Inbox and Environment News: Issue 487
March 14 - 20, 2021: Issue 487
Bangalley Head - Careel House Koala Loves Music: 1937
The owners of Careel House, Bangalley Head, the Grieves had a Caesar and as the location of the home was one the local koalas moved to during their annual shifts from food trees in Angophora Reserve to that atop Careel Head- Bangalley Head, they also had koalas:
DOG wire haired Terrier white black markings (Caesar) Lost from Careel House Whale Beach. Reward Phone Palm Bench 77 or MA5076 GRIEVE 170 Elizabeth Street, City. Advertising. (1937, October 13). The Sydney Morning Herald(NSW : 1842 - 1954), p. 23. Retrieved from http://nla.gov.au/nla.news-article17415938
KOALA LIKES MUSIC
Koala Visits Guest House
A koala bear last night paid a visit to Careel House, Whale Beach, near Avalon. In answer to persistent knocking shortly after 7 o'clock, the front door was opened, and guests were surprised to find the koala outside. Without inducement the animal entered the lounge, and immediately made itself at ease on one of the chairs. The picture above shows the bear quite at home on top of the piano, which is being played by a guest.
Mrs. C. B. Grieve, the proprietress, obtained a bunch of gum leaves, which the bear ate, unperturbed by the pattings and pettings of its admirers. Twice the "intruder" was placed on the terrace so that it might return to the gum trees which surround the house, but twice it demanded re-admittance. After a "visit" of nearly three hours, the bear consented to leave. KOALA LIKES MUSIC (1937, October 25). The Daily Telegraph (Sydney, NSW : 1931 - 1954), p. 2. Retrieved from http://nla.gov.au/nla.news-article247228753
More in Careel House
Sydney's Specialist Rescue Team Prepare For Annual Whale Migration
The NSW National Parks and Wildlife Service (NPWS) specialist whale disentanglement team were out on the water recently honing their skills ahead of the annual humpback migration season.
Ms Mel Hall from the NPWS said around 20 staff undertook training on how to safely free a large whale tangled in ropes and buoys.
"Any attempt to disentangle a distressed whale is inherently dangerous and complicated by changing sea conditions, the enormous size of the whale and its instinctive behaviours," said Ms Hall.
"Only highly trained, specialist teams should attempt to free a trapped whale and our goal with this training is to make sure our staff are equipped and ready to respond.
"Just before the humpback migration season every year we undertake this 2-day training that includes working in inflatable vessels to free a 4-metre inflatable 'whale tail' entangled in lines and ropes.
"Staff are also trained to attach satellite tracking devices to an entangled animal to help teams track and relocate the whale in case an immediate rescue is not possible.
"The team's surf skills are also put to the test to make sure we have the most experienced and capable rescue team on the job," said Ms Hall.
Last year NPWS successfully freed an entangled humpback whale off Royal National Park.
"This was a long and complex operation where rescue crews relied on their training and experience to safely cut the animal free from lines and ropes around its head and tail," said Ms Hall.
"We were fortunate that the conditions were right for the NPWS team to safety launch vessels, approach the whale and cut it free," said Ms Hall.
The annual whale count numbers have been steadily increasing by around 10% each year, which is extremely good news.
But naturally with more whales moving along our coast we can only expect that more may become entangled in fishing gear, wash up onto our beaches or be struck by boats.
"The best way for people to help these animals is to immediately report any sightings of entangled or distressed whales to authorities.
"Anyone who sees a distressed or entangled whale should not attempt to free it but call NPWS on 13000PARKS (1300 072 757) or ORRCA on 02 9415 3333," said Ms Hall.
The Sydney based NPWS whale disentanglement team is one of several along the NSW coast trained to intervene if an animal is reported in distress.
The official whale watching season kicks off on 1 June during which local communities along the NSW coast play host to these extraordinary creatures on their 5000-kilometre journey from Antarctica to Queensland waters.
A J Guesdon photo
Avalon Community Garden
Avalon Community Garden’s primary purpose is to foster, encourage and facilitate community gardening in Pittwater on a not-for-profit basis.
The garden was started in 2010 by a group of locals who worked in conjunction with the support of Barrenjoey High School to develop a space that could be used by the local community, to grow
vegetables, herbs, plants and flowers, and practice sustainable gardening techniques to benefit its members and the community overall.
The garden has been very successful and has grown and developed since its inception, in terms of its footprint, infrastructure, variety of produce and diversity of members. The garden welcomes new members all year round. Levels of contribution range from multiple times a week, to once a month. Your contribution is always welcome, and it is acknowledged people will have varying levels of commitment.
We encourage you to join and start enjoying the following benefits associated with community gardening:
They provide benefits for individuals and for the community as a whole. Community gardens provide education on gardening, recycling and sustainable use of natural resources.
They develop community connections and provide a means of engaging youth, children, the elderly and the disabled and otherwise marginalised individuals in mutually enjoyable and rewarding activities, thus helping to develop more functional and resilient communities.
People involved in community gardens say they improve wellbeing by increasing physical activity and reducing stress, providing opportunities to interact meaningfully with new friends, give time for relaxation and reflection as well as an opportunity to improve their interconnectedness with nature.
To get involved take a look around the site, join the Facebook group and come along and visit on a Sunday morning between 10 and 12 at the garden within Barrenjoey High School on Tasman Road, North Avalon.
Wanted: Sydney's Precious Woody Elders
- A home - birds, bats, frogs, possums and gliders and reptiles will live in and on these stags
- A nursery - the hollow cavities in particular provide a place for some of our favourite creatures like owls and parrots (including some Threatened species) to lay eggs and raise young
- A snack - invertebrates, fungi, mosses and lichen will feed upon decaying wood, and so in turn provide food for our wildlife
- A safe lookout - stags often give unique vantage points for wildlife, especially raptors to look for prey
- are in Sydney
- are at least 85 to 95 cm around at chest height
- have at least one hollow/cavity of 40cm or larger at the entrance
BirdLife Australia Autumn Survey Time
- Breeding behaviours - If you see a bird carrying nesting materials, sitting on a nest or feeding chicks, let us know. Select the option under 'Breeding Activity' that best matches your observation (remember to keep your distance though from birds who are breeding. We don't want to disturb any nests. Be sure to limit your observations and don't get close enough to scare a bird off it's nest.)
- Aggressive interactions – Let us know if you have observed any species initiate interactions with other birds and whether this interaction could be classed as aggressive – you can do this in the sighting details tab using the specific species interactions option.
- Have you seen any birds feeding on the native plants in your garden? If so – who was dining on what? – you can tell us in the notes section when you record the species you have observed under “sighting details”
- Have any birds been dabbling in some Oscar-worthy acting? – tell us about the weird and wonderful things your backyard birds have been up to you using the notes section in the sighting details tabs.
Narrabeen Lagoon Clean Up: March 28
NSW To Drive Clean Industrial Revolution
NSW is set to become a world leader in low emission industries thanks to an unparalleled $750 million NSW Government program.
Energy Minister Matt Kean said the Net Zero Industry and Innovation Program is about coinvesting with industry to reduce our carbon emissions and develop low emissions technologies for the future.
“NSW was one of the first jurisdictions in the world to set a net zero objective, but we must get there in a way that grows the economy, makes our businesses and industry more competitive and puts us ahead of the pack in the low carbon global economy,” Mr Kean said.
“This $750 million program will support the development of new clean technologies, create world-leading centres of research and development and help existing industries future-proof their operations.”
Funding will focus on three key areas:
- $380 million to support existing industries to re-tool with low emissions alternatives and future proof their businesses;
- $175 million to set up low carbon industries such as green hydrogen to create the jobs of the future; and,
- $195 million to research and develop new clean technologies so we decarbonise in ways that grow the economy.
“Almost 30 per cent of our State’s carbon emissions are created by our top 55 industrial facilities, which are critical contributors to the NSW economy,” Mr Kean said.
“Supporting their move to cleaner equipment, technology and processes will significantly reduce emissions, while helping to protect jobs and maintain a resilient economy.
“Our landmark Electricity Infrastructure Roadmap will give NSW some of the cheapest, cleanest most reliable energy in the world.
“This program will build on that to help create the jobs of the future and drive a clean industrial revolution.”
The program is a cornerstone element of the NSW Government’s Net Zero Plan Stage 1: 2020-2030 and leverages existing NSW Government initiatives including Renewable Energy Zones, and Special Activation Precincts. Expressions of interest for the program will open in April, with businesses and industry encouraged to jump online and register.
For more information visit www.energysaver.nsw.gov.au/netzeroindustry
Tiny Turtles Turn Up Near Evans Head
Furious flipper action has been seen on a remote beach near Evans Head as tiny sea turtle hatchlings emerged from their buried nest and made a break for the ocean.
Andy Marshall from the National Parks and Wildlife Service (NPWS) said more than 100 Green Turtles hatched last week and their first moments were caught on camera by a local photographer coincidently walking the beach.
“These eggs have been incubating underneath the sand since around December and the hatchlings all emerged over a few hours in the early dawn,” said Mr Marshall.
“NPWS and NSW TurtleWatch are keeping a keen eye on around 7 more sea turtle nests along the coast as they should also hatch over the next few months.
“Along the NSW coast we expect the hatchlings will either be green turtles (Chelonia mydas) like the ones we saw at Evans Head or the endangered loggerhead turtle (Caretta caretta), both are generally around 5cm in length when born.
“If anyone sees a hatchling please don’t pick it up or interfere with its path to the sea, instead report it immediately to NPWS or NSW TurtleWatch so we make sure these little ones make it safely to the water,” Mr Marshall said.
Holly West from NSW TurtleWatch says early reports and information from the public is vital in being about to monitor these hatchlings.
“With such a large coastline to cover it is likely that we could have missed some nests being laid and may miss them hatching so public help at this time is vital,” said Ms West.
“Hatchlings should emerge at night as they are safer from predators and the heat of the sand but there are of course always stragglers, so we are asking people to keep their eyes peeled, especially close to sunset and sunrise.
“As well as reporting all sightings, you can help these baby turtles by removing your rubbish from the beaches, drive slowly along the beaches, and stay off the dunes,” Ms West said.
If you find a sea turtle hatchling along the beach please notify NSW TurtleWatch immediately on 0468 489 259, or contact NPWS on 1300 0PARKS.
NSW TurtleWatch has been developed by Australian Seabird Rescue, in partnership with NSW Government's Saving Our Species program.
Eucalypt Dieback Gets Research Funding
March 10, 2021
Environment Minister Matt Kean today announced the awarding of nearly $1.2 million in research grants for one of the State's most damaging ecological issues, eucalypt dieback.
"If you've noticed pale-grey tree skeletons in the landscape – such as those along Kosciuszko Road on the Monaro Plain between Cooma and Jindabyne – that's dieback," Mr Kean said.
"These sick and skeletal trees are increasingly emerging across our State's landscape, and we don't know exactly why."
Dieback has killed millions of trees over a relatively short timeframe, damaging ecosystems and decreasing biodiversity. It's occurred across New South Wales, from near Bourke to the New England Tablelands, North Coast, Sydney's hinterland and down to the Snowy Mountains.
"By engaging some of the country's best scientific minds we are hoping to find ways to remedy the current dieback areas and prevent future outbreaks," Mr Kean said.
The 6 grantees in collaborations, led by universities and the CSIRO, have each been awarded up to $200,000 in funding.
Drought, insects, soil microbes and climate change are all thought to contribute to dieback, but without further research, it's difficult to address.
Dieback occurs when eucalypt trees lose leaves and die. It can happen to trees on their own, in groups, or in natural bushland. First noticed in small patches in the 1940s, dieback has increased significantly since around 2006.
A total of $1,197,911 million in grants was awarded to research collaborations at the Australian National University, the CSIRO, University of New England, Macquarie University and Western Sydney University.
Learn more about environmental research and grants awarded online.
Sentence For Fake Information About Asbestos-Contaminated Waste Disposal
March 12, 2021
A contractor who was paid nearly a quarter of a million dollars to take asbestos contaminated soil to a lawful landfill has been handed a 12-month term of imprisonment, to be served in the community, for faking waste disposal dockets.
Paul Mouawad was sentenced in the Land and Environment Court on 26 February 2021 following prosecution by the NSW Environment Protection Authority (EPA) over the disposal of 1,400 tonnes of waste containing asbestos.
An investigation by the EPA found 134 truckloads of asbestos-contaminated soil were collected from a building site in Darlington central Sydney in June and July 2016, but only one truckload was lawfully disposed of at the Elizabeth Drive Landfill at Kemps Creek.
The court heard that Mr Mouawad supplied 29 fraudulent waste disposal dockets and a fake Ticket List Report to the construction company engaged on the building site in an attempt to show the asbestos waste was disposed of lawfully, at a licensed landfill.
The EPA told the court that Mr Mouawad’s actions concealed the true location of the asbestos waste posing “indeterminable risks to the environment and human health, now and potentially, into the future”.
The EPA submitted the offences were aggravated by Mr Mouawad’s disregard for public safety and the planned and organised nature of the crime. The investigation revealed that in the lead up to the offences, Mr Mouawad had purchased a thermal printer, which he used to create falsified waste disposal dockets.
Justice Nicola Pain directed Mr Mouawad, who pleaded guilty to two charges of knowingly supplying false and misleading information about waste, to serve his 12-month term of imprisonment via an intensive correction order in the community. She also ordered Mr Mouawad to perform 250 hours of community service work, not commit any offences and pay the EPA’s legal costs of $60,000.
Each offence carried a maximum penalty of $240,000 or imprisonment for 18 months or both for an individual.
The company Mr Mouawad was employed by, Aussie Earthmovers Pty Ltd, was convicted and fined $450,000 on two charges of knowingly supplying false and misleading information about the disposal of the waste in November 2020, following a separate EPA prosecution.
EPA Director Major Compliance and Investigations Greg Sheehy said rogue operators caused harm to both honest companies and the environment.
“The sentence shows that criminal behaviour does not pay,” he said. “The EPA will pursue and prosecute offenders who try to make a quick buck by damaging the environment.”
NSW Police separately charged Mr Mouawad with defrauding the construction company by providing the false invoices. He pleaded guilty to a fraud charge in September 2018 and was sentenced to a 15-month intensive correction order following an appeal to the NSW District Court. He was also ordered to repay the construction company $225,056. The compensation has not yet been paid.
Mr Mouawad is also being prosecuted by the EPA for three additional offences, which allege waste, including waste containing asbestos, was illegally disposed of at Arcadia in Sydney’s north-west. He has pleaded not guilty to those matters, which are still before the Court.
Design And Place State Environmental Planning Policy (SEPP): Open For Feedback Until March 31
'The Design and Place SEPP puts place and design quality at the forefront of development. Our shared responsibility to care for Country and sustain healthy, thriving communities underpins the policy. The SEPP spans places of all scales, from precincts, significant developments, and buildings to infrastructure and public space. ''The public exhibition will allow us to work closely with state government, local councils, industry peak bodies and communities. This process will inform the development of the Design and Place SEPP and safeguard our shared values for future development in NSW. We will draft the policy in 2021, following the review of the formal submissions and feedback. Submissions are open from now until 31 March 2021. 'The final Design and Place SEPP will go on public exhibition later in 2021 to provide more opportunities for feedback. We will also develop supporting guidance and tools alongside the policy. These include a revision to the Apartment Design Guide, improvements to the Building Sustainability Index (BASIX) tool and the development of a new Public Space and Urban Design Guide. '
Worth Noting: Australian Car Sales Statistics 2020
- There were 1,062,867 new vehicles sold in Australia 2019
- New car sales in Australia dropped 8% down from 2018, making it the lowest since 2011
- Toyota was the top-selling car brand in 2019, with 205,766 total sales
- SUVs accounted for 45.5% of new car sales in 2019
NSW Department Of Planning Projects On Exhibition: Open For Comment
- your name and address, at the top of the letter only;
- the name of the application and the application number;
- a statement on whether you ‘support’, ‘object’ to the proposal or are only making a comment;
- the reasons why you support or object to the proposal; and
- a declaration of any reportable political donations you made in the previous two years.
- > A new 500/330 kilovolt (kV) substation located within Bago State Forest and adjacent to TransGrid’s existing Transmission Line 64 (Line 64)
- > Two 330 kV double-circuit overhead transmission lines, approximately nine kilometres long, linking the Snowy 2.0 cable yard in Kosciuszko National Park (KNP) to the new substation
- > An overhead transmission line connection between the substation and Line 64
- > Construction of new access tracks and upgrade of existing access tracks where required to facilitate the construction of the transmission lines and substation and service ongoing maintenance activities
- > Establishment of temporary sites and infrastructure needed during construction including crane pads, site compounds, a helipad, equipment laydown areas, and tensioning and pulling sites for the stringing of overhead conductors and earthwires.
- increased open cut coal extraction within the approved Mount Pleasant Project (EPBC 2011/5795) development area, including accessing deeper coal reserves in North Pit;
- staged increase in the extraction, handling and processing of ROM coal up to 21 Mtpa (i.e. progressive increase in ROM
- coal mining rate from 10.5 Mtpa over the Project life); and
- continued use of the controlled release dam and associated infrastructure that was approved through Bengalla Mine State and Federal approvals.
- Under the proposed Action, mining operations at the higher production rate would extend to 22 December 2048
Bushcare In Pittwater
Where we work Which day What time
Angophora Reserve 3rd Sunday 8:30 - 11:30am
Avalon Dunes 1st Sunday 8:30 - 11:30am
Avalon Golf Course 2nd Wednesday 3 - 5:30pm
Careel Creek 4th Saturday 8:30 - 11:30am
Toongari Reserve 3rd Saturday 9 - 12noon (8 - 11am in summer)
Bangalley Headland 2nd Sunday 9 to 12noon
Winnererremy Bay 4th Sunday 9 to 12noon
North Bilgola Beach 3rd Monday 9 - 12noon
Algona Reserve 1st Saturday 9 - 12noon
Plateau Park 1st Friday 8:30 - 11:30am
Browns Bay Reserve 1st Tuesday 9 - 12noon
McCarrs Creek Reserve Contact Bushcare Officer To be confirmed
Old Wharf Reserve 3rd Saturday 8 - 11am
Kundibah Reserve 4th Sunday 8:30 - 11:30am
Mona Vale Beach Basin 1st Saturday 8 - 11am
Mona Vale Dunes 2nd Saturday +3rd Thursday 8:30 - 11:30am
Bungan Beach 4th Sunday 9 - 12noon
Crescent Reserve 3rd Sunday 9 - 12noon
North Newport Beach 4th Saturday 8:30 - 11:30am
Porter Reserve 2nd Saturday 8 - 11am
Irrawong Reserve 2nd Saturday 2 - 5pm
North Palm Beach Dunes 3rd Saturday 9 - 12noon
Catherine Park 2nd Sunday 10 - 12:30pm
Elizabeth Park 1st Saturday 9 - 12noon
Pathilda Reserve 3rd Saturday 9 - 12noon
Warriewood Wetlands 1st Sunday 8:30 - 11:30am
Norma Park 1st Friday 9 - 12noon
Coopers Point, Elvina Bay 2nd Sunday 10 - 1pm
Rocky Point, Elvina Bay 1st Monday 9 - 12noon
Gardens And Environment Groups And Organisations In Pittwater
NSW State Water Strategy: Have Your Say
Senate Inquiry Into Environment Protection And Biodiversity Conservation Amendment (Regional Forest Agreements) Bill 2020
''This Bill will affirm and clarify the Commonwealth’s intent regarding Regional Forest Agreements to make it explicitly clear that forestry operations in a Regional Forest Agreement region are exempt from Part 3 of the EPBC Act, and that compliance matters are to be dealt with through the state regulatory framework.
Requiring native forestry operations to seek EPBC Act approval would create operationally unviable delays in planned harvesting operations that have already been subjected to significant environmental planning and approvals and create congestion in the approvals pipeline.
This is achieved by removing the ambiguity of what it means to be “undertaken in accordance with a Regional Forest Agreement” (subsection 38(1) of the EPBC Act), which a recent Federal Court decision (Friends of Leadbeater’s Possum Inc v VicForests (No 4)  FCA 704 has shown is not explicit with respect to the Commonwealth’s intended meaning.
Furthermore, the operation of subsection 38(1) is just one of several legal questions considered by Justice Mortimer’s judgment and subsequent appeal. There is no guarantee that the appeal will deal with the substantive question about the operation of subsection 38(1).
The Independent review of the EPBC Act Interim Report (Samuel 2020) recommended addressing this uncertainty:
- “During the course of this Review, the Federal Court found that an operator had breached the terms of an RFA and should therefore be subject to the ordinary controlling provisions of the EPBC Act. Legal ambiguities in the relationship between EPBC Act and the RFA Act should be clarified, so that the Commonwealth’s interests in protecting the environment interact with the RFA framework in a streamlined way.” (page 10), and
- “The EPBC Act recognises the RFA Act, and additional assessment and approvals are not required for forestry activities conducted in accordance with an RFA (except where forestry operations are in a World Heritage property or a Ramsar wetland). These settings are colloquially referred to as the 'RFA exemption', which is somewhat of a misnomer.” (page 60).
The Interim Report also made it clear that under a regional model of empowering the states, the oversight functions would be the responsibility of the states through accredited frameworks (as occurs with Regional Forest Agreements):
“For projects approved under accredited arrangements, the accredited regulator would be responsible for ensuring that projects comply with requirements, across the whole project cycle including transparent post-approval monitoring, compliance and enforcement. The Commonwealth should retain the ability to intervene in project-level compliance and enforcement where egregious breaches are not being effectively enforced by the accredited party.” (page 55).
''The Commonwealth must act urgently to resolve this uncertainty to ensure that the tens of thousands of jobs that depend on Australia’s native forestry operations are not exposed to the sort of crisis now facing Victoria’s native hardwood sector. This amendment Bill will achieve this outcome.''
- First reading: Text of the bill as introduced into the Parliament
- Third reading: Prepared if the bill is amended by the house in which it was introduced. This version of the bill is then considered by the second house.
- As passed by both houses: Final text of bill agreed to by both the House of Representatives and the Senate which is presented to the Governor-General for assent.
New Shorebirds WingThing For Youngsters Available To Download
A Shorebirds WingThing educational brochure for kids (A5) helps children learn about shorebirds, their life and journey. The 2021 revised brochure version was published in February 2021 and is available now. You can download a file copy here.
If you would like a free print copy of this brochure, please send a self-addressed envelope with A$1.10 postage (or larger if you would like it unfolded) affixed to: BirdLife Australia, Shorebird WingThing Request, 2-05Shorebird WingThing/60 Leicester St, Carlton VIC 3053.
Shorebird Identification Booklet
The Migratory Shorebird Program has just released the third edition of its hugely popular Shorebird Identification Booklet. The team has thoroughly revised and updated this pocket-sized companion for all shorebird counters and interested birders, with lots of useful information on our most common shorebirds, key identification features, sighting distribution maps and short articles on some of BirdLife’s shorebird activities.
The booklet can be downloaded here in PDF file format: http://www.birdlife.org.au/documents/Shorebird_ID_Booklet_V3.pdf
Paper copies can be ordered as well, see http://www.birdlife.org.au/projects/shorebirds-2020/counter-resources for details.
Download BirdLife Australia's children’s education kit to help them learn more about our wading birdlife
Shorebirds are a group of wading birds that can be found feeding on swamps, tidal mudflats, estuaries, beaches and open country. For many people, shorebirds are just those brown birds feeding a long way out on the mud but they are actually a remarkably diverse collection of birds including stilts, sandpipers, snipe, curlews, godwits, plovers and oystercatchers. Each species is superbly adapted to suit its preferred habitat. The Red-necked Stint is as small as a sparrow, with relatively short legs and bill that it pecks food from the surface of the mud with, whereas the Eastern Curlew is over two feet long with a exceptionally long legs and a massively curved beak that it thrusts deep down into the mud to pull out crabs, worms and other creatures hidden below the surface.
Some shorebirds are fairly drab in plumage, especially when they are visiting Australia in their non-breeding season, but when they migrate to their Arctic nesting grounds, they develop a vibrant flush of bright colours to attract a mate. We have 37 types of shorebirds that annually migrate to Australia on some of the most lengthy and arduous journeys in the animal kingdom, but there are also 18 shorebirds that call Australia home all year round.
What all our shorebirds have in common—be they large or small, seasoned traveller or homebody, brightly coloured or in muted tones—is that each species needs adequate safe areas where they can successfully feed and breed.
The National Shorebird Monitoring Program is managed and supported by BirdLife Australia.
This project is supported by Glenelg Hopkins Catchment Management Authority and Hunter Local Land Services through funding from the Australian Government’s National Landcare Program. Funding from Helen Macpherson Smith Trust and Port Phillip Bay Fund is acknowledged.
The National Shorebird Monitoring Program is made possible with the help of over 1,600 volunteers working in coastal and inland habitats all over Australia.
The National Shorebird Monitoring program (started as the Shorebirds 2020 project initiated to re-invigorate monitoring around Australia) is raising awareness of how incredible shorebirds are, and actively engaging the community to participate in gathering information needed to conserve shorebirds.
In the short term, the destruction of tidal ecosystems will need to be stopped, and our program is designed to strengthen the case for protecting these important habitats.
In the long term, there will be a need to mitigate against the likely effects of climate change on a species that travels across the entire range of latitudes where impacts are likely.
The identification and protection of critical areas for shorebirds will need to continue in order to guard against the potential threats associated with habitats in close proximity to nearly half the human population.
Here in Australia, the place where these birds grow up and spend most of their lives, continued monitoring is necessary to inform the best management practice to maintain shorebird populations.
BirdLife Australia believe that we can help secure a brighter future for these remarkable birds by educating stakeholders, gathering information on how and why shorebird populations are changing, and working to grow the community of people who care about shorebirds.
To find out more visit: http://www.birdlife.org.au/projects/shorebirds-2020/shorebirds-2020-program
Aussie Bread Tags Collection Points
March Indexation Delivers Increased Payments
$1.3 Billion Boost For Australian Households
New Study Links Protein Causing Alzheimer's Disease With Common Sight Loss
Master Luthier Visitor
Antonio's parents were Alessandro Stradivari, son of Giulio Cesare Stradivari, and Anna Moroni, daughter of Leonardo Moroni. They married on 30 August 1622, and had at least three children between 1623 and 1628: Giuseppe Giulia Cesare, Carlo Felice, and Giovanni Battista. The baptismal records of the parish of S. Prospero then stop, and it is unknown whether they had any children from 1628 to 1644. This gap in the records may be due to the family leaving Cremona in response to war, famine, and plague in the city from 1628 to 1630, or the records may have been lost due to clerical reforms imposed by Joseph II of Austria in 1788. The latter explanation is supported by the word Cremonensis (of Cremona) on many of Stradivari's labels, which scholars/historians state suggests that he was born in the city instead of merely moving back there to work. Antonio was born in 1644, a fact deducible from later violins. However, there are no records or information available on his early childhood, and the first evidence of his presence in Cremona is the label of his oldest surviving violin from 1666.
Some researchers believe there is a closer educational association between Antonio Stradivari and Francesco Rugeri than has previously been recognised. Despite the long-held belief that Antonio Stradivari was the pupil of Nicolò Amati, there are important discrepancies between their work. Some researchers believe early instruments by Stradivari bear a stronger resemblance to Francesco Rugeri's work than Amati's. Additionally, the utilisation of a small dorsal pin or small hole, invariably used not just by Nicolò Amati but all of his recognized pupils—with the exception of Antonio Stradivari, adds further evidence that Stradivari may have learnt his craft apart from Amati. This pin or hole was fundamental in the graduation of the thickness of the plates and was obviously a technique passed on through generations of pupils of the Amati. This dorsal pin is also not found in any of the instruments of the Rugeri family, suggesting Antonio Stradivari may have actually learnt his craft from Francesco Rugeri, although both were influenced by Amati.
Stradivari purchased a house now known as No. 1 Piazza Roma (formerly No. 2 Piazza San Domenico) around 1680 for the sum of 7000 lire, 2000 of which he paid at the time of the purchase. The house was paid for in full by 1684. The residence was just doors away from those of several other violin-making families of Cremona, including the Amatis and Guarneris. Stradivari probably worked in the loft or attic, and stayed in this house for the rest of his life.
A romanticised print of Antonio Stradivari examining an instrument - Unknown author - per Oberndorfer, Anne Faulkner (1921). What we hear in music. Camden, NJ: Educational dept
Stradivari's early career is marked by wide experimentation, and his instruments during this period are generally considered of a lesser quality than his later work. However, the precision with which he carved the heads and inserted the purfling quickly marked him as one of the most dextrous craftsmen in the world, a prime example of this being the 1690 "Tuscan" violin. Pre-1690 instruments are sometimes termed "Amatisé" but this is not completely accurate; it is largely because Stradivari created many more instruments later on that people try to connect his early work with Amati's style.
In the early 1690s, Stradivari made a pronounced departure from this earlier style of instrument-making, changing two key elements of his instruments. First, he began to make violins with a larger pattern than previous instruments; these larger violins usually are known as "Long Strads". He also switched to using a darker, richer varnish, as opposed to a yellower varnish similar to that used by Amati. He continued to use this pattern until 1698, with few exceptions. After 1698, he abandoned the Long Strad model and returned to a slightly shorter model, which he used until his death. The period from 1700-1725 is often termed the "golden period" of his production. Instruments made during this time are usually considered of a higher quality than his earlier instruments. Late-period instruments made from the late 1720s until his death in 1737 show signs of Stradivari's advancing age. These late instruments may be a bit less beautiful than the Golden Period instruments, but many nonetheless possess a fine tone. Heavier and looser craftmanship of the late Stradivari output can be seen in the 1734 'Habeneck'.
Stradivari's instruments are regarded as amongst the finest bowed stringed instruments ever created, are highly prized, and are still played by professionals today. Only one other maker, Giuseppe Guarneri del Gesù, commands a similar respect among violinists.
Some violinists and cellists use Stradivari instruments in their work. Cellos: Yo-Yo Ma uses the Davidov Stradivarius, Julian Lloyd Webber employs the Barjansky Stradivarius, and, until his death in 2007, Mstislav Rostropovich played on the Duport Stradivarius. Violins; The Soil of 1714 is owned by virtuoso Itzhak Perlman. The Countess Polignac is currently played by Gil Shaham. The Vienna Philharmonic uses several Stradivari instruments that were purchased by Austria's central bank Oesterreichische Nationalbank and other sponsors: Chaconne, 1725; ex-Hämmerle, 1709; ex-Smith-Quersin, 1714; ex-Arnold Rosé, ex-Viotti, 1718; and ex-Halphen, 1727. Viktoria Mullova owns and plays the Jules Falk. Joshua Bell owns and plays the Gibson ex-Huberman.
The London sales of The Mendelssohn at £902,000 ($1,776,940) in 1990 and The Kreutzer for £947,500 in 1998 constitute two top-selling Stradivari. A record price paid at a public auction for a Stradivari was $2,032,000 for the Lady Tennant at Christie's in New York, April 2005. On 16 May 2006, Christie's auctioned Stradivari's 1707 Hammer for a new record of US$3,544,000. On 2 April 2007, Christie's sold a Stradivari violin, the 1729 Solomon, Ex-Lambert, for more than $2.7 million to an anonymous bidder in the auction house's fine musical instruments sale. Its price, US$2,728,000 including Christie's commission, far outdid its estimated value: $1 million to $1.5 million. On 14 October 2010, a 1697 Stradivari violin known as "The Molitor" was sold online by Tarisio Auctions for a world-record price of $3,600,000 to violinist Anne Akiko Meyers: at the time its price was the highest for any musical instrument sold at auction. On 21 June 2011, the Lady Blunt Stradivarius, a 1721 violin, was auctioned by Tarisio to an anonymous bidder for almost £10 million, with all proceeds going to help the victims of the 2011 Tōhoku earthquake and tsunami. This was over four times the previous auction record for a Stradivari violin.
The collection of the New Jersey Symphony Orchestra had the largest number of Stradivari in its string section, purchased in 2003 from the collection of Herbert R. Axelrod, until it decided to sell them in 2007. A collection assembled by Rodman Wanamaker in the 1920s contained as many as 65 stringed instruments by such masters as Stradivari, Gofriller, Baptiste and Giuseppe Guarneri. Included was The Swan, the last violin made by Stradivari, and soloist instrument of the great Cuban 19th-century virtuoso Joseph White.
The collection, known as The Cappella, was used in concerts with the Philadelphia Orchestra and Leopold Stokowski before being dispersed after Wanamaker's death.
The Vienna Philharmonic uses four violins and one cello. The Metropolitan Museum of Art has three Stradivari violins dated 1693, 1694 and 1717. The National Music Museum, in Vermillion, South Dakota, has in its collection one of the known Stradivari guitars, one of eleven known violas da gamba, later modified into a cello form, one of two known choral mandolins, and one of six Stradivari violins that still retain their original neck. In the interests of conservation, the Messiah Stradivarius violin—on display in the Ashmolean Museum in Oxford, England—has not been played at all in recent years.
The Sabionari is one of the known five guitars made by Stradivari that still exist; the neck of a sixth guitar, dated 1675, has also survived and is currently exhibited with the other Stradivarian relics in Cremona. Beside the Sabionari, another two guitars were made in the 17th century: the Giustiniani, 1681, and the Hill, dated 1688.
The Sabionari is the only one that can still be played though.
A letter written in 1854 by the owner of the time, Filippo Benetti, a bookseller from Ferrara to a new buyer, the landowner Vincenzo Tioli from Bologna, informs that the guitar had been previously sold by the Stradivari family descendants to Giovanni Sabionari (from whom the guitar takes its name), the year of the sale is not provided.
In 1888 the Sabionari guitar was presented by a new owner F. Donati to the International Music Exhibition in Bologna. In 1934 a dealer in Bologna (Italy) sent a letter and some photos to the Stradivarius Museum in Cremona to sell the guitar but they couldn't find an agreement. In 1948 the Sabionari guitar was sold to the Domenichini family, Italy.
This is how it sounds.
Antonio Stradivari 1679 'Sabionari' Guitar; Krishnasol Jiménez Plays Bartolotti
Angelo Michele Bartolotti - Suite G minor - Sarabande (Published in Rome in 1655 and dedicated to Christina, Queen of Sweden)
Recorded in 2015 in Cremona - Museo del Violino - Auditorium Giovanni Arvedi
- The Sabionari Stradivarius guitar at: http://www.sabionari.com/
- Friends of Stradivarius
Funding Boost For Councils For Youth Week 2021
NSW Youth Advisory Council 2021 Applications Now Open
- Question: What do you think are the important issues affecting children and young people in NSW? Please explain why you think these issues are important. (As a guide, your answers should be no more than 250 words.)
- Question: What life experiences have you had which would assist you in contributing to the Council’s work?
- Question: Details of any current or past voluntary or community activities you have been involved in.
- We'll ask a few questions about you and your background.
Beauty In The Genes: Mother And Daughter Open Beauty Salon
A dynamic mother and daughter duo has launched a joint beauty salon in Yamba, featuring Australian and local organic products.
In early 2020, Daisy Lloyd was considering her career pathway options after a gap year.
Her mother, Natalie Le Breton, saw a Certificate III in Beauty Services offered at TAFE NSW Maclean. With a shared interest in beauty, they decided to enrol and study the course together.
While studying, the duo recognised a business opportunity in Yamba and started making plans to open their own beauty salon. Ngara Beauty Yamba officially launched in December 2020.
"As a mature-aged student and a school leaver, our TAFE NSW teacher made studying less intimidating and really guided us through the course," said Ms Le Breton.
"Daisy has already completed a lash extension short course at TAFE NSW Grafton to expand our services."
"We have always been really close, and we have a great understanding of each other's strengths and weaknesses. Since opening, Daisy has taken over our social media, and I've been banned from posting."
TAFE NSW Teacher of Beauty Kassie Austen says Beauty services is a thriving industry bouncing back quickly post Covid-19.
"Our students finish their qualifications with the skills to successfully start their own businesses. We see graduates opening salons, as well as offering home services or renting salon space while they establish their client base," Ms Austin said.
“Natalie and Daisy are a wonderful example of the opportunities available in the beauty industry right now, regardless of where you are in your career journey."
According to the Australian Industry and Skills Committee, strong growth is expected in the beauty industry with an increase of 20% in beauty therapists by 2024, despite a 50% reduction in beauty therapists in 2020].
For more information on Beauty Services, visit www.tafensw.edu.au or phone 131 601.
Express Yourself Exhibition 2021
The talent and creativity of more than 40 HSC Visual Art students on the Northern Beaches will be on display for the annual Express Yourself exhibition at the Manly Art Gallery & Museum (MAG&M) from February 19th until March 28th 2021.
The winners of the $3,000 Manly Art Gallery & Museum Society Youth Art Award and $5,000 Theo Batten Bequest Youth Art Award will be announced on Friday 19th of February. These two awards are granted annually to students featured in the exhibition.
Artist statements will be displayed alongside the artworks describing the inspirations and influences that informed the works and the students’ creative journeys.
Visitors are encouraged to vote for their favourite artwork in the KALOF People’s Choice Award which is announced at the end of the exhibition period.
Express Yourself is also part of Art Month Sydney, March 2021.
Exhibition: 19 February - Sunday 28 March 2021, 10am - 4pm daily (excluding Mondays)
Teachers' preview: Friday 19 February, 5 - 6pm. Bookings essential via Council’s website
Art Walk and Talk: Saturday 27 February, 3 – 4pm: Artists walk through the exhibition and discuss their works with the curator. Bookings essential via Council’s website.
Experts Recreate A Mechanical Cosmos For The World's First Computer: The Antikythera Mechanism
March 12, 2021
Researchers at UCL have solved a major piece of the puzzle that makes up the ancient Greek astronomical calculator known as the Antikythera Mechanism, a hand-powered mechanical device that was used to predict astronomical events.
Known to many as the world's first analogue computer, the Antikythera Mechanism is the most complex piece of engineering to have survived from the ancient world. The 2,000-year-old device was used to predict the positions of the Sun, Moon and the planets as well as lunar and solar eclipses.
Published in Scientific Reports, the paper from the multidisciplinary UCL Antikythera Research Team reveals a new display of the ancient Greek order of the Universe (Cosmos), within a complex gearing system at the front of the Mechanism.
Lead author Professor Tony Freeth (UCL Mechanical Engineering) explained: "Ours is the first model that conforms to all the physical evidence and matches the descriptions in the scientific inscriptions engraved on the Mechanism itself.
"The Sun, Moon and planets are displayed in an impressive tour de force of ancient Greek brilliance."
The Antikythera Mechanism has generated both fascination and intense controversy since its discovery in a Roman-era shipwreck in 1901 by Greek sponge divers near the small Mediterranean island of Antikythera.
The astronomical calculator is a bronze device that consists of a complex combination of 30 surviving bronze gears used to predict astronomical events, including eclipses, phases of the moon, positions of the planets and even dates of the Olympics.
Whilst great progress has been made over the last century to understand how it worked, studies in 2005 using 3D X-rays and surface imaging enabled researchers to show how the Mechanism predicted eclipses and calculated the variable motion of the Moon.
However, until now, a full understanding of the gearing system at the front of the device has eluded the best efforts of researchers. Only about a third of the Mechanism has survived, and is split into 82 fragments -- creating a daunting challenge for the UCL team.
The biggest surviving fragment, known as Fragment A, displays features of bearings, pillars and a block. Another, known as Fragment D, features an unexplained disk, 63-tooth gear and plate.
Previous research had used X-ray data from 2005 to reveal thousands of text characters hidden inside the fragments, unread for nearly 2,000 years. Inscriptions on the back cover include a description of the cosmos display, with the planets moving on rings and indicated by marker beads. It was this display that the team worked to reconstruct.
Two critical numbers in the X-rays of the front cover, of 462 years and 442 years, accurately represent cycles of Venus and Saturn respectively. When observed from Earth, the planets' cycles sometimes reverse their motions against the stars. Experts must track these variable cycles over long time-periods in order to predict their positions.
"The classic astronomy of the first millennium BC originated in Babylon, but nothing in this astronomy suggested how the ancient Greeks found the highly accurate 462-year cycle for Venus and 442-year cycle for Saturn," explained PhD candidate and UCL Antikythera Research Team member Aris Dacanalis.
Using an ancient Greek mathematical method described by the philosopher Parmenides, the UCL team not only explained how the cycles for Venus and Saturn were derived but also managed to recover the cycles of all the other planets, where the evidence was missing.
PhD candidate and team member David Higgon explained: "After considerable struggle, we managed to match the evidence in Fragments A and D to a mechanism for Venus, which exactly models its 462-year planetary period relation, with the 63-tooth gear playing a crucial role."
Professor Freeth added: "The team then created innovative mechanisms for all of the planets that would calculate the new advanced astronomical cycles and minimise the number of gears in the whole system, so that they would fit into the tight spaces available."
"This is a key theoretical advance on how the Cosmos was constructed in the Mechanism," added co-author, Dr Adam Wojcik (UCL Mechanical Engineering). "Now we must prove its feasibility by making it with ancient techniques. A particular challenge will be the system of nested tubes that carried the astronomical outputs."
Tony Freeth, David Higgon, Aris Dacanalis, Lindsay MacDonald, Myrto Georgakopoulou, Adam Wojcik. A Model of the Cosmos in the ancient Greek Antikythera Mechanism. Scientific Reports, 2021; 11 (1) DOI: 10.1038/s41598-021-84310-w
Main w:en:Antikythera mechanism fragment (fragment A at top and Fragment A (rear) of the Antikythera mechanism). The mechanism consists of a complex system of 30 wheels and plates with inscriptions relating to signs of the zodiac, months, eclipses and pan-Hellenic games. The study of the fragments suggests that this was a kind of astrolabe. The interpretation now generally accepted dates back to studies by Professor w:en:Derek de Solla Price, who was the first to suggest that the mechanism is a machine to calculate the solar and lunar calendar, that is to say, an ingenious machine to determine the time based on the movements of the sun and moon, their relationship (eclipses) and the movements of other stars and planets known at that time. Later research by the Antikythera Mechanism Research Project and scholar Michael Wright has added to and improved upon Price's work.
The mechanism was probably built by a mechanical engineer of the school of Posidonius in Rhodes. Cicero, who visited the island in 79/78 B.C. reported that such devices were indeed designed by the Stoic philosopher Posidonius of Apamea. The design of the Antikythera mechanism appears to follow the tradition of Archimedes' planetarium, and may be related to sundials. His modus operandi is based on the use of gears. The machine is dated around 89 B.C. and comes from the wreck found off the island of Antikythera. National Archaeological Museum, Athens, No. 15987.
Antikythera model front panel - Mogi Vicentini, 2007
NSW Chief Health Officer Awarded The Highest Honour In 2021 Women Of The Year Awards
- NSW Premier’s Woman of the Year Award – Dr Kerry Chant
- Woman of Excellence Award – Dr Kerry Chant
- Regional Woman of the Year Award – Grace Brennan
- Cancer Institute NSW Aboriginal Woman of the Year Award – June Riemer
- Aware Super NSW Community Hero of the Year Award – Jean Vickery
- Harvey Norman NSW Young Woman of the Year Award – Dr Samantha Wade
- The One To Watch Award – Molly Croft
The COVID Recession Hit Women Hardest: New Grattan Report
- they lost more jobs than men – almost 8 per cent at the peak of the crisis, compared to 4 per cent for men;
- they shouldered more of the increase in unpaid work – including supervising children learning remotely – taking on an extra hour each day more than men, on top of their existing heavier load; and
- they were less likely to get government support – JobKeeper excluded short-term casuals, who in the hardest-hit industries are mostly women.
Homelessness In Older Women
Successful Trial Shows Way Forward On Quieter Drone Propellers
Researchers Develop Improved Recycling Process For Carbon Fibres
Research Shows We're Surprisingly Similar To Earth's First Animals
Northern Hemisphere Summers May Last Nearly Half The Year By 2100
Disclaimer: These articles are not intended to provide medical advice, diagnosis or treatment. Views expressed here do not necessarily reflect those of Pittwater Online News or its staff.