December 1 - 31, 2025: Issue 649

Sunday Cartoons

Sunday cartoons and animations returns this year. This Issue:  Shaun the Sheep: The Flight Before Christmas 

Fab Four arrive at Taronga Zoo Sydney!

Friday December 12, 2025

Taronga Zoo Sydney is thrilled to introduce the Fab Four at its newly opened Rhino Reserve: Hari, a four-year-old Greater One-horned Rhino, joined by three Asian Water Buffalo—Kahn, Sahasi, and Babu. This dynamic group is settling into their new home, and visitors can look forward to spotting them during their adventure these summer school holidays.

All four animals recently made the journey from Taronga Western Plains Zoo in Dubbo as part of a carefully coordinated convoy and have spent the past couple of weeks getting to know their new home. The Water Buffalo travelled together in a specialised transport unit, while Hari - weighing in at an impressive 1.8 tonnes – followed a few days later in a custom-designed transport crate.

Keepers from Taronga Western Plains Zoo and Taronga Zoo Sydney spent months working together to prepare Hari for his move. They helped him become comfortable with his travel crate and even acclimatised him to the sounds of Sydney by playing recordings of ferry horns and planes. These small but progressive steps ensured Hari’s arrival and settling-in period has been smooth as possible.

Senior Ungulate Keeper, Renae Moss said the team was thrilled with how seamless the move and arrival process for both species were: “Animal moves of this scale take a lot of planning, and we’re very pleased to say all four travelled without a hitch,” Moss shared. “The best time to spot both species is first thing in the morning, as soon as the gates open. Hari already feels very confident in his barn, and he is building his confidence outdoors every day - we’re seeing great progress,” said Renae

While Hari eases into his new surroundings, Kahn, Sahasi and Babu are already becoming familiar faces at the Reserve. The trio are building rapport with their Sydney keepers and making full use of the swimming hole and cascading waterfall in the lower section of their habitat.

Hari’s arrival marks the first time a Greater One-horned Rhino has lived at Taronga Zoo Sydney in more than a decade. Born to Australia’s only breeding pair of this species, he stands as a meaningful ambassador for rhino conservation and the ongoing efforts needed to safeguard their future.

“These new arrivals are extraordinary animals, and together they help bring to life a vibrant habitat that reflects the ecosystems of India and Nepal,” said Nick Boyle, Executive Director of Taronga Zoo Sydney.

Despite a population recovery in recent decades, the Greater One-horned Rhino remains classified as Vulnerable. Hari’s story represents both the progress made and the conservation challenges that still lie ahead.

“Every visit to Taronga supports not only our exceptional wildlife care, but also vital conservation work around the world,” added Mr. Boyle. 

“We’re proud to welcome these remarkable animals to Sydney and look forward to sharing their stories with our community.” Taronga Zoo Sydney’s Rhino Reserve residents have arrived, with the Fab Four beginning the next chapter of their journey just in time for the Summer holidays.

The year’s best meteor shower is about to start – here’s how to see it

Peak of the Geminids in 2017. Dai Jianfeng/IAU OAE, CC BY
Jonti Horner, University of Southern Queensland

Where many other meteor showers are often over-hyped, the Geminids are the real deal: far and away the best shower of the year, peaking on December 14–15 in Australia and Aotearoa New Zealand.

The Geminids – dust and debris left behind by the rock comet Phaethon – put on a fantastic display every year, but 2025 promises to be extra special because the Moon will be out of the way, giving us perfectly dark skies.

So where and when should you look?

Meteors that radiate from the constellation Gemini

The key thing for working out the visibility of a meteor shower is its “radiant”, the single point in the sky from which the meteors seemingly originate. For the Geminids, at their peak, that point lies within the constellation Gemini, near the bright star Castor (α Geminorum).

The radiant is a result of perspective – the dust that causes a given meteor shower is all travelling in the same direction towards Earth, just like the lines in the drawing below.

The higher the radiant is in the sky, the more meteors you will see. When the radiant is below the horizon, you won’t see any meteors from that shower because they are hitting the other side of the planet.

Artwork demonstrating 1-point perspective drawing. Parallel lines diverge from the perspective of the viewer, from a radiant point on the horizon.
The dust that creates a meteor shower is all moving in the same direction. As meteors approach the observer, they appear to radiate from a single point on the horizon – the result of perspective. Braindrain0000/Wikipedia, CC BY-SA

What time should I look?

The absolute best time to observe is when the radiant is at its highest in the sky, called “culmination”, which happens around 2am or 3am local time on December 15. But any time between midnight through dawn will be a great time to watch the meteor shower in Australia and New Zealand.

The time at which the Geminid radiant rises varies depending on your latitude. The farther south you live, the later the radiant will rise. And the farther north you live, the higher in the sky the radiant will reach, increasing the number of meteors you will see per hour.

The more light-polluted your skies, the fewer meteors you’ll see. Fortunately, the Geminids often produce many bright meteors so it’s worth looking even from inner city locations. Just remember the rates you see will be markedly worse than if you were camping somewhere dark in the countryside.

If the forecast is cloudy for the night of the Geminid maximum, the nights of December 13 and 15 will still offer a decent display, although not as spectacular.

Where should I look?

The Geminids can appear in any part of the night sky, but the best place to look with the unaided eye is usually around 45 degrees to the left or right of the radiant (whichever direction is a darker sky for you).

The easiest way to work this out is to find the constellation Orion, and look so that Orion is about 45 degrees from the centre of your vision.

I’d recommend spending at least an hour out beneath the stars when looking for Geminids, to give your eyes enough time to adapt to the darkness. Don’t look at your phone or any other bright lights during this time. Instead, take some blankets and pillows and lie down.

Ideally, you want to be resting so that the centre of your vision is about 45 degrees above the horizon. Then lie back, and enjoy the show. Remember that meteors come in randomly – you might wait ten minutes and see nothing, then three come along all at once.

Why do meteors look different in photos?

In the days after the Geminid peak, you’ll doubtless see lots of spectacular images on social media. But photos showing dozens of meteors against the background stars are composites of many photographs taken over a period of several hours.

Keen photographers will often set up their cameras pointing at the northern sky, take a lengthy series of exposures, then pick those with meteors in them and stack them together to make a composite image.

If you want to try this yourself, here are a couple of useful tips.

First, to avoid any star trails on your individual images, follow the rule of 500. Find out the focal length of your lens (common wide-angle lenses have focal lengths of 14 to 35mm), and set your exposure time to be less than 500 divided by the focal length of your lens. For example, if you’re using a 50mm lens, you’d have to keep your exposures under 10 seconds.

Next, set the lens focal ratio, or f-number, to be as small as possible. This will ensure the lens is wide open, allowing it to gather as much light as it can during each image.

Finally, set the ISO of your camera to be relatively high, choosing a number of at least 1,600. The higher you set the ISO, the more sensitive your camera will be to light, and the fainter the objects visible in the dark sky images. However, be warned that setting the ISO too high can make your images grainy.

Once all that is done, set up your camera with the field of view you want to image, take a timelapse of the sky, and leave your camera running while you watch the skies. Hopefully over the course of an hour or two under the stars you might just capture some spectacular shots of debris bits burning up high overhead.The Conversation

Jonti Horner, Professor (Astrophysics), University of Southern Queensland

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Comedy Wildlife Photo Awards 2025: Winners - Highly Commended - Australian Finalists

Mark Meth-Cohn's image High Five also won the mammals category section. (Supplied: Nikon Comedy Wildlife Awards/Mark Meth-Cohn)

The Comedy Wildlife Photography Awards are delighted to announce that the Nikon Comedy Wildlife Overall Winner of 2025 is: Mark Meth-Cohn with his fantastic image of a dancing gorilla skipping through a forest clearing.

He wins an incredible once in a lifetime safari, with the fabulous folk at Alex Walker’s Serian plus a unique handmade trophy from the Wonder Workshop in Tanzania.

CONGRATULATIONS Mark!!

And this means the STERNA People’s Choice Award is now open for your vote!!  This means you can pick your absolute favourite finalist from 2025, plus if you vote, you might be picked at random to receive our cash prize of £500, WOW WOW WOW!!  Courtesy of STERNA who are sponsoring this category! 

You will automatically be entered into the prize draw from which a winner will be selected and announced on March 14th 2026. 

To all of you who are asking, The Comedy Wildlife Photography Awards will be open for entries 14 March 2026.

You can find out more about our competition, our mission and our conservation efforts on our website.

2025 Winners

Overall Winner: Mark Meth Cohn (UK) with his picture “High Five”

“We spent four unforgettable days trekking through the misty Virunga Mountains in search of the gorilla families that call them home. On this particular day, we came across a large family group known as the Amahoro family, they were gathered in a forest clearing where the adults were calmly foraging while the youngsters were enthusiastically playing. One young male was especially keen to show off his acrobatic flair: pirouetting, tumbling, and high kicking. Watching his performance was pure joy, and I’m thrilled to have captured his playful spirit in this image. Doing well in any competition shows that the images you are producing are working. The Nikon Comedy Wildlife Awards are one of the major competitions of the year, easy to enter and fun but with a seriously committed underlying ethos and, after reaching the finals last year, I'm absolutely delighted to have gone one step further and win the competition this year”

Category

ThinkTANK Birds Award: Warren Price (UK) with their picture “Headlock”

“These guillemots were nesting on a small rocky cliff ledge where space was at a premium. The nests all crammed in close together which isn’t a good recipe for being good neighbours, as guillemots are fiercely territorial. Aggression and battles are frequent over nesting space and I captured this image of this bemused looking bridled guillemot, its head firmly clamped in his/her neighbours beak. I liked the way the guillemot was looking directly into my lens, its white eye-liner eyes highlighting its predicament! Sometimes you just want to bite your neighbours head off.. literally!”

“Headlock” (Supplied: Nikon Comedy Wildlife Awards/Warren Price)

Fish and Other Aquatic Species Award: Jenny Stock (UK) with her picture “Smiley”

“Whilst on a scuba dive in the Philippines, this little fish kept popping its head out of its home, a hole in the patterned coral. I took a few photos and I loved its cheeky face smiling back at me. What an expressive looking face! This cheerful looking species, the bluestriped fangblenny is around eight centimetres and actually has a rare defence mechanism, where it can bite an attacking predator and inject venom when it is threatened. The venom causes dizziness and disorientation, weakening the predator's ability to pursue and eat the fangblenny. I took the image at 10 meters deep, in the Philippines. I used an underwater housing around my mirrorless camera, and two underwater flash guns to illuminate the subject.”

''Smiley''.(Supplied: Nikon Comedy Wildlife Awards/Jenny Stock)

Reptiles, Amphibian and Insect Award: Grayson Bell (USA) with their picture “Baptism of the Unwilling Convert”

“This photo was taken in early spring of 2023. The male frogs all come out to start establishing territory in the pond. I took my camera and lay on my belly, watching them and taking shots. It wasn’t until I got back to the house and looked at the pictures that I saw this one and realized how much I liked it. I showed it to my parents and they loved it too and it became one of my favourites. We all thought it looked like one frog was trying to baptize the other! I started getting interested in photography about 3 years ago at the age of 10. My favourite subjects are chipmunks because they are so curious and cute. Winning these category awards has been awesome. It's great to be considered along side so many amazing entries and photographers. As a young photographer, it is affirming and inspiring to continue shooting! I really appreciated the opportunity to be a part of this!”

Nikon Junior Category (Under 16) Award: Grayson Bell (USA) with their picture “Baptism of the Unwilling Convert”

''Baptism Of The Unwilling Convert''.(Supplied: Nikon Comedy Wildlife Awards/Grayson Bell)

Nikon Young Photographer Category (Under 25): Paula Rustemeier (Germany) with their picture “Hit the dance floor - foxes in a breakdance battle”

“This shot was taken quite at the beginning of my wildlife photography "journey". I always enjoyed nature, but usually only photographed my dog, until I observed foxes for an essay I wrote for biology lessons in school and decided I want to try to photograph and learn even more about foxes. The photo was taken in a nature reserve. They don't get hunted there and therefore are seen during the day as well. Something I found true with all areas with low hunting pressure that I've been to so far.

I'm not the biggest fan of camouflaging. While I do use it occasionally, the best way I have found to photograph them, especially young ones, is just being present. If you put in the time, I found that the foxes usually get either curious or see you as something natural, not dangerous. Either way, they come close eventually. I had several foxes nipping at my shoes already like this, as well as foxes catching mice just a couple meters away from me!

This was my tactic with these foxes too. Like this, I could follow and document them for several months while they grew up. Their den lied in a sandy valley. Sometimes I found one or two sleeping in that area during the day, but when dawn set, they met up at this spot, got really active and often played a lot together, just like in the image.

The time with them taught me a lot about their social behaviour. I saw them fight, hunt, sleep, groom - and of course play, which is always my favourite to watch! You really have to giggle a lot watching foxes play with their quirky personalities.

Since then, I had been photographing and following fox cubs every spring/summer and had much more amazing encounters with foxes and also other wildlife. :)”

''Hit the dance floor!''(Supplied: Nikon Comedy Wildlife Awards/Paula Rustemeier)

Amazing Internet Portfolio Award: Maggie Hoffman (USA) with their picture “Digging for Gold”

“A young female chimpanzee picking her nose and eating it!”

''Digging for Gold'' (Supplied: Nikon Comedy Wildlife Awards/Maggie Hoffman)

Video Category Winner: Tatjana Epp (Germany) with their video “Surfing heron”

“At first we spotted the heron and didn't notice that it was actually standing on the back of the hippo. A perfect shelter for him, because there were so many crocodiles around. So actually a really smart move! When the hippo started moving , the heron looked a bit irritated. He almost lost his balance. But the way how fast he got his balance back and how he really seemed to enjoy the ride was a once in a lifetime scene to witness! The video ends with the hippo turning its head around. It wanted to get rid of the heron. But it stayed there and the hippo gave up in the end. When we left the place, the heron was still relaxing on the back. The video was filmed in the Kruger National Park in South Africa in March 2025.”

Highly Commended Winners

Alison Tuck (UK) with their picture “Now which direction is my nest”

“Taken on a Nikon School UK Photo Trip to Bempton Cliffs in Yorkshire, England in July 2023 using a Nikon Z6II with the 100-400mm f4.5-5.6 with 2x teleconverter at 460mm, 1/1000s, ISO 360 and f10.4. Bempton Cliffs are well known as a breeding site for Gannets, Razorbills and Puffins and the Nikon School visit was to photograph these birds. The cliffs are on the East coast of England and usually have an offshore wind, but unusually there was a strong onshore breeze making the gannets' take offs and landings more dynamic than usual as the wind hit the cliffs and was pushed straight up into the air. Whilst collecting nesting grass from one spot on the top of the cliffs the wind was blowing the grass across their eyes making take off and direction finding even more challenging, hence ’Now which direction is my nest?’ as the title I picked for my photograph.”

“Now which direction is my nest”(Supplied: Nikon Comedy Wildlife Awards/Alison Tuck)

Annette Kirby (Australia) with their picture “Go away”

“"In February 2025 I flew from my home in South Australia where the summer temperatures ranged from mid 20’s to mid-40 degrees Celsius to the island of Hokkadia in Japan, where temperatures were minus degrees, the coldest day being minus 18 Celsius.

I experienced a winter wonderland so vastly different from my arid hot home environment. A highlight was visiting Rausa on the Shirenhoka Peninsula and Nemuro Straits, where the Steller’s Sea Eagle gather in the winter to fish from drift ice. With fewer than 5000 left in the world they are listed as vulnerable on the International Union for Conservation of Nature’s Red List of threatened species. The female can weigh up to 9.5kg, making it the heaviest eagle in the world. Their wingspan, up to 2.5 metres is of the largest of any living eagle. In Japan they are protected and classified as a national treasure.

They indeed are a national treasure and so entertaining to watch and photograph as they fight to protect their catch. A favourite place for them to perch is on the sea wall protecting the fishing fleet at Rausa. They wait watching the boats come into the harbour hoping for a free feed of fish. I captured this photo of the Steller’s Sea Eagle as it sat in a deep hole in the snow. It had a fish and had flown on the sea wall and found a hole in the deep fresh snow. Other birds were flying above and as they came closer, I captured the look it gave them. There was no way it was parting with its catch. As it had made its intentions clear to other competitors, it stayed alert but managed to enjoy its catch.”

“Go away”(Supplied: Nikon Comedy Wildlife Awards/Annette Kirby)

Christy Grinton (Canada) with their picture “Bad hair day”

“For my image "Bad Hair Day" I was in a local park in downtown Victoria when I saw a grey blur run by. When I looked closer I saw a mother grey squirrel was relocating her babies to a new nest. The grass was dewy that morning so she was getting a wet tail as she ran through the grass. As she entered her new nest her tail was sticking out so when she turned around to leave, for a short second her head was covered by her wet tail. When I saw her it made me smile thinking I know that moment where you have just washed your hair and the doorbell goes! I also loved the textures and colours of the bark of the arbutus tree surrounding her and her "bad hair"”

“Bad hair day” (Supplied: Nikon Comedy Wildlife Awards/Christy Grinton)

Erkko Badermann (Finland) with their picture “Landing gear down”

“This photograph came about as a hard-won victory of patience. I have been photographing Red-throated Loons for several years. I lie on the edge of a bond under a camouflage net and photograph their spring courtship displays from my hide. The ground is wet and cold. That morning, an unseasonable early-spring snowfall caught me by surprise, making photography almost impossible. Lying there on the cold shore of the bond, I found myself thinking there was no sense in being there. I was already about to leave. However, I decided to stay, and the snowfall faded into quiet, beautiful drifting flakes, and a thin mist rose from the surface of the lake.

Another Red-throated Loon on the lake had turned white from the snowfall. From its behaviour I noticed that its mate was arriving at the lake, and I managed to get it in my camera’s focus against the grey sky. I lost it for a moment, but caught it again just before it landed on the water.

The Red-throated Loon is quite a “poor” flier, and its landing is usually very wobbly: it seeks balance with its legs stretched backwards and then belly-lands to glide. I like to say they use the water as their runway. This time the bird came straight towards me and was so steady you might imagine it had taken flying lessons.

The photograph has travelled with me in my exhibitions, and it always elicits a chuckle from viewers. There is something funny about it. I thought it would be perfect for this competition to bring joy to its viewers.”

“Landing gear down”(Supplied: Nikon Comedy Wildlife Awards/Erkko Badermann )

Kalin Botev (Bulgaria) with their picture “Monkey Circus”

“My wife, Nellie and I were on our honeymoon in the Hwange National Park in Zimbabwe, known for its vast landscapes and its huge elephant herds. We were there right in the beginning of the rainy season and witnessed how nature wakes up after the first rains in many months. Although animals had dispersed and were harder to see, we could feel the excitement brought by the rains everywhere. One evening on our way to the camp we bumped into a troop of baboons playing in a huge tree. One of the baboons was sitting on a big brunch and the others were running up and down the tree in circles. Every time they passed by the sitting baboon it was trying to catch them in a funny way. This play continued for more than 15 minutes and the baboons seemed to really enjoy it.”

“Monkey Circus” (Supplied: Nikon Comedy Wildlife Awards/Kalin Botev)

Liliana Luca (Italy) with their picture “Fonzies advertising”

“This moment happened after the tourists had left Nosy Komba (Madagascar). I stopped, letting the silence fall around me, and turned my attention to a group of crowned sifakas (Propithecus deckenii). It was then that he appeared, staring at me with wide, curious eyes, as if questioning my presence... or perhaps my clothing choices.

Then, with the grace of a stage actor and the timing of a comedian, he raised his hand, licked it thoughtfully, and then paused mid-gesture, as if he knew exactly what he was doing.

The photo immediately reminded me of that old snack commercial:

"If you don't lick your fingers... you're only half enjoying it!"

Ultimately, this is why I love nature photography so much: sometimes nature's sense of humour is better than our own; you just have to be ready to catch it..”

“Fonzies advertising”(Supplied: Nikon Comedy Wildlife Awards/Liliana Luca)

Mark Meth Cohn (UK) with their picture “Aaaaawa - mum”

“This photograph was taken during a trip to Rwanda earlier this year, where we spent four unforgettable days trekking through the misty Virunga Mountains in search of the gorilla families that call them home. On this particular day, we came across a large family group gathered in a forest clearing, the adults were calmly foraging while the youngsters were enthusiastically playing. Doing well in any competition shows that the images you are producing are working. The Nikon Comedy Wildlife Awards are one of the major competitions of the year, easy to enter and fun but with a seriously committed underlying ethos and, after reaching the finals last year, I'm absolutely delighted to have gone one step further and win this year.”

“Aaaaawa - mum”(Supplied: Nikon Comedy Wildlife Awards/Mark Meth Cohn)

Meline Ellwanger (USA) with their picture “The choir”

“A hilariously lucky moment I caught of these these three lions yawning at the same time.”

“The choir” (Supplied: Nikon Comedy Wildlife Awards/Meline Ellwanger)

Valtteri Mulkahainen (Finland) with their picture “Smile - you're being photographed ”

“When I was photographing bears, this one year old bear cub saw it and started smiling at me. Apparently he had already had to pose in front of photographers.”

“Smile - you're being photographed ” (Supplied: Nikon Comedy Wildlife Awards/ Valtteri Mulkahainen)

Australian Finalists

Beate Ammer, Queensland ''The Frog Prince of the Grape Vine'' - Supplied: Nikon Comedy Wildlife Awards/Beate Ammer  - a Green Tree Frog

Meet the frog prince of my little garden – he’s been lazing around guarding my grapevine, waiting for a kiss, but I think he is just here for the grapes. This charming amphibian seems to have mistaken the vine for his royal court, lounging among the plump fruit as if he’s the monarch of the orchard.

Andrew Mortimer, Western Australia  ''The Shoulders of Giants'' - Supplied: Nikon Comedy Wildlife Awards/Andrew Mortimer

"If I have seen further, it is by standing on the shoulders of giants" 

''I'm sure Issac Newton didn't mean that literally, but for some of these desert tree frogs around Leonora have taken it to heart!''

About the Comedy Wildlife Photo Awards

While living in East Africa and working as a wildlife photographer, founder Paul Joynson-Hicks MBE was looking through his photographs when he came across several that made him laugh out loud: an eagle looking at me through its back legs and a warthog’s bottom. He realised that the humour of these photographs was both entertaining and a means to engage people with the threats facing these same animals.

A funny animal photo is incredibly effective because there are no barriers to understanding, or taboos that must be negotiated. It taps into the impulse for anthropomorphism (big word!) which is well-documented as one of the most powerful triggers for human empathy. To really understand animals and the issues that affect them, you need to empathise with them as fellow inhabitants of the same planet.

And so, in 2015, The Comedy Wildlife Photography Awards was born from Paul’s small office in Usa River on the slopes of Mt Meru in northern Tanzania. Soon after, Co-Founder and photographer Tom Sullam was bought on board and then Michelle Wood, a couple of years later.

Since then, steered by its founders, the competition has grown and grown into a global competition that’s able to make a meaningful contribution to the amazing world of wildlife.

The deluge of images of animals and habitats in peril can be hard to digest. The Comedy Wildlife Photography Awards’ content accesses our empathy by showing how alike we really are. You don’t need to cover your eyes or look away. We want our viewers to share our enjoyment of nature and take the time to recognise its value.

The Comedy Wildlife Photography Awards has become a fixture on photographer’s competition calendar. Every year, we accept thousands of images from around the world for each category and receive global media coverage.

Novice and expert photographers can enter up to 10 images: 4 portfolio entries and an additional 6 entries for the different categories every year. Entry is free.

This is our mission. Yup, it is certainly ballsy, a bit grandiose, but isn’t that what a mission should be?  Aspirational, otherwise what’s the point.  We want to educate and enlighten, and we want to do this by earning people’s attention by showing them things they don't expect.

Once we have opened their eyes, we can expand their understanding of the natural world and encourage them to share our enjoyment of nature and its value. 

Fundraising is not our primary purpose but, each year, we will choose a small grass-roots conservation organisation to support - you can read more about our conservation mission here.

Every year our reach grows bigger and our conservation message gets a little louder. We are so proud to be a part of it and happy that we can put a smile on your face!

You can find out more about our competition, our mission and our conservation efforts on our website.

Woy Woy The Venice Of Australia in the 1930's

by NFSA

Step back into the mid-1930s and experience a rare cinematic gem that promoted Woy Woy as “The Venice of Australia.” Commissioned by Woy Woy Council in December 1935 and completed by March 1936, this heritage film was directed and narrated by Claude Flemming – a prominent Sydney actor and filmmaker who also directed Peter Finch’s first film The Magic Shoes.

The film follows a young girl and her uncle (Flemming himself) on a scenic train journey to Woy Woy, where they explore the attractions of the peninsula. Their itinerary includes the Woy Woy Bowling Club, a cruise on Woy Woy Bay, Ettalong Beach, Ocean Beach, Pearl Beach, a trip through The Rip, Patonga and Staples Lookout. Along the way, viewers are treated to sweeping views of beaches, mountains and waterways, as well as scenes of horse riding, fishing and boating. Flemming appears throughout the film – arriving at the railway station, playing lawn bowls and taking a boat trip – while narrating the area’s history and recommending Woy Woy as an ideal holiday destination.

Released during the lively ‘Back to Woy Woy’ celebrations in October 1937, the film was part of a broader campaign to position Woy Woy and the Central Coast as a premier holiday spot, competing with other regions such as Newcastle, which had already produced promotional films in the 1920s. Its evocative title was chosen to highlight Woy Woy’s picturesque waterways and create excitement around the region’s appeal. The film was privately screened at Newcastle’s Civic Theatre in May 1936 and remains a fascinating glimpse into Australia’s tourism history and the early days of regional film-making.

 

Tilly Rose Cooper's Debut Children's Book Set to Inspire a New Generation of Nippers

Tilly Cooper with her debut children’s book, A Day of New Adventures. Photo: Michael Mannington OAM

Teen and youth leader Tilly Rose Cooper has announced the launch of her debut children’s book, A Day of New Adventures — an uplifting story inspired by her own journey as a young Nipper at Mona Vale Surf Life Saving Club. 

The story follows Emily, a child experiencing her first day at Nippers, capturing the excitement of joining the surf club while exploring themes of trust, courage, friendship, family values, and water safety. Illustrated by Mona Vale SLSC member Richard Perry, the book aims to inspire families to discover the Nippers program together and help children build confidence in and around the ocean. 

Tilly, who continues to make a positive impact through several community initiatives — including My Fijian Clothes Drive and The Electric Way to Pedal, an e-bike safety awareness project — says the book is her way of giving back. 

“Surf lifesaving has given me confidence, courage, and a second family,” Tilly said. “I wanted to create something that helps other kids feel the same sense of belonging and bravery. This book is for every child stepping into the waves for the first time.” 

A dedicated champion of community spirit, Tilly recently received the Global Leadership Network’s Next Gen Step-Up Challenge for her work supporting children and families in Fiji through her My Fijian Clothes Drive. The Global Leadership Network’s Next Gen Step-Up Challenge invited young people to share their leadership impact in 60-second short films, capturing what it means to step up, make tough choices, and lead for others. 

Tilly also proudly serves as an Ambassador for the Kimaya Brighter Minds Program, promoting youth leadership and positive decision-making across Fiji and Australia. 

Tilly began her own surf club adventure at Mona Vale SLSC as a 5 year-old Nipper and gradually built confidence through learning new skills - she also made a ton of new friends.

Since completing her first 'Iron Person' race in the U13's, Tilly has been part of the MVSLSC Nippers March Past Team that won gold medals at Branch and State Championships. In 2024 Tilly was announced as Surf Life Saving Sydney Northern Beaches Branch Female Nipper of the Year. Now, as an U15, she has qualified as a Junior Lifesaver and has commenced patrolling Mona Vale beach alongside her proud mum and dad.

Her nan’s heartfelt words capture the spirit behind Tilly’s work: 

“This book is not just about Nippers — it holds so many other values: grandparents, love, forgotten memories, and family.” 

The first 100 books purchased come with a “Tilly Tote Bag – A Day of New Adventures”, thanks to Ben Spackman, Raine & Horne, Mona Vale. 

Tilly explains ''I thought of this idea as a little extra Christmas gift that the younger readers might enjoy using as a library or beach bag.''

More of our chat with Tilly Rose HERE

Pittwater Peninsula Netball Club

2026 season - let's go! Registrations are open until early February.

 

Final Christmas Adverts 2025

It's that time of year when we have a look to see what the Christmas advert stories are telling. Many of you may be going or have gone to Christmas Carols - 'Christmas Carolling' as a noun is ''the activity of singing Christmas carols'', ''a song of joy or mirth'' and ''an old round dance with singing'' 

As a verb it is; 1. sing or say (something) happily. 2. sing Christmas carols. (From Middle English: from Old French carole (noun), caroler (verb), of unknown origin.)

The word 'carolling' is also applied to birds in song as a description of what we hear - we often hear magpies carolling in Pittwater - which also reminds us of the word 'warble'.

The word "colly birds," which referred to blackbirds in the original version of The Twelve Days of Christmas, is an old term meaning "black as coal," but was later changed to the more familiar "calling birds" as the word "colly" became obsolete. Some sources suggest the original line, in fact, could refer to any small songbirds and was meant to infer carolling. 

As we're signing off this week to go and spend time with our own children and loved ones - a few more ads and Christmas films to remind you the central message of this season is a child being a gift - and the gift of your best self, that essential self that lives within you, being shared with others reflects that.

Have a wonderful Christmas and great New Years - we'll return to swap these out for some holiday movies after Christmas and your first full Issue for 2026 will run before school does with more of what you tell us you want to read in your page.

Yay - Summer Holidays are HERE - time to get on or in the water, and on the bush tracks!

 

Santa Tracker 2025

It’s go-time for Santa Claus’ magical mission, with Airservices Australia’s official Santa Flight Management Team gearing up to provide 24/7 flightpath tracking to guide Jolly Old Saint Nick and his reindeer to safety this Christmas.

Airservices’ national network of 3700 professionals – led by our highly skilled and passionate air traffic controllers (ATCs), engineers, technicians and aviation rescue fire fighters at Australia’s busiest airports – will be tirelessly working behind the scenes to ensure everything runs smoothly and safely for Santa on his epic worldwide journey.

As the nation’s air navigation service provider, Airservices’ ATCs at 29 air traffic control towers, two major centres in Melbourne and Brisbane and terminal control units in Sydney and Perth will use state-of-the-art surveillance technology to track Santa’s sleigh twice every second and ensure he navigates those precarious tight turns, descents and rooftop skims.

Santa can also count on us to ensure a safe and efficient journey, thanks to Airservices’ huge team of engineers, technicians and aviation rescue fire fighters at 27 Aviation Rescue Fire Fighting (ARFF) service stations across the nation, who will help him safely navigate countless present drops – all without being seen!

The finer details of his route, of course, remain classified as Top Secret Santa (TSS) business, but Airservices can share that under the call sign ‘Red One’, Santa will commence his global circumnavigation in the Pacific Islands and New Zealand.

He’ll enter Australian airspace overnight near Norfolk Island before zig-zagging across the nation to deliver presents. After ensuring every stop is made before the sun rises, he’ll exit Australian airspace via the Cocos Islands.

To ensure a smooth journey, Airservices has also issued a special flight operations notice, known as a NOTAM (Notice to Airmen), providing all pilots with critical updates to clear the way for Santa’s magical flight.

Airservices CEO Rob Sharp said few people were privy to the extraordinary safety measures Airservices’ ATCs, engineers, technicians and aviation rescue fire fighters employed each year to ensure a safe journey for Santa and his crew of reindeer.

“You wouldn’t believe some of the tight spots Santa has gotten himself into over the years, including unscheduled reindeer refuelling stops at remote airports, weather-related diversions to keep Santa safe, to ensure that presents were delivered before children were out of bed, or our Aviation Rescue Fire Fighting crews rolling out to assist when the landing gear got stuck on his sleigh,” Mr Sharp said.

“Christmas is a busy time for air travel, so our dedicated national Santa Flight Management Team is committed to ensuring the safety of Santa and his flight crew as they share Australia’s skies, with thousands of people making their way home or off to enjoy their holidays.

“All that remains is for all the good boys and girls (big and small alike) to get to bed early come Christmas Eve.”

Keep an eye on Santa’s dedicated Airservices page to see our preparations for the arrival of Red One.

Curious Kids: how do currents form under water?

Watch out, currents about. Shutterstock.
Chris Blenkinsopp, University of Bath
CC BY-ND

Curious Kids is a series by The Conversation, which gives children of all ages the chance to have their questions about the world answered by experts. All questions are welcome: you or an adult can send them – along with your name, age and town or city where you live – to curiouskids@theconversation.com. We won’t be able to answer every question, but we’ll do our best.


What forms a current under water? – Natalie, age 11, Melksham, UK.

Thanks for your question, Natalie. Underwater currents can form in lakes, rivers and oceans, and there are many reasons why they happen. Since I’m an ocean scientist, I’m going to explain the currents you find in the sea.

Some ocean currents are very large, and the biggest one – called the “global conveyor belt” – moves water very slowly all the way around the world. In fact, it takes water in the global conveyor belt about 1,000 years to get right around the planet.

Because the global conveyor belt and other big ocean currents move so slowly, we don’t notice them when we go to the beach. But we might feel some other types of currents when we go for a swim.

When ocean waves get to a beach, they turn white at the top and crash onto the sand – this is called “breaking”. Swimming or surfing in breaking waves can be good fun, but we need to remember that these waves cause currents to form.

Wavy days. J_K/Shutterstock.

When waves break on the shore, the sea water in them gets pushed up against the beach. This water must get back out to sea somehow, otherwise we’d expect the water level at the beach to rise and rise forever.

Of course, the water can’t get back out to sea near the surface, because that’s where the breaking waves are busy moving water toward the shore. So, two different currents form, to help take the water back out.

Back out to sea

One of these currents is called the “undertow”. It forms beneath the breaking waves, and pulls the water back toward the sea, across the sandy seabed, out past where the waves are breaking.

Though the undertow helps to get some of the water back to sea, it’s not usually very strong. So, some of the work has to be done by another type of current, called a “rip” current.

Rips are much stronger, narrow currents that run straight out to sea. Rip currents don’t happen all the way along the beach. They only form at certain “weak spots” along the beach where waves are not breaking, and the water is a bit deeper. This makes it easier for the water to flow back out to sea.

Waves break over the sandbars (1), feeder currents form, moving along the shore (2), until meeting and flowing offshore as a rip current (3). Tim Scott., Author provided

Here’s how it works: after water is brought in toward the shore by breaking waves, it can’t turn around and go straight out again, so it runs sideways along the beach in what we call a “feeder current”. As soon as it finds a weak spot, where the waves aren’t breaking, the water flows back out to sea in a rip current.

Staying safe in the surf

It’s very handy to know how to spot a rip current when you go to the beach, because they are much stronger than undertow currents and can sweep people out to sea.

When there are lots of waves breaking on the beach, it’s tempting to swim in places where the water looks calmer. But we know that rips form at the places where the waves aren’t breaking – so this is actually the worst place to swim!

Rip currents sometimes leave another tell-tale sign: because they’re so strong, they can churn up the sand on the seabed, making the water look brown and murky.

Even if we know how to spot a rip current, it is always best to swim at beaches where there is a lifeguard, because they’re specially trained to know the best places to swim, and will always be on the look out to make sure everyone is safe.


More Curious Kids articles, written by academic experts:

Chris Blenkinsopp, Senior Lecturer in Civil Engineering Hydraulics, University of Bath

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Curious Kids: how does our brain know to make immediate decisions?

shutterstock. Dieter Hawlan/Shutterstock
Nicola Power, Lancaster University

How does your brain tell you to stop if you’re crossing the road and you have to stop quickly? – Ruby, aged nine, Rochester, UK

The human brain is really clever. It keeps our heart beating, it allows us to see and hear the world around us, and it also helps us to make hundreds of decisions every day.

Sometimes decision making is hard, like deciding what book we want to read next. At other times decisions seem to happen without us even thinking, like when we stop crossing the road suddenly if a car is coming. So, how does our brain make decisions?


Curious Kids is a series by The Conversation that gives children the chance to have their questions about the world answered by experts. If you have a question you’d like an expert to answer, send it to curiouskids@theconversation.com. We won’t be able to answer every question, but we’ll do our very best.


Our brain has two ways of thinking: slow thinking and fast thinking. We use our slow thinking when we have to do something difficult, like our homework.

Our slow brain helps us to think through things logically, and it helps us to find the best answers. It also helps us to plan for the future, like thinking about our weekend activities or what we want to be when we grow up. Our slow brain is what we tend to think about when we think about our thinking.

Boy writing with pencil in notebook
We use our slow brains to work out difficult sums. iofoto/Shutterstock

The other way our brain makes decisions is by using fast thinking. We use our fast brain when we perform a task without even thinking, like when we jump out the way of a ball thrown towards us, stop suddenly when a car is coming, or sing along to our favourite song without reading the words.

We also use our fast brain when we know the answer to a question automatically. What is two plus two? What colour is the sky? Is chocolate delicious? We know these answers straight away. Our fast brain helps us to answer questions like these quickly and easily.

Working together

What’s even more interesting is that our fast and slow brains work together. When we learn a new task, like playing the piano, we have to use our slow brain at the beginning. We have to concentrate in order to learn how to read music, and we have to try and memorise which piano key plays which note.

But over time, when we practice, our fast brain starts to take over from our slow brain. This means that eventually we are able to play some songs on the piano without even thinking.

Sometimes our fast brain makes mistakes though, like when we wave at someone by mistake because they look like our friend. Our fast brain mistakenly recognises that person because they have the same hair or clothes, and it accidentally tells us it’s our friend without thinking.

Little girl waving
Sometimes our fast brain makes mistakes – like when we wave at the wrong person. MIA Studio/Shutterstock

This can be embarrassing, but our fast brain is only trying to help. If we used our slow brain all the time, we would never get anything done as it would take too long.

So next time you make a decision, have a think about whether you used your fast or your slow brain. Did you have to think things through? In that case you used your slow brain. Or did you know the answer straight away? If so, you used your fast brain!

And, remember, whenever you are struggling to learn something new, it’s only going to be difficult for a very short time. If you keep practising it won’t be long until you can do it without thinking. Your slow brain is doing the hard work right now, but your fast brain can’t wait to take over.


When sending in questions to Curious Kids, make sure you include the asker’s first name, age and town or city. You can:The Conversation


Nicola Power, Lecturer in Psychology, Lancaster University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Curious Kids: what makes the wind?

Flying high. Shutterstock.
Hannah Bloomfield, University of Reading
CC BY-ND

Curious Kids is a series by The Conversation, which gives children of all ages the chance to have their questions about the world answered by experts. All questions are welcome: you or an adult can send them – along with your name, age and town or city where you live – to curiouskids@theconversation.com. We won’t be able to answer every question, but we’ll do our best.


What makes the wind? - Eric, 94-year-old kid, Ipswich, UK.

The wind has always been very important to us humans: from thousands of years ago, when sailors used the wind to cross the sea in ships, right up to today, as we make electricity from wind turbines. But it’s taken a long time for scientists to understand exactly how the wind is made.

Although we can’t see it, the air is made up of billions and billions of tiny particles. There are lots of different types of particles in the air, but the most common ones are nitrogen and oxygen (which is what humans and other animals need to breathe).

The wind blows when these air particles move around in the Earth’s atmosphere. The atmosphere is an envelope of gases, which surrounds the Earth. It’s around 100 kilometres thick, which is about the length of 4,000 blue whales.

You can see the Earth’s atmosphere from the International Space Station. NASA/Flickr., CC BY-NC

Most of the particles that make up the Earth’s atmosphere are found closer to the surface. As you get further out into space, there are fewer and fewer particles, until finally, in outer space, there are none.

Under pressure

The weight of all of these particles stacked on top of each other pushes down on the Earth’s surface – and this force is called atmospheric pressure.

Atmospheric pressure changes, depending on how warm or cold the Earth’s surface is. When the surface heats up, the air closest to it also gets warmer. And when the air gets warmer, the particles will tend to rise upwards and spread out.

When this happens, it leaves fewer air particles at the Earth’s surface, which lowers the atmospheric pressure.

So, you would expect the air over a very warm and sunny place, like a desert, to have lower atmospheric pressure than the air over a cold and dark place, like the North Pole.

When the warmer air rises, cold air particles – which are generally packed in closer together – will sink into those low pressure areas.

This movement of air particles, driven by areas of heating and cooling, is what makes the wind.

From gusts to gales

How fast the wind blows depends on how much of a difference there is in pressure between a low pressure and a high pressure area of air. If there’s a bigger difference in the pressure, the wind will blow faster.

There are 12 different levels of wind speed, measured on a scale called the Beaufort scale. The scale ranges from winds of less than one kilometre per hour (calm) to more than 118 kilometres per hour (hurricane).

Blowing a gale: flooded streets in Florida after Hurricane Irma. Shutterstock.

Lighter winds are called “breezes”, stronger ones are called “gales”, and the very strongest winds are “hurricanes”.

You might also have heard the weather forecast talking about “easterly” or “northerly” winds. We describe which way the wind is blowing, by the direction it comes from. So an “easterly” blows from east to west, while a “northerly” blows from north to south.


More Curious Kids articles, written by academic experts:

Hannah Bloomfield, Postdoctoral Research Assistant, University of Reading

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Curious Kids: why can’t we tickle ourselves?

The good type of tickles. Shutterstock.
Aysha Bellamy, Royal Holloway, University of London
CC BY-ND

Curious Kids is a series by The Conversation, which gives children of all ages the chance to have their questions about the world answered by experts. All questions are welcome: send them – along with your name, age and the town or city where you live – to curiouskids@theconversation.com. We won’t be able to answer every question, but we’ll do our best.


Why can’t we tickle ourselves? – Florence, aged 12, Cambridgeshire, UK.

Thanks for the question, Florence. The short answer is, we humans can’t tickle ourselves because we’ll already be expecting it. And a big part of what makes tickles ticklish is the element of surprise.

Tickling is an important sign that someone or something is touching you. In general, there are two types of tickles. There are good tickles, like when your family or friends tickle you and make you laugh. And there are bad tickles, like when you can feel a bug on you.

Both types of tickles help us in different ways.

Bad tickles

Over the hundreds of thousands of years that humans have been around, being ticklish has had its advantages. Tickling tells us when there is a bug or something else crawling on our skin.

The reason why we feel ticklish is because our body is covered in small hairs. These help us to feel danger that might be too small to see – like bugs.

People who are ticklish can feel bugs land on them, and flick them off before they bite. This helps to avoid getting bitten by poisonous insects.

Over the ages, ticklish people would have been less likely to be bitten by poisonous bugs, so they would have lived longer and had more babies, who were also ticklish.

In other words, humans have evolved to be ticklish, because it can help us to sense danger, such as bugs. If we could tickle ourselves, then we might have more trouble telling when there’s a bug on us or when we are just touching ourselves.

So it makes sense that we cannot tickle ourselves, so that we can be sure when dangerous things, such as bugs, are on us.

Good tickles

Good tickles feel good and can make us laugh. It can be a fun way to play – and humans aren’t the only animals that can tickle.

Did you know that when chimpanzees chase and tickle each other they make panting sounds? These pants do not mean that the chimp is tired – they actually mean that it wants to play!

Pets, such as rats, also make noises like laughter when people stroke them.

Laughter and play are good ways for animals (including us!) to make friends . And if you could tickle yourself, you might be less likely to laugh and play with others.

So, there are good reasons why we can only be tickled by others, and not ourselves. But to understand how tickling really works, we’ll have to look inside the human body.

The motor system

The motor system is a thing that most animals – including humans – have in their body. It’s made up of our muscles and brain, and it’s what lets us move

Every time that you move, your brain sends a plan to your muscles. It does this by sending the plan, in the form of electrical signals, along the nerves that run like wires through your body.

This plan tells the muscles when and how to move, and also what to expect when we have moved.

We have five senses: sight, smell, taste, touch and hearing. The plans sent to your muscles guess how each of these senses may change, after you have moved.

So, when you try to tickle yourself, your brain sends the plan through the nerves: it tells the muscles in one arm to move to do the tickling, and it also tells your other muscles that the tickle is coming.

When somebody else tickles you, your muscles haven’t got a plan from your brain, so the feeling is surprising – and ticklish!

But you can’t tickle yourself, because your brain is always one step ahead, telling your muscles and senses what to expect and stopping you from giving yourself a surprise. But then, maybe it’s better that way.


More Curious Kids articles, written by academic experts:

Aysha Bellamy, PhD Candidate, Royal Holloway, University of London

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Why can’t I wiggle my toes one at a time, like my fingers?

A baby chimp can grab a stick equally well with its fingers and its toes. Anup Shah/Stone via Getty Images
Steven Lautzenheiser, University of Tennessee

Curious Kids is a series for children of all ages. If you have a question you’d like an expert to answer, send it to curiouskidsus@theconversation.com.


Why can’t I wiggle my toes individually, like I can with my fingers? – Vincent, age 15, Arlington, Virginia


One of my favorite activities is going to the zoo where I live in Knoxville when it first opens and the animals are most active. On one recent weekend, I headed to the chimpanzees first.

Their breakfast was still scattered around their enclosure for them to find. Ripley, one of the male chimpanzees, quickly gathered up some fruits and vegetables, sometimes using his feet almost like hands. After he ate, he used his feet to grab the fire hoses hanging around the enclosure and even held pieces of straw and other toys in his toes.

I found myself feeling a bit envious. Why can’t people use our feet like this, quickly and easily grasping things with our toes just as easily as we do with our fingers?

I’m a biological anthropologist who studies the biomechanics of the modern human foot and ankle, using mechanical principles of movement to understand how forces affect the shape of our bodies and how humans have changed over time. Your muscles, brain and how human feet evolved all play a part in why you can’t wiggle individual toes one by one.

young chimp running on all fours
Chimpanzee hands and feet do similar jobs. Manoj Shah/Stone via Getty Images

Comparing humans to a close relative

Humans are primates, which means we belong to the same group of animals that includes apes like Riley the chimp. In fact, chimpanzees are our closest genetic relatives, sharing almost 98.8% of our DNA.

Evolution is part of the answer to why chimpanzees have such dexterous toes while ours seem much more clumsy.

Our very ancient ancestors probably moved around the way chimpanzees do, using both their arms and legs. But over time our lineage started walking on two legs. Human feet needed to change to help us stay balanced and to support our bodies as we walk upright. It became less important for our toes to move individually than to keep us from toppling over as we moved through the world in this new way.

bare feet walking across sandy surface toward camera
Feet adapted so we could walk and balance on just two legs. Karina Mansfield/Moment via Getty Images

Human hands became more important for things such as using tools, one of the hallmark skills of human beings. Over time, our fingers became better at moving on their own. People use their hands to do lots of things, such as drawing, texting or playing a musical instrument. Even typing this article is possible only because my fingers can make small, careful and controlled movements.

People’s feet and hands evolved for different purposes.

Muscles that move your fingers or toes

Evolution brought these differences about by physically adapting our muscles, bones and tendons to better support walking and balance. Hands and feet have similar anatomy; both have five fingers or toes that are moved by muscles and tendons. The human foot contains 29 muscles that all work to help you walk and stay balanced when you stand. In comparison, a hand has 34 muscles.

Most of the muscles of your foot let you point your toes down, like when you stand on tiptoes, or lift them up, like when you walk on your heels. These muscles also help feet roll slightly inward or outward, which lets you keep your balance on uneven ground. All these movements work together to help you walk and run safely.

The big toe on each foot is special because it helps push your body forward when you walk and has extra muscles just for its movement. The other four toes don’t have their own separate muscles. A few main muscles in the bottom of your foot and in your calf move all four toes at once. Because they share muscles, those toes can wiggle, but not very independently like your fingers can. The calf muscles also have long tendons that reach into the foot; they’re better at keeping you steady and helping you walk than at making tiny, precise movements.

a pen and ink drawing of the interior anatomy of a human hand
Your hand is capable of delicate movements thanks to the muscles and ligaments that control its bones. Henry Gray, 'Anatomy of the Human Body'/Wikimedia Commons, CC BY

In contrast, six main muscle groups help move each finger. The fingers share these muscles, which sit mostly in the forearm and connect to the fingers by tendons. The thumb and pinky have extra muscles that let you grip and hold objects more easily. All of these muscles are specialized to allow careful, controlled movements, such as writing.

So, yes, I have more muscles dedicated to moving my fingers, but that is not the only reason I can’t wiggle my toes one by one.

Divvying up brain power

You also need to look inside your brain to understand why toes and fingers work differently. Part of your brain called the motor cortex tells your body how to move. It’s made of cells called neurons that act like tiny messengers, sending signals to the rest of your body.

Your motor cortex devotes many more neurons to controlling your fingers than your toes, so it can send much more detailed instructions to your fingers. Because of the way your motor cortex is organized, it takes more “brain power,” meaning more signals and more activity, to move your fingers than your toes.

illustration of a brain looking down at the top of the head with one section highlighted orange
The motor cortex of your brain sends orders to move parts of your body. Kateryna Kon/Science Photo Library via Getty Images

Even though you can’t grab things with your feet like Ripley the chimp can, you can understand why.


Hello, curious kids! Do you have a question you’d like an expert to answer? Ask an adult to send your question to CuriousKidsUS@theconversation.com. Please tell us your name, age and the city where you live.

And since curiosity has no age limit – adults, let us know what you’re wondering, too. We won’t be able to answer every question, but we will do our best.The Conversation

Steven Lautzenheiser, Assistant Professor of Biological Anthropology, University of Tennessee

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Sneezy the Snowman

Published by Toadstools and Fairy Dust - more stories at the link

'Ricky, the Rock That Couldn't Roll' read by Marissa Bode

More stories at: Storyline online 

Archive of millions of Historical Children’s Books All Digitised: Free to download or Read Online

Enter the 1: Baldwin Library of Historical Children’s Literature here, where you can browse several categories, search for subjects, authors, titles, etc, see full-screen, zoomable images of book covers, download XML versions, and read all of the 2: over 6,000 books in the collection with comfortable reader views. 

Find 3: more classics in the collection, 800 Free eBooks for iPad, Kindle & Other Devices.


WilderQuest online fun

The NSW National Parks and Wildlife Service is pleased to present the WilderQuest program for teachers, students and children.

The WilderQuest program includes a website and apps with game and video content, Ranger led tours and activities in national parks across NSW. It provides opportunities for families to experience nature, science and Aboriginal culture in classrooms, online, at events and in national parks. The Teacher portal and free primary school resources have been produced with support from our Environmental Trust partners.

Profile: Ingleside Riders Group

Ingleside Riders Group Inc. (IRG) is a not for profit incorporated association and is run solely by volunteers. It was formed in 2003 and provides a facility known as “Ingleside Equestrian Park” which is approximately 9 acres of land between Wattle St and McLean St, Ingleside. 
IRG has a licence agreement with the Minister of Education to use this land. This facility is very valuable as it is the only designated area solely for equestrian use in the Pittwater District.  IRG promotes equal rights and the respect of one another and our list of rules that all members must sign reflect this.
Profile: Pittwater Baseball Club

Their Mission: Share a community spirit through the joy of our children engaging in baseball.

National Geographic for Australian Kids

Find amazing facts about animals, science, history and geography, along with fun competitions, games and more. Visit National Geographic Kids today!

This week the National Geographic for Kids has launched a new free digital resource platform called NatGeo@Home to entertain and educate children affected by school closures.

The three main categories of content on the NatGeo@Home site aim to educate, inspire and entertain. For parents and teachers, there are also separate resources and lesson plans covering everything from getting to grips with Google Earth to learning to label the geological features of the ocean.

For the main Australian National Geographic for Kids, visit: www.natgeokids.com/au

For the National Geographic at Home site, visit:

LEGO AT THE LIBRARY

Mona Vale Library runs a Lego club on the first Sunday of each month from 2pm to 4pm. The club is open to children aged between seven and twelve years of age, with younger children welcome with parental supervision. If you are interested in attending a Lego at the Library session contact the library on 9970 1622 or book in person at the library, 1 Park Street, Mona Vale.

Children's Storytime at Mona Vale LibraryMona Vale Library offers storytime for pre-school children every week during school terms. Children and their carers come and participate in a fun sing-a-long with our story teller as well as listen to several stories in each session, followed by some craft.  

Storytime is held in the Pelican Room of the library in front of the service desk. Storytime is free and no bookings are required. 

Storytime Sessions: Tuesdays  10.00am - 11.00am - Wednesdays  10.00am - 11.00am  - Thursdays  10.00am - 11.00am

Profile: Avalon Soccer Club
Avalon Soccer Club is an amateur club situated at the northern end of Sydney’s Northern Beaches. As a club we pride ourselves on our friendly, family club environment. The club is comprised of over a thousand players aged from 5  who enjoy playing the beautiful game at a variety of levels and is entirely run by a group of dedicated volunteers. 
Avalon Bilgola Amateur Swimming Club Profile

We swim at Bilgola rock pool on Saturday mornings (8:45am till 11:30am). Our season runs between October and March

Profile Bayview Yacht Racing Association (BYRA)

Website: www.byra.org.au

BYRA has a passion for sharing the great waters of Pittwater and a love of sailing with everyone aged 8 to 80 or over!

 Mona Vale Mountain Cub Scouts



Find out more about all the fun you can have at Mona Vale Mountain Cub Scouts Profile
– 

our Profile pages aren’t just about those who can tell you about Pittwater before you were born, they’re also about great clubs and activities that you too can get involved in!