July 1 - 31, 2026: Issue 656

Our Youth page is for young people aged 13+ - if you are younger than this we have news for you in the Children's pageNews items and articles run at the top of this page. Information, local resources, events and local organisations, sports groups etc. are at the base of this page. All Previous pages for you are listed in Past Features

 

Harrison Riley: a chat with a Local Lad Currently Starring in 'COME ALIVE - The Greatest Showman Circus Spectacular'

Harrison Riley. Photo supplied

Local Actor-Singer Harrison Riley is part of the cast of 'Come Alive', currently playing its final few weeks at Moore Park. The Sydney run has been extended a week to meet demand and now finishes August 8 before touring the country, including Perth, Adelaide, Brisbane and Melbourne for a year-long run. 

COME ALIVE! The Greatest Showman Circus Spectacular is an immersive theatrical event blending musical theatre and world-class circus acts. Set under the Big Top, it reimagines iconic hits like "This Is Me" and "A Million Dreams" with gravity-defying aerial feats, acrobatics, and live vocals. After a smash-hit debut in the UK and rave reviews in London, the blockbuster production is finally Down Under.

The show is fully approved by the creators of the 2017 movie starring Hugh Jackman, Michelle Williams, Zac Efron and Zendaya, and brings the world of The Greatest Showman to life with a massive cast, incredible choreography and jaw-dropping circus performances.

You can expect soaring acrobatics, heart-pounding stunts and show-stopping musical numbers. Meanwhile, the entire space transforms into an immersive circus world. With a seasoned creative team and performers from leading circus and theatre productions, and Matinee sessions on the weekends for families, Come Alive! delivers pure joy, spectacle and wonder for a day out you will never forget.

Harrison is playing 'Tex the Cowboy' in the production, however, this is not his first rodeo in musical theatre.

Born in Sydney in 1999, Harrison has had a passion for the stage since he can remember, with a focus on musical theatre. He started formal vocal and acting lessons at the age of 14 and has been grabbing every opportunity to perform since. Harrison’s first production was in the ensemble of Chitty Chitty Bang Bang in 2015. Since then, he has been dedicated to learning the art of performance in various musical society productions including The Little Mermaid (ensemble), Honk, as 'Turkey', Sweeney Todd, as 'Anthony' and Wicked as 'Boq'.

Whilst successfully completing his HSC in 2017 he continued to perform in the role of Michael in Be More Chill, appeared in Stoddart Entertainment’s production of Evil Dead: The Musical, in the role of ‘Jake’, CDP Kids Dog Man: The Musical as ‘Dog Man’, 78-Storey Treehouse as ‘Andy’, and The Gruffalo’s Child as ’The Gruffalo’. Harrison’s credits also include Harry Potter and the Cursed Child (Michael Cassel Group), and Charlie and the Chocolate Factory (Gordon Frost Organisation) where he performed the role of ‘Mike Teavee’.

Pittwater Online recently had a chat with Harrison about his latest role and the challenges of undertaking a year long production and touring schedule.

A chat with Harrison HERE

Young Filmmakers Comp 2026

On Thursday July 16 the council announced the Beaches Young Filmmakers Comp is back for 2026, inviting young storytellers, actors, directors, writers and first-time filmmakers to create a short film and see where their imagination can take them.

Open to solo creators and teams, the competition gives emerging artists 4 days to produce a short film of up to 7 minutes, weaving in secret challenge elements — a mystery item, keyword and phrase — revealed on the Northern Beaches Council website at 4pm on Wednesday 12 August 2026.

Films must be submitted by 9pm on Sunday 16 August 2026.

With a prize pool of more than $3,000 plus industry prizes, entrants will also be in the running to have their films screened on the big screen at the Finals and Awards Night on Wednesday 9 September 2026 at Warringah Mall.

Northern Beaches Mayor Sue Heins said the competition was a fantastic opportunity for young people to build creative skills, collaborate with friends and share their stories.

“The Beaches Young Filmmakers Comp is a wonderful platform for young people to explore storytelling, learn new skills and experience the thrill of seeing their work come to life on screen,” Mayor Heins said.

“Whether you’re already making films or just keen to give it a go, this competition is all about creativity, teamwork and having fun. I encourage young people across the Northern Beaches to get involved and start rolling.”

Teams can include 1 to 10 members aged 12 to 24. Solo filmmakers must study, work or live on the Northern Beaches, while teams must include at least two members or 50 per cent of the team who study, work or live in the Northern Beaches.

Council thanks premium sponsor and long-time supporter Miller Tripods, now supporting the competition for its fourteenth year. Council also thanks premium sponsor Screenwise and the Australian Cinematography Society for their generous support of the 2026 competition. As a tribute to her late husband Bill, who was active in the local film scene, community member Nan Bosler (OAM) and family will sponsor the very special Bill Bosler Award.

All films will be showcased on Council’s website and KALOF Youtube following the Finals and Awards Night, giving emerging filmmakers even more exposure for their work.

Prize money is funded through entry fees($50 per team), final night ticket sales and sponsorship.

Key events and dates
  • Secret rules revealed and film submissions open Wed 12 Aug 2026, 4pm
  • Film submissions close Sun 16 Aug 2026, 9pm
  • Finals and Awards night Wed 9 Sept 2026, 7pm

Fishing at Curl Curl - 1952

Photo by Jeff Carter

Jeff Carter (5 August 1928 – 25 October 2010) was an Australian photographer, filmmaker and author. His work was widely published and contributed iconic representation of the working population of the Australian bush as self-sufficient rugged and laconic.

In 1946, Carter set off to travel around Australia with his camera and typewriter and made a living selling his stories and photographs to a wide range of Australian and international newspapers and magazines including Paris Match, People, Pix, Walkabout and The Australian Women's Weekly. He was later also commissioned by National Geographic. The curator of the 2011 retrospective of Carter's work, Sandra Byron, said his photographs were "deceptively simple because they were extremely well crafted, wonderful images", and that he was an important figure in Australian documentary photography.

From 1949–54, Mr. Carter was editor of Outdoors and Fishing magazine, which is when and for what he would have taken this beauty at Curl Curl for. He then resigned to travel in rural and outback Australia as a freelance photo-journalist. He wrote and illustrated 17 books based on his experiences. His most widely held book outside Australia is People of the Inland. [Adelaide]: Rigby, 1966.

Jeff was born to Percy and Doris Carter in August 1928 in Melbourne. Jeff's parents were successful merchants and he attended Melbourne Boys High School. By the time he matriculated in 1946, his three major passions were clear – photography, writing and travel. He began taking photographs while still at high school. His first photos were taken with a Kodak Box Brownie, given to him as a 13th birthday present.

His photographs are in the collections of the Art Gallery of NSW, the National Gallery of Victoria, the National Gallery of Australia, the National Library of Australia (over 450 photographs), the Art Gallery of South Australia, the National Museum of Australia, and the Powerhouse Museum. They have been exhibited at the National Library of Australia, the National Gallery of Australia, the National Museum of Australia, the Art Gallery of NSW, the Art Gallery of South Australia and overseas galleries in Osaka, Japan, Lisbon, Portugal, New York and Paris.

The Monash Gallery of Art in Melbourne, held a major retrospective exhibition of his images in May–June 2003, which was seen by a record number of over 9,000 visitors.

As a photographer, Carter concentrated on the unglamorous and unprivileged aspects of Australia, with a focus on the working lives and conditions of ordinary Australians. During his early travels, his experiences as an itinerant bush worker, fruit picker, side show "urger" for a travelling boxing troupe, drover, road worker, and mill hand, brought him in contact with the people who would be the subjects of his photographs. These early years of his career filled him with admiration for those making their livings in some of the toughest environments in Australia.

In 1947, at the age of 19, Jeff Carter married Frances Oscar, a motorcycle rider in a circus sideshow and had two children, daughter, Karen Siobhan Carter, and son Thor. In 1952 he began a de facto relationship with Mary Thompson-Read-Young (known as 'Mare'). They settled in 1962 on a 45-hectare farm at Foxground near the south coast town of Berry, NSW and turned it into a sanctuary for  wildlife. They had two boys, Goth and Vandal.

A few more Earlier Pictures of Curl Curl

The terrain of then near Collaroy on the seaward side - 'Curl Curl', circa 1880- 1890 Image No.: a1939010h From Album Mort family pictorial material and regalia, ca. 1857-ca. 1910. Courtesy State Library of NSW


THE TRAM SHEDS AND TERMINUS AT CURL-CURL. From the other side of the Lagoon. 1903


CURL CURL END OF OCEAN BEACH. 1903 - from: MANLY to CURL CURL. (1903, February 18). The Sydney Mail and New South Wales Advertiser (NSW : 1871 - 1912), p. 416. Retrieved from http://nla.gov.au/nla.news-article163781666

These two photos were published in 1907 as part of a brochure selling land at Mona Vale

CURL CURL LAGOON.

At the meeting of the Manly Council a letter was read from Mr. G. Markham in reference to the damage done to his property by the waters of the Curl Curl Lagoon overflowing. The nuisance was a very serious one to him, and he wanted the council to lower the water as soon as possible. The cost of opening the mouth of the lagoon he would willingly contribute to.

Alderman Quirk said the matter was one that should be seen to at once, as the damage caused by the water was very distressing. He was sure if the. council opened the mouth of the lagoon and sent the account to the Public Works Department it would be defrayed. The Mayor said he recognised the matter was an urgent one. He would like to see a permanent opening made, so the water could have egress. The golf links would also, benefit if the lagoon were drained. It was decided to write to the Department of Public Works, asking if there was any probability of having the lagoon mouth opened. CURL CURL LAGOON. (1907, August 8). Evening News (Sydney, NSW : 1869 - 1931), p. 3. Retrieved from http://nla.gov.au/nla.news-article112641175

Curl Curl beach circa 1910-1915

CURL CURL LAGOON

Curl Curl Lagoon and its smells are again being considered by the Warringah Shire and Manly Councils. Some time ago the Tram-way Department, in response to an appeal, moved the staff box away from the lagoon side, but has replaced it in its former position. Now passengers are kept for a couple of minutes in a most objectionable atmosphere. Some time ago an attempt was made to improve matters, but the last case was worse than the first. So futile were the efforts of the trust that the court upheld those ratepayers who refused to pay the rates. The tramway authorities are to be approached with a request to shift the staff box again. An outside suggestion has been made that the council should apply for some of the spoil from the city railway to fill the lagoon and build up the low-lying area. CURL CURL LAGOON (1916, November 1). The Sun (Sydney, NSW : 1910 - 1954), p. 4 (FINAL RACING). Retrieved from http://nla.gov.au/nla.news-article223373836

CURL CURL IMPROVEMENTS

A new club house, 20ft. by 14ft., substantially built on a concrete foundation, has been erected at Curl Curl North Beach. The club is now desirous of erecting a verandah 8 by 9ft. along two sides of the building. Help is expected from the Warringah Shiro Council. Councillor Parr, the President of the shire, has given a gold medal for the member who shows the best attendance at patrols. The club membership is now 64. In the £15,000 loan for the Warringah Shiro C Riding provision turn been made for the expenditure of close on. £5000 on the construction of a road of access from Brookvale to within 70 yards of Curl Curl Beach. CURL CURL IMPROVEMENTS (1924, January 6). The Sun (Sydney, NSW : 1910 - 1954), p. 5. Retrieved from http://nla.gov.au/nla.news-article224576618

CURL CURL 'BUS

For a considerable time residents in the vicinity of Curl Curl Beach have been agitating for a direct 'bus service to Manly wharf, but their efforts have always been blocked by Warriugah Shire Council. Now they are likely to have their 'bus, in spite of the council's, opposition, as the traffic author-ties are believed to favor the new line. CURL CURL 'BUS (1925, July 3). Evening News (Sydney, NSW : 1869 - 1931), p. 5. Retrieved from http://nla.gov.au/nla.news-article113920451

CURL CURL BEACH

The Curl Curl Beach Estate is to be offered on the ground to-morrow by M. C. V. Broughton and Co., and R. T. For-syth, of Willoughby. This estate is within a few minutes' walk of Curl Curl Beach, with its glorious lagoon, and only 15 minutes' motor drive by motor bus from Manly. A. good metal road runs past the estate, from which extensive and charming views can be obtained. The position is an ideal one for a week-end or permanent residence, and with the rapid development that is taking place on the northern side of the harbor the future value of positions like this cannot be estimated. There has been a big inquiry for plans. CURL CURL BEACH (1926, March 26). Evening News (Sydney, NSW : 1869 - 1931), p. 4. Retrieved from http://nla.gov.au/nla.news-article117289808

NB: 'Metal' for a road means is an old engineering term for crushed 'blue metal' stone or aggregate used to build or pave roads.

CURL CURL SIREN

MARY McERLANE, pretty sister of Dave McErlane, who is overseas, looks outstanding in the costume of the Curl Curl women's surf club after the parade at the South Curl Curl carnival. CURL CURL SIREN (1942, January 3). Daily Mirror (Sydney, NSW : 1941 - 1955), p. 7 (Late Final Extra). Retrieved from http://nla.gov.au/nla.news-article271587280

Griffin Road Looking Towards Manly, 1947

North Curl Curl surf boat crew with 'Boofa' boat, 1947

Curl Curl Lagoon in 2021. Photo: Wendy Frew

How Australia Trained the Shipbuilders of the Future (1949)

republished by the National Film and Sound Archive of Australia (NFSA) on July 15 2026

This 1949 edition of Australian Diary takes viewers inside the apprentice training schools and shipyards of Whyalla, South Australia, where a new generation of shipbuilders learned the trades that would help power Australia's post-war maritime industry.

Filmed during a period of industrial expansion, the newsreel follows apprentices studying drafting, machining, forging, woodworking and ship construction while working alongside experienced tradesmen. Their training contributed to one of the nation's most important industries, supplying ships for Australia's transport and trade networks.

The film captures the scale of shipbuilding at Whyalla, including work associated with the Iron Kimberley, one of the largest ships built in Australia at the time. Today, the footage stands as a valuable record of Australia's industrial heritage, vocational training and the skilled workforce that helped build the nation after the Second World War.

Opportunities:

New Theatre Group seeks Volunteers

NoBAD Theatre is a new Not For Profit community theatre group. Their inaugural production, The Waiting Room, a new Australian comedy, will be staged at the Mona Vale Performance Space from 21st – 24th October. 


The cast of eight are locally based actors, whose past credits span Hollywood movies, American and Australian TV, and Australian theatre. All involved are offering their services for free with the aim of establishing an ongoing community theatre on the Barrenjoey Peninsula. 

If you would like to join them, they want to hear from you! 

Mike Bullen says; 
''We are looking for enthusiastic volunteers to fill backstage roles in: Stage Management, Set Design and Construction, Sound., Lighting, Costumes, Hair and Make Up, Props, Publicity (especially Social Media) and House Management. 

Previous experience is a plus but is not a necessity. To find out more and express your interest visit nobadtheatre.org  

Anyone over the age of 16 is welcome to apply.''

Wings & Tins Dee Why: Bands wanted! 

We’re opening our doors and looking for fresh new acts to light up our epic new stage and sound system.
From rock, punk, funk, reggae and dub to metal, hardcore, folk, indie, blues, and everything in between… we want to hear from you. We’re here to champion all styles and flavours of music, art, and the people who create it.
If you’d like to play a show with us, send us an email using the address below.

2026 Premier's Reading Challenge

The Challenge aims to encourage a love of reading for leisure and pleasure in students, and to enable them to experience quality literature. It is not a competition but a challenge to each student to read, to read more and to read more widely. The Premier's Reading Challenge (PRC) is open to all NSW students in Kindergarten to Year 10, in government, independent, Catholic and home schools. Now in its 25th year, the NSW PRC is the largest reading challenge in Australia!

The Term 1 2026 booklist is now live! 462 new books have been added to the book lists. Additional book list updates occur at the start of Term 2 and Term 3. 

Click here, or visit the booklists page to check out the new titles added to the PRC booklists this year! 

Financial help for young people

Concessions and financial support for young people.

Includes:

  • You could receive payments and services from Centrelink: Use the payment and services finder to check what support you could receive.
  • Apply for a concession Opal card for students: Receive a reduced fare when travelling on public transport.
  • Financial support for students: Get financial help whilst studying or training.
  • Youth Development Scholarships: Successful applicants will receive $1000 to help with school expenses and support services.
  • Tertiary Access Payment for students: The Tertiary Access Payment can help you with the costs of moving to undertake tertiary study.
  • Relocation scholarship: A once a year payment if you get ABSTUDY or Youth Allowance if you move to or from a regional or remote area for higher education study.
  • Get help finding a place to live and paying your rent: Rent Choice Youth helps young people aged 16 to 24 years to rent a home.

Visit: https://www.nsw.gov.au/living-nsw/young-people/young-people-financial-help

School Leavers Support

Explore the School Leavers Information Kit (SLIK) as your guide to education, training and work options in 2022;
As you prepare to finish your final year of school, the next phase of your journey will be full of interesting and exciting opportunities. You will discover new passions and develop new skills and knowledge.

We know that this transition can sometimes be challenging. With changes to the education and workforce landscape, you might be wondering if your planned decisions are still a good option or what new alternatives are available and how to pursue them.

There are lots of options for education, training and work in 2022 to help you further your career. This information kit has been designed to help you understand what those options might be and assist you to choose the right one for you. Including:
  • Download or explore the SLIK here to help guide Your Career.
  • School Leavers Information Kit (PDF 5.2MB).
  • School Leavers Information Kit (DOCX 0.9MB).
  • The SLIK has also been translated into additional languages.
  • Download our information booklets if you are rural, regional and remote, Aboriginal or Torres Strait Islander, or living with disability.
  • Support for Regional, Rural and Remote School Leavers (PDF 2MB).
  • Support for Regional, Rural and Remote School Leavers (DOCX 0.9MB).
  • Support for Aboriginal and/or Torres Strait Islander School Leavers (PDF 2MB).
  • Support for Aboriginal and/or Torres Strait Islander School Leavers (DOCX 1.1MB).
  • Support for School Leavers with Disability (PDF 2MB).
  • Support for School Leavers with Disability (DOCX 0.9MB).
  • Download the Parents and Guardian’s Guide for School Leavers, which summarises the resources and information available to help you explore all the education, training, and work options available to your young person.

School Leavers Information Service

Are you aged between 15 and 24 and looking for career guidance?

Call 1800 CAREER (1800 227 337).

SMS 'SLIS2022' to 0429 009 435.

Our information officers will help you:
  • navigate the School Leavers Information Kit (SLIK),
  • access and use the Your Career website and tools; and
  • find relevant support services if needed.
You may also be referred to a qualified career practitioner for a 45-minute personalised career guidance session. Our career practitioners will provide information, advice and assistance relating to a wide range of matters, such as career planning and management, training and studying, and looking for work.

You can call to book your session on 1800 CAREER (1800 227 337) Monday to Friday, from 9am to 7pm (AEST). Sessions with a career practitioner can be booked from Monday to Friday, 9am to 7pm.

This is a free service, however minimal call/text costs may apply.

Call 1800 CAREER (1800 227 337) or SMS SLIS2022 to 0429 009 435 to start a conversation about how the tools in Your Career can help you or to book a free session with a career practitioner.

All downloads and more available at: www.yourcareer.gov.au/school-leavers-support

Word Of The Week: Straggler

Word of the Week stays a part of your page in 2026, simply to throw some disruption in amongst the 'yeah-nah' mix. 

Noun

1. a person, animal, ship, etc., that wanders around or strays from a path or course. 2. a person or animal that is last in a group to do something or the last to get to or leave a place.

From 1520s, "one who strays away," agent noun from straggle (verb). Of animals by 1550s; of soldiers by 1580s. In botany, "something that shoots beyond the rest or too far," 1550s.

straggle(verb)

From early 15c., stragelen, "wander from the proper path; rove from one's companions, become separated; move about without fixed direction or purpose," a word of uncertain etymology but ultimately from a Germanic "go, move" word (cognate with Middle Low German straken, Old High German stracchen). Possibly via a Scandinavian source (compare dialectal Norwegian stragla "to walk laboriously"), or perhaps it is a frequentative or other variant of Middle English stragen "walk with long steps," or straken "move, go, proceed rapidly" (early 14c.). 

Specifically of soldiers, "be dispersed, be apart from the main body," from 1520s. Related: Straggled; straggling. 

Compare dawdle (verb)

1. to move slowly, waste time, or linger idly. It implies an aimless delay rather than a strict pause, often taking longer than necessary to reach a destination or complete a task. 2.  delay, procrastinate, lag, loiter - to move or act slowly so as to fall behind.

From 1650s, intransitive, "to idle, waste time," perhaps a variant of daddle "to walk unsteadily." Perhaps influenced by daw, because the bird was regarded as sluggish and silly. Not in general use until c. 1775. Transitive sense in dawdle away is attested by 1768. Related: Dawdled; dawdling; dawdler. 

daw(noun); "jackdaw, small sort of crow," early 15c., daue, perhaps from an unrecorded Old English dawe, from Proto-Germanic dakhwo (source also of Old High German taha, German Dohle), perhaps imitative of bird's cry. Medieval Latin tacula, Italian taccola are said to be Germanic loan words.

Compare trailer(noun)

''that which'' or ''one who trails'', in any sense of the verb, 1580s, originally "hound or huntsman that follows a trail," agent noun from trail (verb); the general sense of "something that trails" is by 1610s.

It is attested by 1890 as "vehicle pulled by another," originally a small carriage drawn along by a bicycle, soon transferred to carriages designed to be drawn behind engine-powered vehicles. Trailer-hitch is attested by 1953.

The meaning "advertisement run alongside a motion picture" is attested by 1916; trailer as "length of blank film at the end of a reel" is by 1913 and might have suggested this use. The verb 'trail' in the sense "draw attention to" a forthcoming program (1941) is a back-formation in British English.

The use of automobile "trailer coaches" for recreational camping (trailer camp is by 1921) led to their being parked permanently and used for residence (trailer park "mobile home community" is recorded by 1936) especially in U.S. in the housing boom after World War II. Trailer court for "mobile home community" is attested by 1939; trailer home is by 1940. The derogatory ''trailer trash'' (noun) for people supposed to regularly inhabit mobile home communities is attested by 1986, likely suggested by ''white trash'' - although you don;t need to live in a caravan or 'trailer' to have ''trashy'' notions, attitudes or behaviours - which makes this a TROPE.

Choosing your senior maths subjects? Here’s what to consider

A teenage girl in school uniform uses a calculator during class.
Matt Cardy/Stringer via Getty Images
Bronwyn Reid O'Connor, University of Sydney and Ben Zunica, University of Sydney

Choosing a senior maths subject is truly like finding the Goldilocks option. Too difficult, and students may become overwhelmed and underperform. Too easy, and they may miss out on the challenge, preparation or assumed knowledge they require for their future career pathways. They need the subject that is just right.

Across Australia, thousands of students are currently choosing their Year 11 subjects. Students may think they’re just choosing a maths subject, but they are also shaping the university courses and careers most immediately available after school.

For most Year 11 subjects, the choice is relatively straightforward: students either choose chemistry, for example, or they do not. Maths is different, with multiple choices available. This can make subject selection difficult.

Finding the right fit

Let’s start with an important point: not every student should study the most advanced mathematics available.

Research shows choosing a maths subject that is too difficult can increase a student’s anxiety, lower their confidence and reduce their enjoyment of the subject. This may take away from their learning in other subjects or their general enjoyment of their senior years.

Instead, the right maths subject depends on a student’s interests, strengths and future goals.

For some students, a general or standard maths subject will provide the foundational mathematical knowledge they will use throughout their lives and careers. For others, advanced mathematics courses are a better fit.

What unis typically require

For some university courses, particularly in STEM, your senior maths subjects can determine whether you meet entry requirements or arrive with the assumed knowledge needed to succeed.

Many uni degrees in fields such as engineering, physics, computer science, mathematics, and actuarial studies require, or strongly recommend, advanced mathematics. Even when it isn’t a formal prerequisite, students often find first-year university maths requires the knowledge learnt in these subjects.

But what if you’re not looking at a STEM degree — are advanced maths subjects worth your time?

Advanced mathematics isn’t always just about content. Studying the subject develops analytical reasoning, logical thinking, problem solving, and mathematical modelling skills. These are valued across many professions, from economics and finance to business, technology, and data-driven industries.

Support in earlier years

One thing many families often don’t realise is that not all year 10 students will have every senior maths option available to them in years 11 and 12.

Across Australia, schools organise mathematics differently. However, most schools stream students into different maths pathways from as early as the start of Year 7. Those pathways often determine the content students study, and whether they are eligible to take advanced maths courses in the senior years.

This means that, by the time students are choosing their Year 11 subjects, some options may already have become much harder to access.

For families, it is important to ask questions about how maths pathways operate in their child’s school, rather than assuming students can easily access higher levels of maths later.

For students with STEM aspirations who are finding maths difficult in Years 7 to 10, seeking support early is important. Speaking with teachers, understanding pathway requirements, and addressing learning gaps before senior subject selection can help keep more options open.

Other pathways

The good news is there are still options for students to pursue STEM careers later on, even if they don’t study advanced maths in Year 12. Most universities now offer bridging mathematics, foundation studies and enabling programs for students who discover a passion for STEM after leaving school. However, these often involve additional study or a longer route to the same destination.

Some unis are also investing in initiatives that encourage students — particularly girls and students from underrepresented communities — to see themselves in STEM before they even reach Year 11. The path may look different, but the door is rarely locked.

One useful guiding principle for choosing maths subjects in Year 12 is this: students should choose the highest level that keeps future pathways open while remaining realistic about their interest, commitment and prior achievement.The Conversation

Bronwyn Reid O'Connor, Lecturer in Mathematics Education, University of Sydney and Ben Zunica, Lecturer in Mathematics Education, University of Sydney

This article is republished from The Conversation under a Creative Commons license. Read the original article.

‘I struggled a lot with ATAR’: there’s another way high school students can qualify for a uni degree

A teenager sits at a desk. Her head is in her hands.
Carol Yepes/ Getty Images
Angela Jones, Edith Cowan University

The senior years of high school can be very stressful. For many students, they are dominated by exams and pressure to gain a certain ATAR for certain university courses.

For some students, perhaps for health or family reasons – this pathway isn’t possible. But this does not mean uni isn’t an option.

Students have historically had to wait until after high school to complete a different pathway such as the Skills for Tertiary Admissions Test, a vocational educational training certificate, portfolio entry or enabling pathway.

Enabling courses can prepare students for undergraduate study. And as our new report shows, it’s possible for students to do an enabling program as part of their high school work.

What are enabling programs?

Enabling programs are courses that qualify students for undergraduate university study. They are also known as “bridging” or “fee-free uni ready” programs.

They teach both academic skills as well as subject knowledge and qualify students to enter a wide range of undergraduate degrees for example education, nursing, science, creative arts and criminology.

Since the 1990s, they have specifically supported students from equity and underrepresented backgrounds, or those with disrupted education.

Many enabling programs are run through universities. So, students complete them after they leave school (sometimes directly after school and sometimes many years after) . But they can also be run in schools, while students are in year 11 or 12.
Each universities has slightly different qualifying criteria for entry into the program based on English competency and school recommendations.

How do enabling programs work in schools?

In 2026, seven universities offer structured in-school programs, targeting regional, remote, and equity cohort schools.

Developed between universities and schools, these programs build academic skills, such as time management, research, academic reading and writing and maths. They can also focus on discipline-specific knowledge and on skills such as confidence and critical thinking.

The curriculum, designed by universities, is embedded in the school timetable in year 11 and 12 and taught by school teachers with university support. Some programs are also on uni campus outside school hours.

These programs are aimed at students who have uni aspirations, but have experienced disadvantage or have not thrived via an ATAR pathway.

Our research

We did an analysis of enabling programs delivered by 94 high schools around Australia. This included surveys of 2,000 students enrolled between 2021 and 2023.

We found 79% of the group completed the program and 660 students progressed to uni in 2022–2024.

Of those who went onto university study, 75% continued into second year. This compares to 79% for ATAR entrants.

At university, students who had done an enabling course had an average pass rate of 76%. recent school leavers who entered uni with an ATAR had an average pass rate of 88%.

What do students say?

In our survey, students repeatedly spoke of being under enormous pressure at school before choosing an enabling pathway. ATAR struggles and stress were a key reason for this. As one student noted:

I struggled a lot with ATAR. I did well in classes and assignments but fell through with the exams.

Another stated:

I dropped out of [the] ATAR [pathway] due to stress and poor mental health, but I still wanted to attend university.

Other students spoke of how the enabling program better suited their particular health or disability needs. One student with attention-deficit/hyperactivity disorder told us:

I found [school program] more effective […] as the learning was a lot more practical, and the learning and content felt more in-depth.

Students spoke of the program giving them “faith in myself” and a “head start” before they began undergraduate studies. As another student told us, “[the program] explained exactly what universities expect of you”.

What now?

Some politicians have criticised enabling programs in schools, saying they are not challenging enough and do not prepare students for university study. Our findings suggest the opposite.

This study suggests governments and schools need to increasingly recognise there is no single route that suits every student.

One limitation of the study is that this study did not have available data on graduates who went on to study at universities outside the partner institutions.

For schools and universities considering these programs, guidance from our research highlights how the strongest outcomes are linked to programs that are taught within the school timetable. This is because it reduces barriers to attendance and provides support and monitoring from their teachers.

Effective programs also need support from the university partners who provide teacher training and academic guidance. Information for schools on how to set up an enabling program with a university is further explained in our research.


Fiona Navin, Selena Dhondea-Tenakov, Joanne Lisciandro, Johanna Nieuwoudt, Anita Maclaurin, Fabiane Ramos, Shaz Attree and Michael Howie all contributed to the research report described in this article.The Conversation

Angela Jones, Senior Lecturer Access and Equity, Edith Cowan University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Beyond $50k arts degrees: what has Job‑ready Graduates done to postgrad study?

Young woman with earphones and folder walks away from a cafe in a building,
Igor Suka/ Getty Images
Andrew Norton, Monash University and Ren-Hao Xu, The University of Western Australia

Under the Morrison government’s Job-ready Graduates scheme, the price of arts degrees more than doubled to over A$50,000.

But while attention has understandably been focused on undergraduate degrees, what has happened at the postgraduate level?

In a new research paper we explore how the scheme slashed study costs for many postgraduate students, especially in nursing.

‘Full-fee’ versus ‘student contribution’ places

Since the late 1980s, universities have offered domestic students full-fee places in postgraduate courses. Full-fee places receive no government subsidy, and universities set the fees.

In 2024, the average university revenue per full-fee student place was $33,000 a year. Students can finance these fees with a FEE-HELP loan.

Full-fee places exist alongside postgraduate government-subsidised “Commonwealth supported places” (which are also used for undergraduates). For these places, the government provides a subsidy and students pay a price-capped student contribution.

These contributions are high – currently $17,399 a year in arts, business and law – but much less than the average full-fee rate.

Fixed numbers of subsidised postgraduate places

Before Job-ready Graduates, universities could offer postgraduate students Commonwealth supported places. But for each university the government capped numbers in total and by discipline.

By contrast, there were no restrictions around full-fee postgraduate places. As the chart shows, enrolments in full-fee places grew in most, although not all, years up to the mid-2010s.

The two largest postgraduate fields are teaching and business.

This reflected more people seeking to advance their careers through postgraduate study, as well as postgraduate degrees becoming a possible or required entry point for some professions such as psychology.

The cheaper Commonwealth supported places saved students money over full-fee courses, but produced anomalies across the system. Some universities were allocated thousands of places but others only dozens. Frustrated universities complained some competitors had Commonwealth supported places while they could only offer full-fee places in the same course.

Job-ready Graduates and student places

Job-ready Graduates, which was announced in 2020 and started in 2021, changed this situation. Instead of specifically allocating postgraduate Commonwealth supported places, the government put funding into a single, flexible grant shared with undergraduate courses.

For universities and their students this created new opportunities, but also new trade-offs: between undergraduate and postgraduate places, and between subsidised and full-fee postgraduate places.

Framing it differently, universities faced potential choices between opportunities for first and second-time students for government-subsidised higher education, and between lower and higher total revenue per student.

Increased postgraduate Commonwealth supported places was not an inevitable outcome, but it happened.

Between 2019 (the old system’s last normal year) and 2024, the number of postgraduate Commonwealth supported places increased by a third to more than 57,000. By contrast the number of full-fee postgraduate places at public universities fell by 11%, to about 41,000 places.

Which courses benefited?

Growth in postgraduate Commonwealth supported places occurred across many courses. But nursing was a standout, more than doubling to nearly 8,000 places. Specialities such as critical care and mental health nursing showed large increases.

Price differences between subsidised and full-fee places are very large in these fields. For example, for a Graduate Certificate of Critical Care Nursing at Deakin University a full-fee place costs $14,700 in 2026, while a Commonwealth supported place costs just $2,639. The University of Newcastle markets its Master of Mental Health Nursing as up to 75% cheaper, costing $5,117 with Commonwealth support.

Job-ready Graduates cut nursing student contributions to boost demand. While undergraduate nursing demand did increase, a discount was never likely attract students without prior healthcare interests. But for someone who is already a nurse, a cheap Commonwealth supported place could make a big difference to their decision to pursue postgraduate study.

University reasoning

Students prefer lower fees, but this still leaves the question of why universities offered more nursing places.

Our analysis of postgraduate enrolment trends was part of a broader project exploring university decision-making around Commonwealth supported places. As part of this project, we interviewed university leaders and officials.

A consistent theme was they wanted to prioritise postgraduate Commonwealth supported places in social service occupations with relatively low wages, such as nursing, teaching and social work.

Look at undergrad demand

While universities had social service reasons for offering more postgraduate places in certain fields, another important factor affected decision-making under Job-ready Graduates.

This was a major decline in domestic undergraduate demand. Fewer Year 12 students and more people choosing work over study in a strong labour market were both factors.

For many universities, this abolished the trade-off between undergraduate and postgraduate places. They had more funding for Commonwealth supported places than they could use.

Our interview research found universities placed a high priority on fully utilising their government funding. They saw this as a government expectation. They feared that consistent failure to use funding would see it cut. Offering additional postgraduate places was one way to use more government funding.

Can this last?

The social service reasons for offering postgraduate Commonwealth supported places will remain. But with undergraduate demand now recovering, boosted by renewed growth in Year 12 enrolments, the trade-offs with postgraduate places are returning.

At the same time, the government has introduced legislation putting tougher caps on how many Commonwealth supported students universities can take. This will see some universities need to reduce their Commonwealth supported student intake.

We cannot predict exactly how universities will navigate this changed environment. But postgraduate Commonwealth supported places have probably reached their peak as priorities are likely to move back to undergraduate education.The Conversation

Andrew Norton, Professor of Higher Education Policy, Monash University and Ren-Hao Xu, Lecturer, Graduate School of Education, The University of Western Australia

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Gen Z is pushing back against AI – a reminder to all of us that the future isn’t written

Red protest sign that says quit GPT.
Nathan Kuczmarski/Unsplash
Siobhan Lyons, Macquarie University

Martin Scorsese recently announced he will be joining generative artificial intelligence (AI) company Black Forest Labs. He said he would embrace AI for storyboarding – the practice of creating a visual outline in the early stages of developing a movie or TV show.

The announcement was met with significant online backlash and sentiments about how AI has the potential to “ruin cinema”.

The announcement follows recent viral footage showing graduate students at multiple college ceremonies booing commencement speakers who praised generative AI. Speaking at the University of Florida, property developer Gloria Caulfield declared AI is “the next Industrial Revolution”. The humanities graduates, already burdened with debt and job insecurity, responded with a torrent of boos.

Former Google CEO Eric Schmidt and Big Machine Records CEO Scott Borchetta were also booed as they sang the praises of AI at graduation ceremonies. Their bemused reactions reflect a growing generational divide when it comes to AI adoption.

Who’s actually enthusiastic about new tech?

It’s often assumed younger generations are the most enthusiastic adopters of new technologies. Yet numerous studies already show gen Z is pushing back against AI.

A recent Gallup study found gen Z is

not convinced that AI enhances creativity or critical thinking, and the majority believe it may come at a cost, particularly to learning.

In contrast, a 2025 Thomson Reuters survey found the most “ambitious group” predicting AI would enter the workplace were baby boomers.

Baby boomers and AI

Baby boomers bridged the gap between analogue technologies like the typewriter and digital innovations like word processors. The labour market was defined by long hours and administrative filing.

This explains why, according to survey data, many boomers see AI as a revolutionary tool. They think AI not only saves time, but is more intuitive than the technologies they once relied upon.

Technology writer Josiah Gogarty argues boomers also find AI amusing. He points to the rise of low-quality AI content or slop on Facebook, “lapped up by the platform’s older audience”.

Yet for younger generations, AI presents an existential threat to their livelihoods.

When booed by the attendant students, Borchetta doubled down: “Deal with it. Do something about it. It’s a tool, make it work for you.”

But his comments ignore the structural conditions that allowed older generations to prosper in ways younger generations cannot. Borchetta and other boomers came of age during a period when human labour carried significantly more economic and social value than it does today.

The very systems that made these individuals wealthy have weakened labour security while removing the professional pathways that allowed them to thrive in the first place. The message “adapt or get left behind” therefore feels disingenuous to a generation now faced with a future defined by constant disruption and reskilling.

Gen Z’s loss of self worth

The issue is not just with a dire job market. Many young people are left feeling as though they no longer have any meaningful stake in a system that demands their compliance while it systematically engineers their obsolescence.

As social psychologist Shoshana Zuboff puts it, we are living in a

harsh social habitat produced by a decades-old regime of neoliberal market economics in which our sense of self-worth and need for self-determination are routinely thwarted.

Indeed, younger generations face a unique existential crisis as algorithms increasingly shape taste, preferences, decisions and more. Teens are “living inside a contradiction”, encouraged to embrace AI while they report it’s hurting their learning.

In the 20th century, baby boomers had greater agency over how much technology was integrated into their lives, and there was more opportunity to opt out. Studies show older generations were able to evaluate their adoption of technology based on factors like “compatibility with lifestyle” and affordability. Email and mobile phones weren’t viewed as essential to everyday life, nor was upgrading to a clock radio or a TV with a remote control considered as “inevitable” as having an AI chatbot on your smartphone is today.

Today, AI and algorithms feel unavoidable to younger generations, because they’re built into the very fabric of society. Tech CEOs argue the dominance of AI is inevitable, but the people in power aren’t engaging in dialogue with younger generations.

In an age when it feels as though we’ve resigned ourselves to a future determined by AI and algorithms, younger generations now want to reclaim agency over their futures, rather than just blindly embrace AI.

The vocal gen Z backlash against AI should be a reminder to everyone that alternatives to an AI-saturated future are still possible.The Conversation

Siobhan Lyons, Scholar in Media and Cultural Studies, Macquarie University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Australia wants to ‘manage’ AI. What will that look like?

A man in a black suit speaking at lecturn, with flowers in the background.
Anthony Albanese delivers speech on AI, July 15 2026. University of Sydney/Fiona Wolf.
Rita Matulionyte, Macquarie University

Today, Prime Minister Anthony Albanese laid out how his government plans to manage artificial intelligence (AI) and ensure the rapidly advancing technology works in Australia’s interest.

In a major speech at the University of Sydney, Albanese declared that AI “is a bigger challenge and a bigger opportunity than social media”, and that Australia must move now to determine its “social licence” and capture the opportunities it presents.

Key to the government’s plans is the immediate establishment of an Office of AI within the prime minister’s own department and the creation of new national standards for AI.

This news comes as a group of leading economists and AI researchers urge policymakers and tech companies around the world to prepare now for how the technology could reshape the global economy on a much bigger and faster scale than the Industrial Revolution did.

A new office and new standards

Albanese said the new Office of AI will coordinate AI policy across government, rather than leaving individual departments to develop their own approaches. This will be similar to how the government developed coordinated approaches for other significant technologies such as civil aviation and genetics.

The office will also help coordinate the design of new national standards for AI.

These standards, which Albanese said will be legislated early next year, will build on the government’s previously announced expectations for data centres. They will, for example, create a new legal obligation for large data centre operators to underwrite their own power supply, not increase household power prices, and minimise water usage.

Other countries are also grappling with how best to handle this issue. Indeed, hours before Albanese’s speech, New York enforced a one-year moratorium on the building of new data centres.

There are growing calls for Australia to do the same.

But Albanese suggested his government would not be heeding these calls. As he said:

No government can turn back the clock or press pause on all of this. Nor would we want to. That would only mean cutting ourselves off from the opportunities that are there to be seized.

Protection for artists and creative industries

Albanese also reiterated his government’s commitment to the “strongest possible protection” for artists, musicians and journalists, who should retain ownership and control of their works in the AI age.

Last year the Labor government rejected a copyright exemption that would allow AI companies to use protected content for free when developing AI models.

In contrast to other jurisdictions (such as the United States, European Union and Japan), Australian AI developers will still have to pay for creators’ content.

This approach is fair. But the government has since been grappling with how to ensure this policy does not disadvantage Australian AI developers and the payments reach actual creators.

In his speech today, Albanese promised laws to address this. But he did not provide any clarity on what they might look like.

Where does Australia sit internationally?

By establishing the AI Office and developing national standards for AI, Australia is trying to position itself as an international leader in AI policy.

But Albanese’s claim that Australia “will be the first country in the world to bring [AI] issues into a single, national framework” is overstated.

For example, the European Union adopted the AI Act back in 2024. This established strict regulation especially for high-risk AI. It also established the EU AI Office to coordinate the implementation of the AI Act and protect people against the risks of the technology.

This year, however, the EU Commission introduced amendments to weaken some of the requirements in the AI Act and postponed certain implementation deadlines.

This “watering down” of the AI Act is intended to boost AI innovation in the EU. It comes after AI developers have been complaining that strict EU regulation slows down AI development.

Other countries seem to also favour a pro-innovation approach, instead of strong regulation. South Korea, for example, has introduced an AI Basic Act for high impact AI systems, but its rules are much less strict than in the EU.

Japan has opted for voluntary guidance for the AI sector.

So Australia’s decision not to introduce hard regulation (such as mandatory AI guardrails) but rather rely on softer standards and national-level coordination appears to align with international trends.

A starting point

The new standards and office announced today are a good starting point for managing AI. So too is Albanese’s promise to protect creative industries whose content has been used by AI companies to train their large language models without consent.

However, we don’t yet know how, or how well, the government will do this.

Much more work and leadership from the government is needed – especially in relation to mitigating the wide array risks of AI, from misinformation and deceptive deep-fakes, anti-democratic propaganda, health AI apps causing health safety issues, and public security challenges.

And while the government hopes its new AI standards will allay community fears about data centres, the news out of New York is likely to only fuel the push in Australia to hit “pause” on them.The Conversation

Rita Matulionyte, Associate Professor in Law, Macquarie University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Remembering the quiet genius of Sam Neill

Daryl Sparkes, University of Southern Queensland

I remember watching an interview with actor Sam Neill, who has died aged 78, saying “Good screen acting hints at secrets. At other lives underneath the veneer.”

At the time, I wondered what were these secrets Neill was referring to.

I just had to look at the vast body of Neill’s work, the characters he played, and how he played them to answer that question.

Claiming him as Australian

The actor was born Nigel John Dermot Neill in 1947 in Northern Ireland before moving to New Zealand as a child. In the time-honoured tradition of Australia claiming New Zealand talent as our own, it was when he made the move across the pond that he first found fame and the launching pad for his international career.

A law school dropout, he soon found acting to be his calling while at university, acting in a number of plays before moving to New Zealand television and his first starring role in the action thriller feature Sleeping Dogs (1977).

This film got him noticed in Australia where he picked up a small role in television series The Sullivans before landing his first major motion picture – My Brilliant Career (1979), opposite another emerging talent of the Australian screen, Judy Davis.

He made a plethora of less widely known films like Just Out of Reach (1979) and Attack Force Z (1982), while also appearing in television shows such as Young Ramsey.

His international break out film was, unusually, playing the son of Satan in the quite schlocky Omen III: The Final Conflict (1981).

But the film was commercially successful, and the role opened up many doors for Neill who spent the rest of his professional career criss-crossing continents and acting in films and television series in the United States, the United Kingdom, Europe and his original home, New Zealand.

As often happens with our Australian talent, they have to be recognised overseas before we recognise them back home.

So back in Australia we came to embrace Neill in landmark films such as playing Micheal Chamberlain opposite Meryl Streep in Evil Angels (1988) and opposite a young Nicole Kidman in Dead Calm (1989).

At this time, he met with producer Cubby Broccoli to be considered as the replacement for Roger Moore in the James Bond series, but unfortunately lost out to Timothy Dalton.

Neill may have been the greatest Bond we never had.

The actor who didn’t show he was acting

Perhaps the role he is best remembered for is as the star of the original Jurassic Park (1993) and sequels Jurassic Park III (2001) and Jurassic World Dominion (2022), where he played renowned palaeontologist Alan Grant.

This role is a great example of how refined his acting talents were.

At the beginning of Jurassic Park, Grant is quite aloof and cold to those around him, and visibly uncomfortable around the park owner’s grandchildren. As the drama unfolds, Grant gradually shifts to becoming the children’s protective mentor risking his life for them.

Neill doesn’t do this through dramatic speeches or over-the-top visual displays. Instead he gives us a performance of subtle shifts in the character’s behaviour.

Neill’s ability at nuance made his roles so believable and authentic.

When we view his body of work, we can see Neill’s characters always have a significant level of intellect and astuteness. He was often cast in roles of men of intelligence, quiet authority or class. Neill was the reasonable, decent man everyone looked at for stability and strength when disaster fell, and all others were losing their heads.

He had this understated quality to many of his roles. Not being the overt method actor like many of his generation, he chose restraint and reason, embellishing his characters with a feeling of genuine realism.

Neill was able to relate emotion through slight facial expressions or minute vocal inflections. He could be equally delighted, menacing or upset with just a glance.

The quality of the man

Neill took many risks with the roles he took on. His versatility and range meant he could be equally good in a historical drama (Sirens, 1994) as he was in a comedy (Death in Brunswick, 1990) or even horror (In the Mouth of Madness, 1994) and sci-fi (Event Horizon, 1997).

It shows the quality of the man that Neill was as willing to appear in blockbusters as he was in small, independent films, to help and coach the next generation of filmmakers.

In ironic casting, the Sam Neill who dropped out of law school to become an actor played his final role as a lawyer, in the acclaimed three seasons of the Australian courtroom series The Twelve (2022–25).

In 2023, Neill said “I’m not afraid to die, but it would annoy me”.

For him it may have been annoying. Those who admired him will be meeting this moment with profound sadness and gratitude for the exceptional work he leaves behind.

Neill uncovered the secrets in the lives of all of his characters, presented them to us in his own inimitable style and made even the most ordinary moments feel quietly extraordinary.The Conversation

Daryl Sparkes, Senior Lecturer, Media Studies and Production, University of Southern Queensland

This article is republished from The Conversation under a Creative Commons license. Read the original article.

''Sam'' in Pittwater - filming 'Palm Beach'

Women on ancient Roman farms were in charge of making wine, oil – and profits. Historians dismissed them as ‘housekeepers’

A statue is seen near ancient Roman ruins.
Getty Images/Paolo Trovo
Tamara Lewit, The University of Melbourne

Female farm managers are hidden in plain sight in ancient Roman texts, mentioned in laws, literature and grave inscriptions across five centuries. Modern historians have generally assumed they were housekeepers, in charge of domestic tasks and household meals, and segregated from the productive business of the farm.

My new paper, published in the Journal of Roman Archaeology, challenges this assumption.

In fact, there is evidence to suggest that many Roman female farm managers supervised wine production and other processes vital to farming and profits.

A false lead

A farming manual written by the Roman writer Lucius Junius Moderatus Columella in the 1st century CE is a window to the roles of the female manager.

An upper class landowner himself, Columella lists the responsibilities of farm managers, who were probably enslaved. The male manager was termed the vilicus, and the female manager the vilica, terms derived from their roles at the “villa”.

But many historians reading this text have been side-tracked by a false lead: Columella begins his section on the vilica with a long quote from the Greek philosopher Xenophon, who wrote in Athens more than four centuries earlier.

A Roman statue sits in a dimly lit museum.
A quote from Greek philosophy led many to misunderstand the roles women played in ancient Roman farming. Mahmoud Amer/Pexels

The “natural” role of women, according to Xenophon, was to work indoors. Therefore in his discussion, the ideal upper-class married woman is depicted staying inside her town house to supervise the domestic work of the slaves.

The Greek writer is not discussing farm workers. In fact, Columella says four times that these ideas are not his own, but those of Xenophon, writing long ago.

Columella lists a completely different set of responsibilities for the vilica on a Roman farm: most importantly, the making of wine and olive oil, which were highly valuable commodities – the backbone of landowners’ profits.

In his description of the vilica’s duties, Columella includes the extraction of the juice from grapes during the harvest; adding flavourings and preservatives such as salt, wormwood, fennel or boiled grape-juice; and overseeing successful fermentation into wine.

According to Columella, the vilica also managed the processing of other farm products to make them long-lasting and profitable, such as turning inedible olives into olive oil for sale.

From archaeology we know that production of wine or oil, using huge machines in substantial buildings, could reach 50,000 to 100,000 litres per year, or even more. The vilica was therefore responsible for overseeing large-scale work essential to the operation of the estate.

Calling on the gods

Correct sacrifices to the gods were seen as vital to the success of the farm. Archaeology has uncovered altars for offerings in Roman wine-making buildings.

Wine-making in the Roman world was a precarious process, due to uncontrolled temperatures, bacteria or oxygenation. Wine could easily go mouldy or turn into vinegar.

A striking element of Columella’s account is that he includes carrying out offerings to avert such a disaster in his instructions for the female farm manager.

Looking for more clues

Other texts contain barely more than a mention of the vilica, revealing only her presence.

But we can still put together some clues.

Legal writings on inheritance, quoting the 1st century BCE jurist Trebatius, include her in the instrumentum fundi – whatever (including enslaved personnel) is required for productive work, gathering and preserving produce of the estate.

Roman farm women in mosaics at the Villa Romana del Casale, Sicily.
A mosaic shows Roman farm women at the Villa Romana del Casale, Sicily. Joe Lynch

Another aristocratic landowner and writer, Cato the Elder, living two centuries before Columella, lists both the female and the male farm manager as essential staff for a vineyard or olive farm.

He devotes only one small section to outlining the female farm manager’s tasks, but a close look shows these are not predominantly domestic. Cato includes keeping poultry and processing of seasonal farm products. Although he does include supervision of cleaning, this could refer to maintenance of work spaces such as stables and wine making buildings, an integral part of estate management – and also listed by Columella among the vilica’s duties.

Cato also gives the vilica the responsibility for making sacrifices to the gods for the success of the farm. She must regularly offer garlands at the altar “for abundance”, he writes.

A Roman mosaic showing estate work in different seasons depicts a scene of sacrifices for abundant crops to the god Jupiter (in his Celtic form as a sky and weather god). A woman is shown holding an offering of garlands, just as Cato instructs. Beside her are a jug for wine offerings and a male figure.

Mosaic depicting a rustic calendar, panel showing a scene of sacrifice (Summer)
A woman is depicted at an altar holding the offering of garlands. Beside her is a jug for wine offerings and a male figure. Carole Raddato/Musée d'Archéologie Nationale, Saint-Germain-en-Laye/Flickr, CC BY

Perhaps this mosaic shows the vilica and vilicus, both essential to the success of annual harvests. While such images of female figures are rare, one fragmentary wall painting from Rome shows a female overseeing wine-making workers, just as Columella describes.

This combined body of evidence suggests we should expand outdated understandings of the roles that Roman women played in farm production, the dominant sector of ancient economies.

No vilica has left us an account of her work in her own words. But by paying careful attention to the evidence, we can hear an echo of her voice.The Conversation

Tamara Lewit, Honorary Fellow, School of Historical and Philosophical Studies, The University of Melbourne

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Palm Beach wharf at high tide. Photo: AJG/PON

 The Project Gutenberg Library of Australiana

Australian writers, works about Australia and works which may be of interest to Australians.This Australiana page boasts many ebooks by Australian writers, or books about Australia. There is a diverse range; from the journals of the land and sea explorers; to the early accounts of white settlement in Australia; to the fiction of 'Banjo' Paterson, Henry Lawson and many other Australian writers.

The list of titles form part of the huge collection of ebooks freely downloadable from Project Gutenberg Australia. Follow the links to read more about the authors and titles and to read and/or download the ebooks. 

Profile: Ingleside Riders Group

Ingleside Riders Group Inc. (IRG) is a not for profit incorporated association and is run solely by volunteers. It was formed in 2003 and provides a facility known as “Ingleside Equestrian Park” which is approximately 9 acres of land between Wattle St and McLean St, Ingleside. IRG has a licence agreement with the Minister of Education to use this land. This facility is very valuable as it is the only designated area solely for equestrian use in the Pittwater District.  IRG promotes equal rights and the respect of one another and our list of rules that all members must sign reflect this.

Cyberbullying

Research shows that one in five Australian children aged 8 to 17 has been the target of cyberbullying in the past year. The Office of the Children’s eSafety Commissioner can help you make a complaint, find someone to talk to and provide advice and strategies for dealing with these issues.

Make a Complaint 

The Enhancing Online Safety for Children Act 2015 gives the power to provide assistance in relation to serious cyberbullying material. That is, material that is directed at a particular child with the intention to seriously embarrass, harass, threaten or humiliate.

IMPORTANT INFORMATION 

Before you make a complaint you need to have:

  • copies of the cyberbullying material to upload (eg screenshots or photos)
  • reported the material to the social media service (if possible) at least 48 hours ago
  • at hand as much information as possible about where the material is located
  • 15-20 minutes to complete the form

Visit: esafety.gov.au/complaints-and-reporting/cyberbullying

Our mission

The Office of the Children’s eSafety Commissioner is Australia's leader in online safety. The Office is committed to helping young people have safe, positive experiences online and encouraging behavioural change, where a generation of Australian children act responsibly online—just as they would offline.

We provide online safety education for Australian children and young people, a complaints service for young Australians who experience serious cyberbullying, and address illegal online content through the Online Content Scheme.

Our goal is to empower all Australians to explore the online world—safely.

Visit: esafety.gov.au/about-the-office 

The Green Team

Profile
This Youth-run, volunteer-based environment initiative has been attracting high praise from the founders of Living Ocean as much as other local environment groups recently. 
Creating Beach Cleans events, starting their own, sustainability days - ‘action speaks louder than words’ ethos is at the core of this group. 

National Training Complaints Hotline – 13 38 73

The National Training Complaints Hotline is accessible on 13 38 73 (Monday to Friday from 8am to 6pm nationally) or via email at skilling@education.gov.au.

Sync Your Breathing with this - to help you Relax

Send In Your Stuff

Pittwater Online News is not only For and About you, it is also BY you.  
We will not publish swearing or the gossip about others. BUT: If you have a poem, story or something you want to see addressed, let us know or send to: pittwateronlinenews@live.com.au

All Are Welcome, All Belong!

Youth Source: Northern Sydney Region

A directory of services and resources relevant to young people and those who work, play and live alongside them.

The YouthSource directory has listings from the following types of service providers: Aboriginal, Accommodation, Alcohol & Other Drugs, Community Service, Counselling, Disability, Education & Training, Emergency Information, Employment, Financial, Gambling,  General Health & Wellbeing, Government Agency, Hospital & GP, Legal & Justice, Library, Mental Health, Multicultural, Nutrition & Eating Disorders, Parenting, Relationships, Sexual Health, University, Youth Centre

Driver Knowledge Test (DKT) Practice run Online

Did you know you can do a practice run of the DKT online on the RMS site? - check out the base of this page, and the rest on the webpage, it's loaded with information for you!

The DKT Practice test is designed to help you become familiar with the test, and decide if you’re ready to attempt the test for real.  Experienced drivers can also take the practice test to check their knowledge of the road rules. Unlike the real test, the practice DKT allows you to finish all 45 questions, regardless of how many you get wrong. At the end of the practice test, you’ll be advised whether you passed or failed.

NCYLC is a community legal centre dedicated to providing advice to children and young people. NCYLC has developed a Cyber Project called Lawmail, which allows young people to easily access free legal advice from anywhere in Australia, at any time.

NCYLC was set up to ensure children’s rights are not marginalised or ignored. NCYLC helps children across Australia with their problems, including abuse and neglect. The AGD, UNSW, KWM, Telstra and ASIC collaborate by providing financial, in-kind and/or pro bono volunteer resources to NCYLC to operate Lawmail and/or Lawstuff.

Fined Out: Practical guide for people having problems with fines

Legal Aid NSW has just published an updated version of its 'Fined Out' booklet, produced in collaboration with Inner City Legal Centre and Redfern Legal Centre.

Fined Out is a practical guide to the NSW fines system. It provides information about how to deal with fines and contact information for services that can help people with their fines.

A fine is a financial penalty for breaking the law. The Fines Act 1996 (NSW) and Regulations sets out the rules about fines.

The 5th edition of 'Fined Out' includes information on the different types of fines and chapters on the various options to deal with fines at different stages of the fine lifecycle, including court options and pathways to seek a review, a 50% reduction, a write-off, plan, or a Work and Development Order (WDO).

The resource features links to self-help legal tools for people with NSW fines, traffic offence fines and court attendance notices (CANs) and also explains the role of Revenue NSW in administering and enforcing fines.

Other sections of the booklet include information specific to Aboriginal and Torres Strait Islander people, young people and driving offences, as well as a series of template letters to assist people to self-advocate.

Hard copies will soon be available to be ordered online through the Publications tab on the Legal Aid NSW website.

Hard copies will also be made available in all public and prison libraries throughout NSW.

Read the resource online, or download the PDF.

Profile Bayview Yacht Racing Association (BYRA)
1842 Pittwater Rd, Bayview
Website: www.byra.org.au

BYRA has a passion for sharing the great waters of Pittwater and a love of sailing with everyone aged 8 to 80 or over!

 headspace Brookvale

headspace Brookvale provides services to young people aged 12-25. If you are a young person looking for health advice, support and/or information,headspace Brookvale can help you with:

• Mental health • Physical/sexual health • Alcohol and other drug services • Education and employment services

If you ever feel that you are:

• Alone and confused • Down, depressed or anxious • Worried about your use of alcohol and/or other drugs • Not coping at home, school or work • Being bullied, hurt or harassed • Wanting to hurt yourself • Concerned about your sexual health • Struggling with housing or accommodation • Having relationship problems • Finding it hard to get a job

Or if you just need someone to talk to… headspace Brookvale can help! The best part is our service is free, confidential and youth friendly.

headspace Brookvale is open from Monday to Friday 9:00am-5:30pm so if you want to talk or make an appointment give us a call on (02) 9937 6500. If you're not feeling up to contacting us yourself, feel free to ask your family, friend, teacher, doctor or someone close to you to make a referral on your behalf.

When you first come to headspace Brookvale you will be greeted by one of our friendly staff. You will then talk with a member of our headspace Brookvale Youth Access Team. The headspace Brookvale Youth Access Team consists of three workers, who will work with you around whatever problems you are facing. Depending on what's happening for you, you may meet with your Youth Access Worker a number of times or you may be referred on to a more appropriate service provider.

A number of service providers are operating out of headspace Brookvale including Psychologists, Drug & Alcohol Workers, Sexual Health Workers, Employment Services and more! If we can't find a service operating withinheadspace Brookvale that best suits you, the Youth Access Team can also refer you to other services in the Sydney area.

eheadspace provides online and telephone support for young people aged 12-25. It is a confidential, free, secure space where you can chat, email or talk on the phone to qualified youth mental health professionals.

Click here to go to eheadspace

For urgent mental health assistance or if you are in a crisis please call the Northern Sydney 24 hour Mental Health Access Line on 1800 011 511

Need Help Right NOW??

kids help line: 1800 55 1800 - www.kidshelpline.com.au

lifeline australia - 13 11 14 - www.lifeline.org.au

headspace Brookvale is located at Level 2 Brookvale House, 1A Cross Street Brookvale NSW 2100 (Old Medical Centre at Warringah Mall). We are nearby Brookvale Westfield's bus stop on Pittwater road, and have plenty of parking under the building opposite Bunnings. More at: www.headspace.org.au/headspace-centres/headspace-brookvale

Profile: Avalon Soccer Club
Avalon Soccer Club is an amateur club situated at the northern end of Sydney’s Northern Beaches. As a club we pride ourselves on our friendly, family club environment. The club is comprised of over a thousand players aged from 5 to 70 who enjoy playing the beautiful game at a variety of levels and is entirely run by a group of dedicated volunteers. 
Profile: Pittwater Baseball Club

Their Mission: Share a community spirit through the joy of our children engaging in baseball.

Year 13

Year13 is an online resource for post school options that specialises in providing information and services on Apprenticeships, Gap Year Programs, Job Vacancies, Studying, Money Advice, Internships and the fun of life after school. Partnering with leading companies across Australia Year13 helps facilitate positive choices for young Australians when finishing school.

Kids Helpline

If you’re aged 5-25 the Kids Helpline provides free and confidential online and phone counselling 24 hours a day, seven days a week on 1800 55 1800. You can chat with us about anything… What’s going on at home, stuff with friends. Something at school or feeling sad, angry or worried. You don’t have to tell us your name if you don’t want to.

You can Webchat, email or phone. Always remember - Everyone deserves to be safe and happy. You’re important and we are here to help you. Visit: https://kidshelpline.com.au/kids/