall, who died at his lighthouse job in1881. His grave bears this message: "All ye that come my grave to see, Prepare in time to follow me, Repent at once without delay, For I in haste was called away."
The jetty, with its solid stone base and old loading gear, is a reminder that from 1843 until 1900 this quiet little spot was the landing stage for a customs house, used as long as Broken Bay ranked as a port.
There is a firm belief among the residents' of Barrenjoey headland that the first big thefts from Bruen's house took place overnight in a well organised raid. One theory is that the thieves lowered their loot on ropes from the cliff to a great flat rock below, where it is possible for a sea-going boat to pull alongside. The thieves left all the nails in neat piles when they stripped it of fixtures.
To the fishermen and their families who live in the shelter of the great cliff, the activities of the Barrenjoey Boys are a source of much interest.
Said Bruen, standing on the huge stone wall of his courtyard, and looking round: "There's only one trouble here-you're working away at some job or other, and you lookup, get lost in a dream, just looking, and looking, and before you know where you are you've wasted ages."
But I doubt if Bruen regards that time as really wasted.
Picture left: WELL-EARNED REST for David Hain, Bruen Finey, and John Giles after carrying materials from the beach to the house they are making livable. It had been stripped by vandals.
Old lighthouse cottage now sculptor's studio. (1950, May 20).The Australian Women's Weekly (1933 - 1982), p. 32. Retrieved from http://nla.gov.au/nla.news-article46455535
Bruen Finey seems to have given away sculpture and is well known for making surfboards for Dunlop as well as more boards through is own business ‘Crest Surfboards':
Bruen left the army after 1945 and studied sculpture, funded by an ex-war service grant, and took up working with fibreglass and foam in the 1950s, building chemical vats and shop displays, based in Brookvale where land was cheap and other fibreglass companies were located. He recalled sourcing polyurethane chemicals from a sugar refining company in Waterloo, but couldn’t remember the name. His contract with Dunlop to supply large numbers of boards every week meant hiring itinerant shapers, finishers and polishers. Bruen did all the glassing himself. ‘When the surf was up, no one wanted to work’. Profit was small and output of boards was slow so he decided to develop standard molds and ‘pop-out’ a generic shape. Not surprisingly, this proved a flop as surfers were a ‘fussy breed’ and wanted unique features and characteristics – so decided to sell business to Dunlop, who moved the board making operation to St Mary’s, far from the surf.
Working in Brookvale, on the northern beaches, Bruen remembers Scott Dillon, who sometimes sold him resin, Gordon Woods, a hard working scruffy bloke, Greg McDonagh, who built beautiful boards with clear resin over faultless foam and, or course, Barry Bennett. Bruen rode a large board he made himself although didn’t hang around with surfers who were a ‘close clique’ and didn’t take kindly to outsiders. He mostly surfed around Manly and could take off 40-50 feet outside everyone else and run through the crowd like a tanker. No wonder they cursed him. Big thanks to Bruen for the info and support. Written by Gary Crockett, June 20th, 2011 and retrieved from: http://blogs.hht.net.au/surfcity/?p=2044
DEPARTMENT OF THE INTERIOR LEASE OF COTTAGES NOS 2 and 3 AT BARRENJOEY. Offers closing with the Chief Property Officer Department of the Interior 5 Hickson Road Millers Point at noon on the 1st September 1952 are invited for the lease of the old Lighthouse Cottages Nos 2 and 3 at Barrenjoey for a period of 5 years with an option of renewal. The lease Is terminable at one month s notice without compensation should the premises be required for Commonwealth purposes and subject to the usual conditions Including Insurance of premises and past rent of oil rates and taxes etc by the lessee. The premises ore to be let as they stand and no expense In connection with renovation or repair will be borne by the commonwealth. No offer necessarily accepted WS KENT HUGHES Minister for the Interior . Advertising. (1952, August 23). The Sydney Morning Herald(NSW : 1842 - 1954), p. 17. Retrieved from http://nla.gov.au/nla.news-article18278568
Paintings Of Wesley Penberthy
BY OUR ART CRITIC,
The artist's dream, the poetic idea wafted on to canvas to tell of sweetness and of hope through the moist eyes of nostalgia, is not the ephemeral thing some painters believe it to be. The Venetian school, or the best of the Rococo, though dewy on occasion, is not of such stuff a dreams are made of. They only achieve that effect through the hardcore of reality, of formal strength, and cold deliberation.
These clement are lacking in the work of Wesley Penberthy, at David Jones' Art Gallery. Yet one is only too pleased to see paintings by an artist who is conscious of the fact that poetry exists.
Penberthy is obviously a young painter-young in this trade, any-way. He is also, thank heaven, an enthusiast, feverishly searching for his idiom. This is, perhaps, not the time to tell him that there is no hurry, that he has a lifetime of search in front of him; the enthusiast is rarely a man of patience. Still, his work at present is in rather a dangerous position, for in the matter of taste he is as yet unstable.
When one sees an interest in ElGreco fighting with a desire to be-come the latest member of the pre-Raphaelite brotherhood, something must give-and evil is so often the victor.
Meanwhile, those other loves, Royal Academy portraiture and Norman Lindsay, sit on the fence and watch proceedings.
As a busybody bystander one can only suggest to Penberthy that if he wants to be taken seriously in time to come, he should develop the strain found in such landscapes as "The White Horse," "The Yarra at Hawthorn," "Trees in Pacific Road," "Pittwater," or "Palm Beach From Barrenjoey," and learn to add some substance to it. In his next show, also, one trusts that he will not hang everything that he has ever done.
The exhibition will be opened by Mr. Lindley Evans at 2.30 p.m., to-day.
Paintings Of Wesley Venberthy. (1950, November 2). The Sydney Morning Herald (NSW : 1842 - 1954), p. 5. Retrieved fromhttp://nla.gov.au/nla.news-article18184436
From The Earliest Times Until Now
Album Title: Avalon, Pittwater
References And Extras
Some Sculptors From Further South
Previous History Pages:
Marie Byles Lucy Gullett Kookoomgiligai Frank Hurley Archpriest JJ Therry Sir Patrick Gordon Taylor Bowen Bungaree W. Bradley 1788 Journal Midholme Loggan Rock Cabin La Corniche La Corniche II Lion Island Bungan Beach Botham Beach Scarred Trees Castles in the Sand Dame Nellie Melba lunches at Bilgola Spring, 1914 First to Fly in Australia at North Narrabeen Mona Vale Golf Club's Annual Balls Governor Phillip camps on Resolute Beach Ruth Bedford Jean Curlewis Mollie Horseman Charlotte Boutin May Moore Neville W Cayley Leon Houreux Frederick Wymark Sir Adrian Curlewis Bilgola Heron Cove Mullet Creek Shark Point Woodley's Cottage A Tent at The Basin Collin's Retreat-Bay View House-Scott's Hotel Bilgola Cottage and House The First Pittwater Regatta Women Cricketers Picnic Filmed In Pittwater Governor Phillip's Barrenjoey Cairn Waradiel Season The Church at Church Point Gov. Phillip's Exploration of Broken Bay, 2 - 9 March 1788 Petroglyths: Aboriginal Rock Art on the Northern Beaches Avalon Headland Landmarks Steamers Part I Pittwater Aquatic Club Part I Woody Point Yacht Club Royal Motor Yacht Club Part I Dorothea Mackellar Elaine Haxton Neva Carr Glynn Margaret Mulvey Jean Mary Daly Walter Oswald Watt Wilfrid Kingsford Smith John William Cherry George Scotty Allan McCarrs Creek Narrabeen Creek Careel Creek Currawong Beach Creek Bushrangers at Pittwater Smuggling at Broken Bay An Illicit Still at McCarr's Creek The Murder of David Foley Mona Vale Outrages Avalon Camping Ground Bayview Koala Sanctuary Ingleside Powder Works Palm Beach Golf Course Avalon Sailing Club Mona Vale Surf Life Saving Club Palm Beach SLSC Part I - The Sheds Warriewood SLSC Whale Beach SLSC Flagstaff Hill Mount Loftus Pill Hill Sheep Station Hill S.S. Florrie S.S. Phoenix and General Gordon Paddlewheeler MV Reliance The Elvina Florida House Careel House Ocean House and Billabong Melrose-The Green Frog The Small Yacht Cruising Club of Pittwater Canoe and I Go With The Mosquito Fleet - 1896 Pittwater Regattas Part I - Dates and Flagships to 1950 Shark Incidents In Pittwater The Kalori Church Point Wharf Bayview Wharf Newport Wharf Palm Beach Jetty - Gow's Wharf Max Watt Sir Francis Anderson Mark Foy John Roche Albert Verrills Broken Bay Customs Station At Barrenjoey Broken Bay Water Police Broken Bay Marine Rescue - Volunteer Coastal Patrol Pittwater Fire-Boats Prospector Powder Hulk at Towler's Bay Naval Visits to Pittwater 1788-1952 Pittwater's Torpedo Wharf and Range Naval Sea Cadets in Pittwater S.S. Charlotte Fenwick S.S. Erringhi P.S. Namoi S.Y. Ena I, II and III Barrenjoey Headland - The Lessees Barrenjoey Lighthouse - The Construction Barrenjoey Broken Bay Shipwrecks Up To 1900 Barrenjoey Light Keepers Douglas Adrian Ross Newport SLSC 1909 - 1938 Part I Overview North Narrabeen SLSC - The Formative Years Bilgola SLSC - the First 10 years North Palm Beach SLSC A History of Pittwater Parts 1 and 4 Pittwater Regattas - 1907 and 1908 Pittwater Regattas - 1921 - The Year that Opened and Closed with a Regatta on Pittwater Pittwater Regatta Banishes Depression - 1933 The 1937 Pittwater Regatta - A Fashionable Affair Careel Bay Jetty-Wharf-Boatshed Gow-Gonsalves Boatshed -Snapperman Beach Camping at Narrabeen - A Trickle then a Flood Pittwater's Parallel Estuary - The Cowan 'Creek' RMYC Broken Bay Boathouse and Boatshed Barrenjoey Boat House The Bona - Classic Wooden Racing Yacht Mona Vale Hospital Golden Jubilee - A Few Insights on 50 Years as a Community Hospital Far West Children's Health Scheme - the Formation Years The First Scotland Island Cup, Trophy and Race and the Gentleman who loved Elvina Bay Royal Motor Yacht Club Broken Bay NSW - Cruiser Division History - A History of the oldest division in the Royal Motor Yacht Club Royal Motor Yacht Club Broken Bay Early Motor Boats and Yachts, their Builders and Ocean Races to Broken Bay, the Hawkesbury and Pittwater The Royal Easter Show Began As the Royal Agricultural Society of New South Wales The Mail Route to Pittwater and Beyond The Wild Coachmen of Pittwater - A Long and Sometimes Bumpy Ride on Tracks Instead of Roads The Fearless Men of Palm Beach SLSC's Surf Boats First Crews - A Tale of Viking Ships, Butcher Boats and Robert Gow's Tom Thumb 'Canoe' Furlough House Narrabeen - Restful Sea Breezes For Children and Their Mothers From Telegraphs to Telephones - For All Ships at Sea and Those On Land Mona Vale Training Grounds - From Lancers on Horses to Lasses on Transport Courses Fred Verrills; Builder of Bridges and Roads within Australia during WWII, Builder of Palm Beach Afterwards Communications with Pittwater Ferries To Pittwater A History of Pittwater - Part 4: West Head Fortress Pittwater's Lone Rangers - 120 Years of Ku-Ring-Gai Chase and the Men of Flowers Inspired by Eccleston Du Faur Early Pittwater Launches and Ferries Runs Avalon Beach SLSC - The First Clubhouse Avalon Beach SLSC The Second and Third Clubhouses From Beneath the Floorboards at Hyde Park Barracks Bungaree Was Flamboyant Andrew Thompson - 'Long Harry' Albert Thomas Black John Collins of Avalon Narrabeen Prawning Times - A Seasonal Tide of Returnings Oystering in the Pittwater Estuary - Oyster Kings and Pearl Kings and When Not to Harvest Oysters Yabbying In Warriewood Creeks Eeling in Warriewood's Creeks (Includes A Short History of community involvement in environmental issues/campaigns in and around Narrabeen Lagoon - 1974 to present by David James OAM) Eunice Minnie Stelzer - Pittwater Matriarchs Maria Louisa Therry - Pittwater Matriarch Katherine Mary Roche - Pittwater Matriarchs Sarah A. Biddy Lewis and Martha Catherine Bens Pittwater Matriarchs Pittwater's New Cycle Track of 1901 Manly to Newport The Rock Lily Hotel Barrenjoey House The Pasadena Jonah's St Michael's Arch The First Royal Visitor to Australia: the Incident at Clontarf March 12th, 1868 Pittwater: Lovely Arm of the Hawkesbury By NOEL GRIFFITHS - includes RMYC Wharf and Clareville Wharf of 1938 + An Insight into Public Relations in Australia George Mulhall First Champion of Australia in Rowing - First Light-Keeper at Barranjuey Headland Captain Francis Hixson - Superintendent of Pilots, Lights, and Harbours and Father of the Naval Brigade The Marquise of Scotland Island The First Boat Builders of Pittwater: the Short Life and Long Voyages of Scotland Island Schooner the Geordy Boat Builders of Pittwater II: from cargo schooners and coasters to sailing skiffs and motorised launches The Currawong: Classic Yacht The Riddles of The Spit and Bayview/ Church Point: sailors, boat makers, road pavers winning rowers VP Day Commemorative Service 2015 – at Avalon Beach RSL Cenotaph: 70th Anniversary Captain T. Watson and his Captain Cook Statues: A Tribute to Kindness Pittwater Reserves: The Green Ways; Hordern or Wiltshire Parks to McKay Reserve – From Beach to Estuary Pittwater Reserves, The Green Ways: Clareville Wharf and Taylor's Point Jetty Pittwater Reserves: The Green Ways Bilgola Beach - The Cabbage Tree Gardens and Camping Grounds - Includes Bilgola - The Story Of A Politician, A Pilot and An Epicure by Tony Dawson and Anne Spencer Pittwater Reserves - The Green Ways: Mona Vale's Village Greens a Map of the Historic Crown Lands Ethos Realised in The Village, Kitchener and Beeby Parks Pittwater Reserves: The Green Ways; Bungan Beach and Bungan Head Reserves: A Headland Garden Early Pittwater Paddlers, Oarsmen, Rowers and Scullers: The Green Family Elanora - Some Early Notes and Pictures The Stewart Towers On Barrenjoey Headland Early Pittwater Paddlers, Oarsmen, Rowers and Scullers: The Williams Family Early Cricket in Pittwater: A small Insight Into the Noble Game from 1880's On The Pacific Club's 2016 Carnival in Rio Fundraiser for Palm Beach SLSC Marks the 79th Year of Support Bert Payne Park, Newport: Named for A Man with Community Spirit Early Pittwater Paddlers, Oarsmen, Rowers and Scullers: The Fox Family Surf Carnivals in February 1909, 1919, 1925, a Fancy Dress Rise of Venus and Saving Lives with Surfboards Early Pittwater Paddlers, Oarsmen, Rowers and Scullers: The Paddon Family of Clareville Mermaid Basin, Mona Vale Beach: Inspired 1906 Poem by Viva Brock Early Pittwater Schools: The Barrenjoey School 1872 to 1894 The Royal Easter Show and 125th Celebration of the Hawkesbury Agricultural College: Farmers Feed Us! The Newport School 1888 to 2016 Pittwater's Ocean Beach Rock Pools: Southern Corners of Bliss - A History The Royal Botanical Garden Sydney Celebrate 200 Years in 2016 The Porter Family of Newport: Five Brother Soldiers Serve in WWI Church Point and Bayview: A Pittwater Public School Set on the Estuary The Basin, Pittwater: A Reprise: Historical Records and Pictures Lighthouse Keepers Cottages You Can Rent in NSW - Designed or Inspired by Colonial Architect James Barnet: Includes Historic 'Lit' Days records Bayview Days Ships Biscuits - the At Sea Necessity that Floated William Arnott’s Success Mona Vale Public School 1906 to 2012 St Johns Camden: 176th And 167th Anniversaries In June 2016 - Places To Visit Narrabeen Lagoon And Collaroy Beachfront: Storms And Flood Tides Of The Past Avalon Beach Public School - A History Muriel Knox Doherty Sir Herbert Henry Schlink Shopping And Shops In Manly: Sales Times From 1856 To 1950 For A Fishing Village Royal Prince Alfred Yacht Club's 150th Sailing Season Opening: A Few Notes Of Old A Few Glimpses Into Narrabeen's Past Beauties Dr. Isobel Ida Bennett AO Taronga Zoo 100th Birthday Parade: 1000 Reasons To Celebrate War Memorials: Manly, October 14, 1916 Avalon Beach Golf Links: Pittwater Fields of Dreams II War Memorials - Mona Vale, November 14, 1926 Annie Wyatt Reserve Palm Beach: Pittwater Fields of Dreams II Tumbledown Dick Hill Waratah Farm and Narrabeen Plums: Pittwater Fields of Dreams II Mark Twain, J.F. Archibald And Henry Lawson - Did They Go Fishing At Narrabeen In The Spring Of 1895?: Probably! Bayview Baths Centenary Celebration in November 2016 hosted by Bayview-Church Point Residents Association Dr. Jenny Rosen's Historical Timeline Palm Beach RSL - Club Palm Beach Celebrating 60 Years Early Years At Narrabeen: The Plane Sailing Day Of 1944 The Five Ways- Six ways Junction; Kamikaze Corner - Avalon Bilgola RPAYC Season on Pittwater and coming of Jubilees in Summer of 1938 Local Explorers’ Modern Day Discovery - Governor Phillip’s First Landing site, Campsite and contact with Local Aborigines in Pittwater: The Case for West Head Beach Rendezvous Tea Rooms Palm Beach: links with 1817 and 1917: Palm Beach Stores and Fishermen St Cloud's Jersey Stud: Elanora Heights: Pittwater Fields of Dreams II Roderic Quinn's Poems And Prose For Manly, Beacon Hill, Dee Why And Narrabeen A Historic Catalogue And Record Of Pittwater Art I – Of Places, Peoples And The Development Of Australian Art And Artists: The Estuary Celebrating World Radio Day: The Bilgola Connection With The Beginnings Of Radio In Australia Emile Theodore Argles - champion of all Australians without a Voice - a very funny Satirist, Manly Poet and Pittwater Prose Writer and Litterateur Sydney Harbour Bridge Celebrates 85th Birthday: A Few Pittwater Connections Victor James Daley: A Manly Bard And Poet who also came to Pittwater and the Hawkesbury Let's Go Fly A Kite !: Palm Beach Whistling Kites Inspire sharing How to Make Standard, Box and Whistling Boy Kites - school holidays fun with a bit of Australian and Narrabeen history Clifton Gardens Mosman: An Eternal Green and Saltwater Space, and Of Many Captains Historic Catalogue And Record Of Pittwater Art I: Coastal Landscapes and Seascapes The Bayview Tea Gardens 1920 to 1923 When Run By Thomas Edward And Annie Newey (Nee Costello) An Australian and RPAYC Commodore Aboard an America's Cup Challenger of 1908 and 1914 Henry Lawson - A Manly Bard and Poet: on his 150th Birthday