April 1 - 30, 2026: Issue 653

Sunday Cartoon and Animations

This week: Ice Age: No time for nuts

 

Mallanganee Observatory opens to the public

On April 1 2026 Kyogle Council announced 'Mallanganee’s one-of-a-kind observatory that frames spectacular views of the constellations by night and the rolling green hills and mountain ranges of the Northern Rivers by day has opened to the public'.

Situated on the crest of the Richmond Range, the observatory features an armillary-like sphere built out of galvanised steel and pre-cast concrete, and is set to transform the region into a premier destination for ‘dark sky’ tourism.

Official opening Friday April 24 2026. Photo: Mayor Danielle Mulholland/Kyogle Council

The semi-enclosed design provides the perfect vantage point to take in views across the Richmond Range and beyond to the Border Ranges and Wollumbin.

At night, the dark sky and the observatory's position on the precise latitude the centre of the Milky Way arcs directly overhead every day, means the celestial views are breath-taking.

Kyogle Council Mayor Danielle Mulholland said the idea for the observatory had originally come from a member of the Mallanganee community and had been incorporated into the Mallanganee village master plan.

“The observatory is positioned to increase tourism to the area and cultivate Mallanganee’s standing as a destination for visitors seeking genuine nature-based experiences, Cr Mulholland said.

“With growing interest in dark/night-sky tourism across Australia, we are looking forward to an increase in visitor numbers.

“A tourism boost will bring real benefits not just to Mallanganee but also to its neighbouring West of the Range villages.”

The Mallanganee Observatory, designed by the architecture firm Terroir Pty Ltd., features a distinctive sphere constructed of galvanised steel and concrete, serving as both a tourist destination and a celestial observatory.

The $3.34 million observatory project also included the construction of a new amenities block, upgrades to sections of Bulmers and Lookout roads, and construction of internal paths. While the observatory is now open to the public, some areas of the site have yet to be re-grassed and remained cordoned off.

Construction of the observatory was supported by a $2.067 million Regional Tourism Innovation Fund grant from the NSW Government, with Council contributing the remaining funds.

World class observatory opens in Mallanganee

The official launch took place on Friday April 24 2026 with the Architect speaking passionately about the project.

The Hon. Janelle Saffin, Minister for Small Business, Minister for Recovery, Minister for the North Coast and Member for Lismore said:

‘I backed this exciting project from the start, appreciating its destination tourism potential for the Kyogle community and the broader region.

No other outlook in the world can claim this unique positioning, underneath the centre of the Milky Way – this truly puts Mallanganee on the global tourism map.

“The economic ripple effect will be felt by every small business from Mallanganee to Tenterfield.

“We are transforming this unique natural asset into a reliable economic engine - one that drives year-round foot traffic and sustains permanent local employment for years to come.”

Kyogle Mayor Danielle Mulholland OAM said:  

“From the seed of an idea, came a project that will deliver benefits to not only Mallanganee but the surrounding villages.

“There are some avid astronomers across Australia and the Mallanganee Observatory is expertly designed to take advantage of the numerous constellations in the night sky.

“As Council starts to digitise attractions across the council area, highlighting places of interest and taking advantage of the visitor economy, we expect to see an increase in tourism.

“This is a great investment by the State Government and Kyogle Council into the village of Mallanganee and its future.”

finalist in the World Architecture Festival, the Mallanganee Observatory, positioned under the Milky Way, has red lighting and looks pretty impressive of an evening.  

Directions as to how to use the observatory are embedded in the structure itself.

Photos: Mayor Danielle Mulholland/Kyogle Council

The Architect's Statement reads:

Mallanganee Lookout

Home of the Bundjalung Aboriginal people.

Mallanganee, Kyogle, New South Wales, Australia, Planet Earth, Solar System

Orion Arm, Milky Way Galaxy, Local Group of Galaxies, Virgo Supercluster, The Universe.

Mallanganee Lookout is an iconic destination – a place that literally has the centre of the galaxy crossing overhead. Sited at the midpoint of Australia’s east coast, the location offers an extraordinary sub-tropical landscape by day and the southern hemisphere sky by night where the centre of our Milky Way Galaxy crosses directly overhead every day.

The awesome spectacle of the night sky seen from the Mallanganee Lookout will allow the viewer to engage with distance and time in a new way; It is rare that residents in cities and towns in Australia and globally can look up and see the night sky, with bright lights often obscuring the view. The absence of city lights at this unique location enables visitors to see the centre of our Milky Way Galaxy, bringing a totally new experience to the region. Individual stars, constellations, dark nebulae as well as satellites passing overhead, and the occasional meteor showers will amaze and delight.

To support this extraordinary experience, we have designed a spherical pavilion, a human scale armillary sphere - a device used historically to mark and measure the movements of celestial bodies relative to an individual's position in space. The use of the armillary sphere as an idea generator offers a strong and unique connection to time, place, and the celestial realm that extends beyond.

Given the positioning of the Mallanganee Lookout on the edge of an elevated vantage point within a World Heritage Area, the armillary sphere has a daytime use also; carved apertures within the sphere provide curated views out to key landmarks within the Richmond Ranges, dissolving the boundaries of the spherical form whilst maintaining the allusion of the whole. Further apertures are carved into the roof of the sphere, creating intricate overlapping geometries which track the paths of significant stars.

The materiality is intentionally simple; painted steel and raw concrete holding the visually simple, yet complex construction pertaining to the spherical form. The materials contribute to a sense of resolute permanence – like an ancient henge which marks, in both a spiritual but also monumental, material way a point of connection and wonder.

As a 21st century device, the monumentality is complemented by layers of digital interpretation and information. The uninterrupted floor plate, a circular concrete plinth, becomes a stage for a customised mixed reality experience in which visitors can interact with and walk through a 5m wide digital representation of the Milky Way Galaxy, further celebrating the Lookout’s unique experiential quality.

The contemporary ways of communicating events that have unfolded over the entire timespan of the galaxy include a retelling of the oldest human stories relating to this piece of outer space; those of the Bundjalung people, who have occupied this area and looked at these stars for tens of thousands of years.

 

Outback Rodeo and Rural Life in Bourke: Australian Diary No. 119 (1961)

Published by the NFSA on April 23 2026

Built on the Darling River, the New South Wales town of Bourke served as one of Australia’s greatest wool and meat producing regions in 1961. This Australian Diary presents an idyllic vision of rural work-life balance. 

A cheerful narrator only skims the history of settlement and the communities that make up Bourke. Instead, the focus is on the success of the town’s industries, from its bountiful citrus orchards to the vital role of wool in the Australian economy. Viewers get a behind-the-scenes look at the process – through close-up sequences of herding, shearing, the busy rail yards that handle fleece, and the seasonal farmers who make it all happen. 

Along with the grind of industry, leisure gets a spotlight. A risky and good‑humoured display of bucking broncos and steer riding injects a sense of action-packed excitement. For the locals, these scenes are simply a day off from serious business. 

Designed to weave a narrative of hard work and globally renowned produce, the clip puts a positive spin on the working conditions, local economy and animals that make up the bustle of Bourke. This portrait of skilled formwork and leisure paints the region – and Australia at large – as an emerging industrial powerhouse.

Please note that the audio quality may vary in places due to the age and condition of the archival film.

The Australian Diary Series (1947–1970) captures everyday life, industry, and innovation in mid‑20th‑century Australia.

 

Corellas + Cockatoos this week: The Sedate + possibly Irate + What's Been Flying Overhead

Little Corella Pair, happily sedate, April 20 2026:

Happily chatting - 'Long Bill' the long-billed Corella:

Sulphur Crested cockatoo dance (and yelling), possibly irate about something, April 21 2026:

Australian Ibis family - flying overhead, Careel Bay, April 2026:

Sea Eagle overhead, makes all other birds except magpies run for cover, April 2026:

 

2026 Premier's Reading Challenge

The Challenge aims to encourage a love of reading for leisure and pleasure in students, and to enable them to experience quality literature. It is not a competition but a challenge to each student to read, to read more and to read more widely. The Premier's Reading Challenge (PRC) is open to all NSW students in Kindergarten to Year 10, in government, independent, Catholic and home schools. Now in its 25th year, the NSW PRC is the largest reading challenge in Australia!

The Term 1 2026 booklist is now live! 462 new books have been added to the book lists. Additional book list updates occur at the start of Term 2 and Term 3. 

Click here, or visit the booklists page to check out the new titles added to the PRC booklists this year! 

How we worked out a fossilised ‘pterosaur’ was actually a fish – new research

Artist’s impression of a pterosaur with a fish in its mouth. Fossils of one have sometimes been mistaken for the other. Warpaint/Shutterstock
David Unwin, University of Leicester

Georges Cuvier, the 19th-century French anatomist who first recognised pterodactyls as flying reptiles, wrote that “of all the beings whose ancient existence has been revealed to us, [they are] the most extraordinary”.

Now known as pterosaurs, this extraordinarily diverse, highly successful group lived alongside dinosaurs for more than 150 million years, occupying habitats around rivers, lakes, coasts and even the open ocean. While some species were quite small (no bigger than a pigeon), a few evolved into flying giants with wingspans exceeding ten metres.

The Upper Jurassic pterosaur Rhamphorhynchus
The Upper Jurassic pterosaur Rhamphorhynchus (Bürgermeister-Müller-Museum, Eichstatt Germany). David Unwin, CC BY

Pterosaurs are unlike any other animal, living or extinct. Despite this, a surprisingly long list of fossils have been misidentified as pterosaurs – including a specimen of the earliest bird, Archaeopteryx, and an extinct aquatic reptile, Tanystropheus, which had extraordinarily long neck vertebrae like some pterosaurs.

One of the most renowned misidentifications occurred in 1939 when Ferdinand Broili, a Munich-based palaeontologist, described a new pterosaur, Belonochasma, based on what appeared to be the remains of jaws bearing hundreds of long, fine teeth.

Several decades later, Franz Mayr, founder of the Jura Museum in Eichstätt, Germany, recognised the true nature of these remains. The “teeth” were actually gill filaments. More complete fossils, including remains of the body, showed unequivocally that Belonochasma was actually a fish.

Back in the 1930s, it could be years before publications became widely known and decades before errors were corrected. The gentle pace of research meant misidentifications usually had little impact.

Contrast that with today’s digiverse. Now, most palaeontologists are aware of newly published research within days or even hours of publication – and can immediately start downloading datasets that include it.

This rapid dissemination and repurposing of data – in the case of palaeontology, relating to age, geographic location and bodily structure – mean that errors can also spread very quickly.

A highly unusual fossil

In November 2025, a team of Brazilian palaeontologists led by Rodrigo Pêgas, based in the Museum of Zoology at the University of São Paulo, described what they took to be a new pterosaur. Bakiribu waridza had been found in 110 million-year-old Early Cretaceous rock of Araripe in northeast Brazil.

This highly unusual fossil apparently comprised several small fish plus the remains of not one but two pterosaurs – each represented by what were claimed to be fragmentary remains of jaws, plus hundreds of fine teeth.

Fossil remains of the ‘pterosaur’ Bakiribu reinterpreted as a fish.
Fossil remains of the ‘pterosaur’ Bakiribu, which has been reinterpreted as a fish (scale bar 50mm). David Unwin, CC BY

Pêgas and colleagues speculated that these specimens were contained in dinosaur vomit (known as regurgitalite) so large that it could only have been produced by a huge predator – perhaps a Spinosaurus-like theropod dinosaur. Enthusiastically promoted, the newly announced Bakiribu drew much attention, including numerous palaeoartists’ impressions and its own Wikipedia page.

However, a group of us who study pterosaurs – including David Martill and Roy Smith from the University of Portsmouth, and Sam Cooper from the Stuttgart State Museum of Natural History – soon spotted some problems.

Bakiribu (top) compared with the Upper Jurassic fish Belonochasma.
Bakiribu (top) compared with the Upper Jurassic fish Belonochasma (scale bar: 10mm). David Unwin, CC BY

Comparing our extensive collection of high-resolution digital photographs of pterosaur fossils with published images of Bakiribu, it appeared that its “teeth” did not extend along both sides of the jaw in symmetric fashion, as with all toothed pterosaurs. They also lacked a root, which is omnipresent in pterosaur teeth. Moreover, features such as dentine and dentine tubules, typical of pterosaur teeth, appeared to be absent.

We also noticed that bone fragments associated with the supposed jaws did not match any cranial element of pterosaurs, and their coarse external texture was unlike the smooth finish typical of pterosaur bone.

So, what was Bakiribu? Martill recalled the 1939 Belonochasma episode, which prompted me to examine the original fossil during a visit to Munich earlier this year. It was immediately clear that Belonochasma and Bakiribu were remarkably similar.

Comparing Bakiribu with the fossil remains of ancient bowfins discovered in the same rocks, and taking advantage of Cooper’s expertise in fossilised fish, we were able to identify the supposed teeth of Bakiribu as gill filaments, and the associated bony elements as branchials (structures that support the gills). Like Belonochasma, the Bakiribu fossil was in fact a collapsed gill arch of a large fish, preserved alongside two smaller fish.

The bowfin Amia calva.
The bowfin Amia calva. Zachary Randall, CC BY

A paper detailing our findings has just appeared in the Annals of the Brazilian Academy of Sciences. Pegas and colleagues, who disagree with our conclusions, were offered an opportunity to publish a response in the same issue of the journal, but did not take up this invitation.

Misidentifications matter more now

All palaeontologists – myself included – have misidentified at least one fossil during their careers. The fragmentary, incomplete nature of many fossil remains means erroneous identifications are as inevitable as death and taxes.

But in today’s world of rapid international communication, it is all the more important that they are highlighted as quickly as possible. Fortunately, the digiverse can also help do this.

Within five weeks of the first appearance of Bakiribu, our team flagged the possibility of a misidentification by posting a reinterpretation as a non-peer reviewed “preprint” article. And only five months later, our fully peer-reviewed account was published.

The speed of the digiverse means this alleged regurgitalite has rapidly been regurgitated. But doubtless many other misidentified fossils remain unsuspected, and more mistakes will be made in the future.

Once spotted, however, at least we have the tools to quickly verify such errors, in order to restrict their impact on the body palaeontologic.The Conversation

David Unwin, Reader in Palaeobiology, School of Heritage and Culture, University of Leicester

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Curious Kids: Why are we ticklish?

Knismesis occurs from a light touch, like a feather touching you and can happen on the skin anywhere on the body. www.shutterstock.com
Anina Rich, Macquarie University and Mark Williams, Macquarie University

This is an article from Curious Kids, a series for children. The Conversation is asking kids to send in questions they’d like an expert to answer. All questions are welcome – serious, weird or wacky!


Why are people ticklish and why are different people ticklish in different places? – Magali, 10, Townsville.


Hi Magali. Thanks for your great question.

People have asked this question for years. Lots of scientists have thought they knew the answer but then other scientists have found they were wrong. The real answer is that scientists still don’t really know why we are ticklish.

There are different kinds of tickles

Our skin is able to detect different feelings. The skin uses different cells inside of it to tell us feelings such as touch, vibration and pain. Scientists think perhaps the feeling of being tickled comes when the skin cells are telling us we are feeling pain and touch together.

There are two types of feeling that are described as a “tickle”. Their scientific names are “knismesis” and “gargalesis”.

1) Knismesis occurs from a light touch, like a feather touching you and can happen on the skin anywhere on the body. This type is also seen in cats, dogs and lots of other mammals.

2) Gargalesis occurs from a heavier touch to “ticklish” parts of the body (like the tummy, underarms and the soles of the feet). This can make us laugh even if we don’t want to. This response also happens in apes.

There are two main types of tickle. Flickr/Alex, CC BY-SA

What scientists used to think

About 150 years ago, a famous scientist named Charles Darwin thought tickling was linked to our sense of humour. He thought this because we laugh when tickled, just as we laugh when we find something funny.

Scientists found this was wrong because when we find something funny we laugh as a sign of enjoyment. But lots of people don’t enjoy being tickled and when they laugh and smile they can’t help it. Some scientists think that it could be like when we cry from cutting onions. That type of crying does not show you are sad.

Other people have thought tickling was a way to build a relationship between other people, such as brothers and sisters, or a parent with their child. Scientists have found that this isn’t right either as we can be tickled by robots.

What we think could be the cause

We can’t tickle ourselves. This is because your brain takes your movement and intention into account when responding to the sensation, and this reduces the ticklish nature of the touch. This could mean we use tickling to help us know what our own touch is.

Your brain has to deal with a lot of information coming in all the time. When that touch is from another person or thing, this is important to know - it could be a spider crawling on you! The knismesis feather-touch type of tickle might be part of our system for determining when something is touching us.

Some researchers think gargalesis, the heavy tickle, might help us learn to fight. The laughing from tickling encourages the tickler to keep going while the person being tickled tries to protect the ticklish parts of the body. It could be something like a reflex - just like when there’s a loud unexpected noise like a balloon popping in your face you can’t help being startled.

Why some people are ticklish and others are not, and why people have different ticklish spots is still a mystery!


Hello, curious kids! Have you got a question you’d like an expert to answer? Ask an adult to send your question to us. They can:

* Email your question to curiouskids@theconversation.edu.au
* Tell us on Twitter by tagging @ConversationEDU with the hashtag #curiouskids, or
* Tell us on Facebook

CC BY-ND

Please tell us your name, age, and which city you live in. You can send an audio recording of your question too, if you want. Send as many questions as you like! We won’t be able to answer every question but we will do our best.The Conversation

Anina Rich, Associate Professor Anina Rich, Macquarie University and Mark Williams, Professor, Macquarie University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Curious Kids: Why do people get the hiccups and how do you get rid of them?

Hiccups might be a way to train breathing muscles and our hiccup reflex might actually come from our amphibian ancestors. Mami Kempe / The Conversation, CC BY-ND
Emma Beckett, University of Newcastle

This is an article from Curious Kids, a series for children. The Conversation is asking kids to send in questions they’d like an expert to answer. All questions are welcome – serious, weird or wacky!


Why do people get the hiccups and how do they get them? And how do you get rid of them too? – Noah, aged 10, Brunswick East.


Hi Noah! Those are really great questions. We all get hiccups, but most of us don’t think much about them.

Let’s start with what happens when you hiccup.

There is a sheet of muscle under your lungs called the diaphragm. It’s very important, even though you don’t normally know you are using it. When you breathe in, this muscle pulls your lungs so they can fill up with air.

When you get hiccups, you are getting involuntary spasms in this muscle. This makes you take in air really fast, like a super quick breath. The air rushing in shuts your vocal folds, causing the “hiccup” sound. Sometimes you hiccup once, other times for a few minutes. In very rare cases, they can last a very long time. The world record is more than 60 years!

Hiccups are usually started by eating or drinking too much and too quickly – particularly with fizzy drinks. This can stretch and upset your stomach, causing hiccups as the diaphragm contracts. Sudden changes in temperature or getting too excited might trigger this too. These hiccups are normally over quickly. However, if someone has an illness in their brain, nerves or tummy, they might get hiccups often or for a long time.

So how do you make them go away? Do you hold your breath? Drink water upside down? There are lots of stories about what fixes hiccups. Most hiccups go away on their own so it’s hard to say if these tricks work. They could just be a distraction, but they also might help reset the nerves causing the hiccups. A big study comparing all the different treatments found that none of them actually work.

Why we hiccup is a very good question, and the answer is we don’t really know.

Hiccups serve no obvious purpose. It is possible they did something in our distant evolutionary relatives and never left us. Tadpoles have a hiccup reflex which helps keep their lungs safe while they transition from breathing underwater. So our hiccup reflex might be from our amphibian ancestors.

We all start our lives inside the liquid of our mum’s womb. So another theory is that hiccups stop us from breathing in the womb, or might be a way to train breathing muscles after birth.

The short answer is we know what hiccups are, but we don’t really know why they happen. The good news is that mostly you don’t need to worry about how to make them go away!


Hello, curious kids! Have you got a question you’d like an expert to answer? Ask an adult to send your question to us. They can:

* Email your question to curiouskids@theconversation.edu.au
* Tell us on Twitter by tagging @ConversationEDU with the hashtag #curiouskids, or
* Tell us on Facebook

CC BY-ND

Please tell us your name, age, and which city you live in. You can send an audio recording of your question too, if you want. Send as many questions as you like! We won’t be able to answer every question but we will do our best.The Conversation

Emma Beckett, Postdoctoral Fellow (Human Molecular Nutrition), School of Medicine and Public Health, University of Newcastle

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Curious Kids: Why do Aussies have a different accent to Canadians, Americans, British people and New Zealanders?

Australia and New Zealand are neighbours but our accents are quite different. We even have different words for things. www.shutterstock.com
Felicity Cox, Macquarie University

This is an article from Curious Kids, a series for children. The Conversation is asking kids to send in questions they’d like an expert to answer. All questions are welcome – serious, weird or wacky!


Dear Conversation people, why do Aussies have a different accent to Canadians, Americans, the British, New Zealanders, etc? Thank you in advance – Kiana, 11, Switzerland.


This is a great question, Kiana. The short answer is that the accent you have depends on the people you grew up with and the history of the place that you live in. If you grew up in Australia, your accent is shaped by the history of Australia’s European settlement; if you grew up in New Zealand, your accent is shaped by a different history, so it sounds different.

It’s automatic for us to talk in a similar way to the people around us and this feature is really strong in kids. Friends have the biggest influence on accent. Sharing an accent helps to show that you are connected to your friends – that you belong to the group. This is also how new accents begin. Kids are very important in creating new accents.

The Aussie accent started with kids

It’s important to remember that the Aboriginal people had been using their own languages for thousands of years before the Europeans came to Australia so English was a foreign language to them.

The Aussie accent, as we know it today, started more than 200 years ago with the children of the convicts, soldiers and other European arrivals. The parents spoke with all different kinds of English accents because they came from many places in England.

But their children born in Australia formed friendship groups and started to talk in ways that were more like each other and less like their parents.

Over the years the children’s accent was carried on by each generation and became the main accent of English across Australia.

Source: Behind The News.

There are lots of different kinds of Aussie accents

In 1965, two linguists named A.G. Mitchell and Arthur Delbridge wrote that there were three distinct accent types in Australia: broad (think Steve Irwin), general (think the hosts of an Australian morning TV show like Sunrise, for example) and cultivated (a bit more British-sounding, like Cate Blanchett).

But it’s actually a lot more complex than that.

The Aussie accent has been changing gradually for over 200 years as the Australian society and people have changed, and now there are lots of different types of Aussie accents.

There are Aussie accents from the city, from the country, from older and younger people, from different places in Australia, from Indigenous Australians, from people whose families came from Lebanon, Greece, Italy, Vietnam, China, India and lots more too.

These different Aussie accents are all Australian.

But the Australian accents are different from the accents of America, or Canada, or New Zealand because those accents were created from kids growing up in those places with different communities and histories.

Accents are all about the people we spend time with when we are young. People who grow up in Australia usually spend lots of time with other Australians and that’s why they speak with Aussie accents and not American, Canadian or New Zealand accents.

The different kinds of Aussie accents also help Australians to feel connected to Australia. Accents help to give people a sense of belonging and a feeling of home.


Hello, curious kids! Have you got a question you’d like an expert to answer? Ask an adult to send your question to us. They can:

* Email your question to curiouskids@theconversation.edu.au
* Tell us on Twitter

CC BY-ND

Please tell us your name, age and which city you live in. You can send an audio recording of your question too, if you want. Send as many questions as you like! We won’t be able to answer every question but we will do our best.The Conversation

Felicity Cox, Associate Professor, Department of Linguistics Centre for Language Sciences (CLaS) ARC Centre of Excellence in Cognition and its Disorders (CCD), Macquarie University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Curious Kids: How does glow in the dark paint work?

While some things glow all the time, glow-in-the-dark paint must be ‘told to glow’ - just like a phone needs to be charged or it won’t work. Mai Lam/The Conversation NY-BD-CC, CC BY-SA
Thorsten Trupke, UNSW Sydney

This is an article from Curious Kids, a series for children. The Conversation is asking kids to send in questions they’d like an expert to answer. All questions are welcome – serious, weird or wacky!


How does glow in the dark paint work? – Roman, age 5, Katoomba.


To answer your question, we need to talk about light. This is not an easy thing to do. About 100 years ago, the world’s smartest scientists even argued about what light really is. And they argued for many years.

Light is actually a bunch of tiny things that scientists call “photons”. These little things can travel unbelievably quickly.

How quickly? Well, imagine this: photons can go around the entire world more than seven times in just one second.

When these photons reach our eyes, we see them as light. The more photons there are, the brighter the light.

Photons can come in all the colours of the rainbow. They also hold energy which can turn into heat. This is why it feels warm when the sun shines.

But, not all light is the same. Blue and violet photons both have more energy than red ones, for example.

Invisible light

Now here is a weird thing: there are some types of light that are invisible!

For example, ultraviolet (UV) light, which has even more energy than blue and violet light, is invisible.

Sunlight contains some of this powerful UV light. Because it has so much energy, it can cause a lot of damage, like sunburn, if you get too much of it on your skin.

Another invisible type of light is infrared light. Infrared means “less than red”, so this light has even less energy than red light.

Making paint glow

Many light sources, like the Sun or an old light bulb in your bathroom, glow because they are really hot. Normal glowing, like that of the Sun and a light bulb, requires objects to be really hot for us to see it.

As you already know, you can see glow-in-the-dark paint, but if you touch it, it is just as cold as the bedroom wall. So, the glowing of the paint must be different to the glowing of a light bulb.

The paint has a special kind of glowing called “luminescence” and it can only be created from a few types of material. One such material is what scientists call “luminescent phosphors”, and this is what makes your paint glow. Scientists make luminescent phosphors in the lab by mixing special chemicals together, and then add them to the paint. The paint is then sold to factories and manufacturers who put it on toys, stickers, and even inside colouring pens.

While some things glow all the time, like the sun, glow-in-the-dark paint must be “told to glow”. Just like your parents need to charge their phones every night to make them work, these materials need to be “charged” before they start glowing.

In fact, the charging of your glow-in-the-dark paint is done by other types of light. The invisible UV light with lots of energy can charge the special phosphors in your paint and make it glow in your bedroom at night.

There are different types of glow-in-the-dark paint. One type can be charged during the day and can glow for hours in the dark at night. The charging that happens during the day, for example by sunlight, is stored in the paint for some time, just like in the battery of a phone.

This type of paint is called phosphorescent. The other type, called fluorescent paint, only glows while an invisible UV light is turned on to charge it.

You might have heard that some animals can glow. Here’s a video all about that:


Hello, curious kids! Have you got a question you’d like an expert to answer? Ask an adult to send your question to us. You can:

* Email your question to curiouskids@theconversation.edu.au
* Tell us on Twitter by tagging @ConversationEDU with the hashtag #curiouskids, or
* Tell us on Facebook

CC BY-ND

Please tell us your name, age and which city you live in. You can send an audio recording of your question too, if you want. Send as many questions as you like! We won’t be able to answer every question but we will do our best.The Conversation

Thorsten Trupke, Professor of Photovoltaic and Renewable Energy Engineering, UNSW Sydney

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Curious Kids: Why aren’t birds pulled down by gravity while they’re flying?

Marcella Cheng/The Conversation, CC BY-NC-ND
Simon Griffith, Macquarie University

This is an article from Curious Kids, a series for children. The Conversation is asking kids to send in questions they’d like an expert to answer. All questions are welcome – serious, weird or wacky!


Why aren’t birds pulled down by the force of gravity while they’re flying? – Claudia, age 7, Canberra.

This is a great question, and funnily enough there is a recent news story out which helps answer it.

In the United States, a dead goose weighing over 5kg fell from the sky. This poor goose shows us that flying birds can fall from the sky under the force of gravity, just like everything with mass.

The larger the mass (or how much something weighs), the larger the force of gravity. This goose fell from the sky because it was killed while flying. The other geese flying with it did not fall because they were doing a few important things to fight the effects of gravity.

To stay up, the bird must overcome gravity with a force called “lift”. Lift is a very active force, made by moving the wing at speed through air. It causes the bird to rise upwards, as shown in the picture below.

As the air is pushed down, this pushes the wing (and the bird attached to it) upwards. Marcella Cheng/The Conversation, CC BY-NC-ND

To create lift, the bird holds the front part of its wing slightly higher than the back part. As the air passes over the wing, (from front to back), the air underneath is pushed downwards. This pushes the wing (and bird) upwards. A bird’s wings are just the right shape to build this upward force.

Birds of different shapes and sizes have wings that provide the perfect amount of lift for their needs. The Australian pelican is one of the largest flying birds, weighing almost 7kg - that’s about as much as two bricks! A pelican’s wings need to be very big to create enough lift to overcome gravity. They also need to move very fast for take off. That’s why large birds like pelicans typically have to run a long way before flying.

Large flying birds can also create lift using patches of warm air that form, for example, over hot rocky ground. Hot air rises and that means birds can spread their wings over these patches and get a free lift.

Smaller birds also need to create enough lift to be able to fly. That’s why so many birds are light compared to animals of similar sizes. For example, a fully grown zebra finch bird is about the same size as a house mouse but weighs just 12g, while the mouse weighs around 19g.

Birds also have hollow bones with lots of air spaces inside them. If you break open a chicken bone the next time you have chicken for dinner, you will see this for yourself.


Hello, curious kids! Have you got a question you’d like an expert to answer? Ask an adult to send your question to us. You can:

* Email your question to curiouskids@theconversation.edu.au
* Tell us on Twitter by tagging @ConversationEDU with the hashtag #curiouskids, or
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Please tell us your name, age and which city you live in. You can send an audio recording of your question too, if you want. Send as many questions as you like! We won’t be able to answer every question but we will do our best.The Conversation

Simon Griffith, Professor of Avian Behavioural Ecology, Macquarie University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Nobody Hugs A Cactus

Published by Toadstools and Fairy Dust - more stories at the link

'Fresh Juice' read by Da'Vine Joy Randolph

More stories at: Storyline online 

Archive of millions of Historical Children’s Books All Digitised: Free to download or Read Online

Enter the 1: Baldwin Library of Historical Children’s Literature here, where you can browse several categories, search for subjects, authors, titles, etc, see full-screen, zoomable images of book covers, download XML versions, and read all of the 2: over 6,000 books in the collection with comfortable reader views. 

Find 3: more classics in the collection, 800 Free eBooks for iPad, Kindle & Other Devices.


WilderQuest online fun

The NSW National Parks and Wildlife Service is pleased to present the WilderQuest program for teachers, students and children.

The WilderQuest program includes a website and apps with game and video content, Ranger led tours and activities in national parks across NSW. It provides opportunities for families to experience nature, science and Aboriginal culture in classrooms, online, at events and in national parks. The Teacher portal and free primary school resources have been produced with support from our Environmental Trust partners.

Profile: Ingleside Riders Group

Ingleside Riders Group Inc. (IRG) is a not for profit incorporated association and is run solely by volunteers. It was formed in 2003 and provides a facility known as “Ingleside Equestrian Park” which is approximately 9 acres of land between Wattle St and McLean St, Ingleside. 
IRG has a licence agreement with the Minister of Education to use this land. This facility is very valuable as it is the only designated area solely for equestrian use in the Pittwater District.  IRG promotes equal rights and the respect of one another and our list of rules that all members must sign reflect this.
Profile: Pittwater Baseball Club

Their Mission: Share a community spirit through the joy of our children engaging in baseball.

National Geographic for Australian Kids

Find amazing facts about animals, science, history and geography, along with fun competitions, games and more. Visit National Geographic Kids today!

This week the National Geographic for Kids has launched a new free digital resource platform called NatGeo@Home to entertain and educate children affected by school closures.

The three main categories of content on the NatGeo@Home site aim to educate, inspire and entertain. For parents and teachers, there are also separate resources and lesson plans covering everything from getting to grips with Google Earth to learning to label the geological features of the ocean.

For the main Australian National Geographic for Kids, visit: www.natgeokids.com/au

For the National Geographic at Home site, visit:

LEGO AT THE LIBRARY

Mona Vale Library runs a Lego club on the first Sunday of each month from 2pm to 4pm. The club is open to children aged between seven and twelve years of age, with younger children welcome with parental supervision. If you are interested in attending a Lego at the Library session contact the library on 9970 1622 or book in person at the library, 1 Park Street, Mona Vale.

Children's Storytime at Mona Vale LibraryMona Vale Library offers storytime for pre-school children every week during school terms. Children and their carers come and participate in a fun sing-a-long with our story teller as well as listen to several stories in each session, followed by some craft.  

Storytime is held in the Pelican Room of the library in front of the service desk. Storytime is free and no bookings are required. 

Storytime Sessions: Tuesdays  10.00am - 11.00am - Wednesdays  10.00am - 11.00am  - Thursdays  10.00am - 11.00am

Profile: Avalon Soccer Club
Avalon Soccer Club is an amateur club situated at the northern end of Sydney’s Northern Beaches. As a club we pride ourselves on our friendly, family club environment. The club is comprised of over a thousand players aged from 5  who enjoy playing the beautiful game at a variety of levels and is entirely run by a group of dedicated volunteers. 
Avalon Bilgola Amateur Swimming Club Profile

We swim at Bilgola rock pool on Saturday mornings (8:45am till 11:30am). Our season runs between October and March

Profile Bayview Yacht Racing Association (BYRA)

Website: www.byra.org.au

BYRA has a passion for sharing the great waters of Pittwater and a love of sailing with everyone aged 8 to 80 or over!

 Mona Vale Mountain Cub Scouts



Find out more about all the fun you can have at Mona Vale Mountain Cub Scouts Profile
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our Profile pages aren’t just about those who can tell you about Pittwater before you were born, they’re also about great clubs and activities that you too can get involved in!